Chesterton and Evil / / Mark Knight.

In the engaging Chesterton and Evil, Mark Knight offers a compelling analysis of the increasingly marginalized, but undoubtedly influential Gilbert Keith Chesterton and his late 19th and early 20th century fiction. In his Autobiography Chesterton observed: "Perhaps, when I eventually emerged as...

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Superior document:Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014
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Place / Publishing House:New York, NY : : Fordham University Press, , [2022]
©2004
Year of Publication:2022
Language:English
Series:Studies in Religion and Literature
Online Access:
Physical Description:1 online resource (340 p.)
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505 0 0 |t Frontmatter --   |t CONTENTS --   |t ACKNOWLEDGMENTS --   |t 1 Introduction --   |t 2 The 1890s, Detective Fiction, and the Nature of Evil --   |t 3 Creation and the Grotesque --   |t 4 Nothingness, Solipsism, and the Grotesque --   |t 5 CONFESSION, THE CHURCH, AND THE PROBLEM OF EVIL --   |t WORKS CITED --   |t INDEX 
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520 |a In the engaging Chesterton and Evil, Mark Knight offers a compelling analysis of the increasingly marginalized, but undoubtedly influential Gilbert Keith Chesterton and his late 19th and early 20th century fiction. In his Autobiography Chesterton observed: "Perhaps, when I eventually emerged as a sort of theorist, and was described as an Optimist, it was because I was one of the few people in that world of diabolism who really believed in devils." Arguing that a serious analysis of the nature of evil is at the center of his fiction, Chesterton and Evil offers an exciting, new interdisciplinary reading of Chesterton's work, and provides a means of locating it among important theological and cultural concerns of his age. 
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546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) 
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