All Ears : : The Aesthetics of Espionage / / Peter Szendy.
The world of international politics has recently been rocked by a seemingly endless series of scandals involving auditory surveillance: the NSA's warrantless wiretapping is merely the most sensational example of what appears to be a universal practice today. What is the source of this generaliz...
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Superior document: | Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2018 |
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Place / Publishing House: | New York, NY : : Fordham University Press, , [2016] ©2018 |
Year of Publication: | 2016 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (176 p.) |
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100 | 1 | |a Szendy, Peter, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a All Ears : |b The Aesthetics of Espionage / |c Peter Szendy. |
264 | 1 | |a New York, NY : |b Fordham University Press, |c [2016] | |
264 | 4 | |c ©2018 | |
300 | |a 1 online resource (176 p.) | ||
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505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t (No) More Ears: A Preface to the English- Language Edition -- |t Translator's Note -- |t Entrance: The Spies of Jericho -- |t Discipline and Listen -- |t Underground Passage: The Mole in Its Burrow -- |t In the Footsteps of Orpheus -- |t Exit: J.D.'s Dream -- |t NOTES -- |t BIBLIOGRAPHY |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a The world of international politics has recently been rocked by a seemingly endless series of scandals involving auditory surveillance: the NSA's warrantless wiretapping is merely the most sensational example of what appears to be a universal practice today. What is the source of this generalized principle of eavesdropping?All Ears: The Aesthetics of Espionage traces the long history of moles from the Bible, through Jeremy Bentham's "panacoustic" project, all the way to the intelligence-gathering network called "Echelon." Together with this archeology of auditory surveillance, Szendy offers an engaging account of spycraft's representations in literature (Sophocles, Shakespeare, Joyce, Kafka, Borges), opera (Monteverdi, Mozart, Berg), and film (Lang, Hitchcock, Coppola, De Palma). Following in the footsteps of Orpheus, the book proposes a new concept of "overhearing" that connects the act of spying to an excessive intensification of listening. At the heart of listening Szendy locates the ear of the Other that manifests itself as the originary division of a "split-hearing" that turns the drive for mastery and surveillance into the death drive. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
650 | 0 | |a Aesthetics. | |
650 | 0 | |a Espionage. | |
650 | 0 | |a Motion pictures |x Aesthetics. | |
650 | 0 | |a Music |x Philosophy and aesthetics. | |
650 | 0 | |a Opera. | |
650 | 4 | |a Cinema & Media Studies. | |
650 | 4 | |a Music. | |
650 | 4 | |a Philosophy & Theory. | |
650 | 7 | |a PHILOSOPHY / Aesthetics. |2 bisacsh | |
653 | |a Bentham. | ||
653 | |a Coppola. | ||
653 | |a Deleuze. | ||
653 | |a Derrida. | ||
653 | |a Foucault. | ||
653 | |a Kafka. | ||
653 | |a Mozart. | ||
653 | |a Orpheus. | ||
653 | |a espionage. | ||
653 | |a surveillance. | ||
700 | 1 | |a Végső, Roland. | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Fordham University Press Complete eBook-Package 2018 |z 9783110729009 |
776 | 0 | |c print |z 9780823273959 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9780823273980 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780823273980 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780823273980/original |
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