The Symbolic Imagination : : Coleridge and the Romantic Tradition / / Robert J. Barth.

• Superior document: Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014
• VerfasserIn: Barth, Robert J.,
• Place / Publishing House: New York, NY : : Fordham University Press, , [2021]; ©2001
• Year of Publication: 2021
• Language: English
• Series: Studies in Religion and Literature
• Physical Description: 1 online resource (176 p.)
• Other title: Frontmatter --; CONTENTS --; Series Editor's Introduction --; Abbreviations --; Preface to the First Edition --; Preface to the Second Edition --; Past and Present: A Prologue --; 1. Theological Foundations of Coleridge on Imagination --; 2. Symbol as Sacrament --; 3. The Poetry of Reference --; 4. The Poetry of Encounter: Wordsworth --; 5. The Poetry of Encounter: Coleridge --; 6. The Scriptural Imagination --; 7. Symbol and Romanticism --; 8. Symbol and Religion: Past and Future --; List of Works Cited --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780823297061; 9783111189604; 9783110707298
• DOI: 10.1515/9780823297061
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Robert J. Barth.

The original edition of this book studied the nature of symbol in Coleridge’s work, showing that it is central to Coleridge’s intellectual endeavor in poetry and criticism as well as in philosophy and theology. Symbol was for Coleridge essentially a religious reality, that participates in the nature of a sacrament as an encounter between material and spiritual reality. The author shows how Wordsworth and Coleridge developed a poetry, unlike that of the eighteenth century, based on symbolic imagination. He then related this symbolic poetry to the tradition of romanticism itself Richard Harter Fogle wrote of the original edition: “This is a just, graceful, and penetrating book. Considering the complexity of the material, it is lucid and often eloquent. Father Barth’s interpretation of Coleridge’s doctrine of symbol is essentially original, as are his illustrative readings from the poems. His substantial essay moves harmoniously from Coleridge's particular insights to their wider implications for romanticism.” In this new edition, the author has enlarged the scope of his study, first reviewing in an introductory chapter the important scholarship of the past twenty years on symbol and imagination. He then goes on to give his work a deeper theological foundation, and to extend his argument to embrace what he calls Coleridge’s “scriptural imagination.” As in the original edition, he concludes that symbol is a phenomenon profoundly linked with the experience of romanticism itself and with a fundamental change in religious sensibility that has echoes even in our own time.