Saint Marks : : Words, Images, and What Persists / / Jonathan Goldberg.

Saint Marks invokes and pluralizes the figure of Mark in order to explore relations between painting and writing. Emphasizing that the saint is not a singular biographical individual in the various biblical and hagiographic texts that involve someone so named, the book takes as its ultimate concern...

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Superior document:Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2019
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Place / Publishing House:New York, NY : : Fordham University Press, , [2018]
©2019
Year of Publication:2018
Language:English
Online Access:
Physical Description:1 online resource (240 p.) :; 24 color and 4 b/w illustrations
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245 1 0 |a Saint Marks :  |b Words, Images, and What Persists /  |c Jonathan Goldberg. 
264 1 |a New York, NY :   |b Fordham University Press,   |c [2018] 
264 4 |c ©2019 
300 |a 1 online resource (240 p.) :  |b 24 color and 4 b/w illustrations 
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505 0 0 |t Frontmatter --   |t contents --   |t preface --   |t figures and plates --   |t part I. Painting Marks --   |t chapter 1. Atmospherics (Bellini) --   |t chapter 2. Gravity (Tintoretto) --   |t part II. Writing Marks --   |t chapter 3. Stones (of Venice) --   |t chapter 4. Secrets --   |t acknowledgments --   |t notes --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Saint Marks invokes and pluralizes the figure of Mark in order to explore relations between painting and writing. Emphasizing that the saint is not a singular biographical individual in the various biblical and hagiographic texts that involve someone so named, the book takes as its ultimate concern the kinds of material life that outlive the human subject.From the incommensurate, anachronic instances in which Saint Mark can be located-among them, as Evangelist or as patron saint of Venice-the book traces Mark's afterlives within art, sacred texts, and literature in conversation with such art historians and philosophers as Aby Warburg, Giorgio Agamben, Georges Didi-Huberman, T. J. Clark, Adrian Stokes, and Jean-Luc Nancy. Goldberg begins in sixteenth-century Venice, with a series of paintings by Gentile and Giovanni Bellini, Tintoretto, and others, that have virtually nothing to do with biblical texts. He turns then to the legacy of John Ruskin's Stones of Venice and through it to questions about what painting does as painting. A final chapter turns to ancient texts, considering the Gospel of St. Mark together with its double, the so-called Secret Gospel that has occasioned controversy for its homoerotic implications.The posthumous persistence of a life is what the gospel named Mark calls the Kingdom of God. Saints have posthumous lives; but so too do paintings and texts. This major interdisciplinary study by one of our most astute cultural critics extends what might have been a purely theological subject to embrace questions central to cultural practice from the ancient world to the present. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Art  |x Psychology. 
650 7 |a ART / History / Renaissance.  |2 bisacsh 
653 |a Homoeroticism. 
653 |a Materiality. 
653 |a Painting and writing. 
653 |a Saint Mark. 
653 |a Venetian Renaissance painting. 
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776 0 |c print  |z 9780823282081 
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