Anarchaeologies : : Reading as Misreading / / Erin Graff Zivin.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 English
• VerfasserIn: Graff Zivin, Erin,
• Place / Publishing House: New York, NY : : Fordham University Press, , [2020]; ©2020
• Year of Publication: 2020
• Language: English
• Series: Lit Z
• Physical Description: 1 online resource (192 p.) :; 12
• Other title: Frontmatter --; Contents --; Introduction: ethical and political thinking after literature --; Part I. Anarchaeologies --; Misunderstanding literature --; Toward an anarchaeological latinamericanism --; Part II. The ethical turn --; Ethics against politics --; Levinas in Latin America --; Part III. Violent ethics --; Abraham’s double bind --; Untimely ethics: deconstruction and its precursors --; Part IV. Political thinking after literature --; The metapolitics of allegory --; The aesthetics and politics of error --; Part V. Exposure and indisciplinarity --; Toward a passive university --; Afterword: Truth and error in the age of trump --; Acknowledgments --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780823286843; 9783110704716; 9783110704518; 9783110704747; 9783110704532; 9783110722710
• DOI: 10.1515/9780823286843?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Erin Graff Zivin.

How do we read after the so-called death of literature? If we are to attend to the proclamations that the representational apparatuses of literature and politics are dead, what aesthetic, ethical, and political possibilities remain for us today? Our critical moment, Graff Zivin argues, demands anarchaeological reading: reading for the blind spots, errors, points of opacity or untranslatability in works of philosophy and art.Rather than applying concepts from philosophy in order to understand or elucidate cultural works, the book exposes works of philosophy, literary theory, narrative, poetry, film, and performance art and activism to one another. Working specifically with art, film, and literature from Argentina (Jorge Luis Borges, Juán José Saer, Ricardo Piglia, César Aira, Albertina Carri, the Internacional Errorista), Graff Zivin allows such thinkers as Levinas, Derrida, Badiou, and Rancière to be inflected by Latin American cultural production. Through these acts of interdiscursive and interdisciplinary (or indisciplinary) exposure, such ethical and political concepts as identification and recognition, decision and event, sovereignty and will, are read as constitutively impossible, erroneous. Rather than weakening either ethics or politics, however, the anarchaeological reading these works stage and demand opens up and radicalizes the possibility of justice.