Remaking Chinese Cinema : : Through the Prism of Shanghai, Hong Kong, and Hollywood / / Yiman Wang.
From melodrama to Cantonese opera, from silents to 3D animated film, Remaking Chinese Cinema traces cross-Pacific film remaking over the last eight decades. Through the refractive prism of Hollywood, Shanghai, and Hong Kong, Yiman Wang revolutionizes our understanding of Chinese cinema as national c...
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| Superior document: | Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package |
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| VerfasserIn: | |
| Place / Publishing House: | Honolulu : : University of Hawaii Press, , [2013] ©2013 |
| Year of Publication: | 2013 |
| Language: | English |
| Series: | Critical Interventions
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| Online Access: | |
| Physical Description: | 1 online resource (264 p.) :; 34 illus. |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction
- 1. The Goddess: Tracking The "Unknown Woman" from Hollywood Through Shanghai to Hong Kong
- 2. Family Resemblance, Class Conflicts: Re-Version of the Sisterhood Singsong Drama
- 3. The Love Parade Goes On: "Western-Costume Cantonese Opera Film" and the Foreignizing Remake
- 4. Mr. Phantom Goes to the East: History and Its Afterlife from Hollywood to Shanghai and Hong Kong
- Conclusion: Mr. Undercover Goes Global
- Notes
- Bibliography
- Filmography
- Index