Into Disaster : : Chronicles of Intellectual Life, 1941 / / Maurice Blanchot.

• Superior document: Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2014-2015
• VerfasserIn: Blanchot, Maurice,
• MitwirkendeR: Holland, Michael,
• Place / Publishing House: New York, NY : : Fordham University Press, , [2021]; ©2014
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (160 p.)
• Other title: Frontmatter --; Contents --; Introduction --; Chronicle of Intellectual Life 1 --; The Writers’ Silence --; Chronicle of Intellectual Life 2 --; Two Novels --; France and Contemporary Civilization --; The Art of Montesquieu --; The Search for Tradition --; The Novel and Poetry --; Culture and Civilization --; In Praise of Rhetoric --; A View of Descartes --; A Novel by Mauriac --; Young Novelists --; Theater and the Public --; Mediterranean Inspirations --; Unknown or Underrated Authors --; Terror in Literature --; The Writer and the Public --; Huysmans’s Secret --; The Man in a Hurry --; The Sorbonne Novel --; Paradoxes on the Novel --; Notes --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780823291854; 9783110729030; 9783111189604
• DOI: 10.1515/9780823291854
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Maurice Blanchot.

The German occupation of France put an end to Maurice Blanchot’s career as a political journalist. In April 1941, he began to publish a weekly column of literary criticism in the Journal des Débats, which became the source for his first critical work, Faux pas (1943). As well as providing a unique perspective on cultural life during the occupation, these pieces offer crucial insights into the mind and art of a writer who was to become one of the most influential figures on the French literary scene in the second half of the twentieth century. In addition to laying the basis for the career of one France’s most original writers and thinkers, these articles offer a reminder that Blanchot’s political awareness remains undimmed, through clear if sometimes coded acts of criticism or defiance of the prevailing order.