Of Stigmatology : : Punctuation as Experience / / Peter Szendy.

What if our existence is a product of its interruptions? What if the words that structure our lives are themselves governed by the periods and commas that bring them to a close, or our images by the cinematic cuts that mark them off? Are we, like Chekhov's clerk, who dreams of being pursued by...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2018
VerfasserIn:
TeilnehmendeR:
Place / Publishing House:New York, NY : : Fordham University Press, , [2018]
©2018
Year of Publication:2018
Language:English
Series:Verbal Arts: Studies in Poetics
Online Access:
Physical Description:1 online resource (184 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 04850nam a22008535i 4500
001 9780823278145
003 DE-B1597
005 20220302035458.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220302t20182018nyu fo d z eng d
020 |a 9780823278145 
024 7 |a 10.1515/9780823278145  |2 doi 
035 |a (DE-B1597)555422 
035 |a (OCoLC)1013521947 
040 |a DE-B1597  |b eng  |c DE-B1597  |e rda 
041 0 |a eng 
044 |a nyu  |c US-NY 
072 7 |a PHI001000  |2 bisacsh 
082 0 4 |a 411  |2 23 
100 1 |a Szendy, Peter,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Of Stigmatology :  |b Punctuation as Experience /  |c Peter Szendy. 
264 1 |a New York, NY :   |b Fordham University Press,   |c [2018] 
264 4 |c ©2018 
300 |a 1 online resource (184 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
490 0 |a Verbal Arts: Studies in Poetics 
505 0 0 |t Frontmatter --   |t Contents --   |t Translator's Note --   |t 1 Stigmatology --   |t 2 From the Rubrica to the Smiley: A Portable History --   |t 3 The Point of (No) Monument, or Tristram's Cut --   |t 4 (Un)pointings --   |t 5 P.S.: On Restitching (Lacan vs. Derrida) --   |t 6 Phrasing, or The Holes in Meaning --   |t 7 The Dotted Lines of Auscultation --   |t 8 Monauralisms, or The Bubble of Quotation Marks --   |t 9 Punctum Saliens, or The Pulsating Point --   |t 10 The Point of the Overcast Stitch --   |t 11 Ekphrasis --   |t 12 General Chatter --   |t 13 Punctuation and Politics, or Th e Dot above the i --   |t 14 Final Survey --   |t Notes --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a What if our existence is a product of its interruptions? What if the words that structure our lives are themselves governed by the periods and commas that bring them to a close, or our images by the cinematic cuts that mark them off? Are we, like Chekhov's clerk, who dreams of being pursued by angry exclamation marks, or Scorsese's Jake LaMotta, bloodied by one violently edited fight after another, the products of punctuation-or as Peter Szendy asks us to think of it, punchuation? Of Stigmatology elaborates for the first time a general theory of punctuation. Beginning with punctuation marks in the common sense, Peter Szendy goes on to trace the effects of punctuation more broadly, arguing that looking and hearing are not passive acts of reception, but themselves punctuate the images and sounds they take in. Szendy reads an astonishing range of texts and traditions, from medical auscultation to literature (Chekhov, Sterne, Kafka), philosophy (Hegel, Nietzsche, Heidegger, Derrida), psychoanalysis (Lacan), and film (Raging Bull, The Trial, Fight Club).Repeatedly, what Szendy finds in these works is a punctuation that marks experience itself, that seeks (and ultimately fails) to bind the subject to itself. This is the stigmatology of the punctuation mark on the page that structures texts from ancient to digital, as well as the punchuation of experience, as though at the hands of a boxer. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Punctuation. 
650 0 |a Signs and symbols. 
650 0 |a Written communication. 
650 4 |a Literary Studies. 
650 4 |a Music. 
650 4 |a Philosophy & Theory. 
650 7 |a PHILOSOPHY / Aesthetics.  |2 bisacsh 
653 |a Auscultation. 
653 |a Literature. 
653 |a Punctuation. 
653 |a Stigmatology. 
653 |a deconstruction. 
653 |a experience. 
653 |a film. 
653 |a philosophy. 
653 |a psychoanalysis. 
700 1 |a Plug, Jan. 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Fordham University Press Complete eBook-Package 2018  |z 9783110729009 
776 0 |c print  |z 9780823278114 
856 4 0 |u https://doi.org/10.1515/9780823278145?locatt=mode:legacy 
856 4 0 |u https://www.degruyter.com/isbn/9780823278145 
856 4 2 |3 Cover  |u https://www.degruyter.com/document/cover/isbn/9780823278145/original 
912 |a 978-3-11-072900-9 Fordham University Press Complete eBook-Package 2018  |b 2018 
912 |a EBA_BACKALL 
912 |a EBA_CL_PLTLJSIS 
912 |a EBA_EBACKALL 
912 |a EBA_EBKALL 
912 |a EBA_ECL_PLTLJSIS 
912 |a EBA_EEBKALL 
912 |a EBA_ESSHALL 
912 |a EBA_PPALL 
912 |a EBA_SSHALL 
912 |a GBV-deGruyter-alles 
912 |a PDA11SSHE 
912 |a PDA13ENGE 
912 |a PDA17SSHEE 
912 |a PDA5EBK