Art and Aesthetics after Adorno /

Art and Aesthetics after Adorno / / ed. by Robert Kaufman, Ales Erjavec, Thierry de Duve, Anthony J. Cascardi, Claudia Brodsky, J. M. Bernstein, Fred Rush.

Theodor Adorno’s Aesthetic Theory (1970) offers one of the most powerful and comprehensive critiques of art and of the discipline of aesthetics ever written. The work offers a deeply critical engagement with the history and philosophy of aesthetics and with the traditions of European art through the...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014
MitwirkendeR:
Bernstein, J. M.,
Brodsky, Claudia,
Cascardi, Anthony J.,
Duve, Thierry de,
Erjavec, Aleš,
Kaufman, Robert,
Rush, Fred,
HerausgeberIn:
Bernstein, J. M.,
Brodsky, Claudia,
Cascardi, Anthony J.,
Erjavec, Ales,
Kaufman, Robert,
Rush, Fred,
de Duve, Thierry,
Place / Publishing House:New York, NY : : Fordham University Press, , [2022]
©2013
Year of Publication:2022
Language:English
Series:Berkeley Forum in the Humanities
Online Access:
Physical Description:1 online resource (302 p.) :; 3 Illustrations, black and white
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Table of Contents:
  • Frontmatter
  • Table of Contents
  • Prolegomena to Any Future Aesthetics
  • Adorno After Adorno
  • Framing the Sensuous: Objecthood and “Objectivity” in Art After Adorno
  • Poetry After “Poetry After Auschwitz”
  • Aesthetics and the Aesthetic Today: After Adorno
  • “The Demand for Ugliness”: Picasso’s Bodies
  • Resisting Adorno, Revamping Kant
  • Endnotes
  • Contributors

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