Voices in Revolution : : Poetry and the Auditory Imagination in Modern China / / John A. Crespi.

• Superior document: Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package
• VerfasserIn: Crespi, John A.,
• Place / Publishing House: Honolulu : : University of Hawaii Press, , [2009]; ©2009
• Year of Publication: 2009
• Language: English
• Physical Description: 1 online resource (248 p.) :; 11 b&w images
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction --; 1. Poetic Interiorities: From Civilization to Nation --; 2. Poetry Off The Page: Sound Aesthetics in Print --; 3. Inventing Recitation: Poetry and the Idea of the Sounding Voice During the War of Resistance --; 4. Wartime Recitals and the Consolidation of a Genre --; 5. Zhu Ziqing and Situational Poetics: Sounding Out an Alternative --; 6. Calculated Passions: The Lyric and the Theatric in Mao-Era Poetry Recitation --; 7. From Yundong to Huodong: The Value of Poetry Recitation in Postsocialist China --; Notes --; Glossary --; Works Cited --; Index --; About the Author
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780824837532; 9783110649772; 9783110564143; 9783110663259
• DOI: 10.1515/9780824837532
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: John A. Crespi.

China's century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun's seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis, Voices in Revolution offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture. Crespi brings the past to life by first examining the ideological changes to poetic voice during China's early twentieth-century transition from empire to nation. He then traces the emergence of the spoken poem from the May Fourth period to the present, including its mobilization during the Anti-Japanese War, its incorporation into the student protest repertoire during China's civil war, its role as a conflicted voice of Mao-era revolutionary passion, and finally its current adaptation to the cultural life of China's party-guided market economy. Voices in Revolution alters the way we read by moving poems off the page and into the real time and space of literary activity. To all readers it offers an accessible yet conceptually fresh and often dramatic narration of China's modern literary experience. Specialists will appreciate the book's inclusion of noncanonical texts as well as its innovative interdisciplinary approach.