Stealing a Gift : : Kierkegaard's Pseudonyms and the Bible / / Jolita Pons.

This book studies the use of biblical "ations in Kierkegaard’s pseudonymous works, as well as Kierkegaard’s hermeneutical methods in general. Kierkegaard’s mode of writing in these works—indeed, the very method of indirect communication—consists in a certain appropriation of the Bible. Kierkega...

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Superior document:Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014
VerfasserIn:
Place / Publishing House:New York, NY : : Fordham University Press, , [2022]
©2005
Year of Publication:2022
Language:English
Series:Perspectives in Continental Philosophy
Online Access:
Physical Description:1 online resource (272 p.)
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction --   |t List of Abbreviations --   |t 1 Quotation Theory --   |t 2 Kierkegaard’s Hermeneutics: Hidden Communication --   |t 3 Explicit Views: Kierkegaard on the Use and Reading of the Bible --   |t 4 Fictitious Stories --   |t 5 Deviations --   |t 6 Stealing a Gift --   |t Notes --   |t Bibliography --   |t Index 
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520 |a This book studies the use of biblical "ations in Kierkegaard’s pseudonymous works, as well as Kierkegaard’s hermeneutical methods in general. Kierkegaard’s mode of writing in these works—indeed, the very method of indirect communication—consists in a certain appropriation of the Bible. Kierkegaard thus becomes God’s “plagiarist,” repeating the Bible by reinscribing it into his own texts, where it becomes a part of his philosophical discourse and relates to most of his conceptual constructions. The Bible might also be called a gift, but a gift that does not belong to Kierkegaard, one he merely passes along to his reader. The invisible omnipresence of God’s Word in the pseudonymous works, as opposed to the signed ones, forces us to revisit the entire distinction between the religious and the aesthetic. 
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