The Poetics of Ruins in Renaissance Literature / / Andrew Hui.
The Renaissance was the Ruin-naissance, the birth of the ruin as a distinct category of cultural discourse, one that inspired voluminous poetic production. For humanists, the ruin became the material sign that marked the rupture between themselves and classical antiquity. In the first full-length bo...
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| Superior document: | Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2017 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | New York, NY : : Fordham University Press, , [2017] ©2017 |
| Year of Publication: | 2017 |
| Language: | English |
| Series: | Verbal Arts: Studies in Poetics
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| Online Access: | |
| Physical Description: | 1 online resource (296 p.) |
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| 100 | 1 | |a Hui, Andrew, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 4 | |a The Poetics of Ruins in Renaissance Literature / |c Andrew Hui. |
| 264 | 1 | |a New York, NY : |b Fordham University Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (296 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 0 | |a Verbal Arts: Studies in Poetics | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Figures and Color Plates -- |t Introduction. A Japanese Friend -- |t Part I -- |t Chapter 1. The Rebirth of Poetics -- |t Chapter 2. The Rebirth of Ruins -- |t Part II -- |t Chapter 3. Petrarch's Vestigia and the Presence of Absence -- |t Chapter 4. The Hypnerotomachia Poliphili and the Erotics of Fragments -- |t Chapter 5. Du Bellay's Cendre and the Formless Signifier -- |t Chapter 6. Spenser's Moniment and the Allegory of Ruins -- |t Epilogue. Fallen Castles and Summer Grass -- |t Acknowledgments -- |t Notes -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a The Renaissance was the Ruin-naissance, the birth of the ruin as a distinct category of cultural discourse, one that inspired voluminous poetic production. For humanists, the ruin became the material sign that marked the rupture between themselves and classical antiquity. In the first full-length book to document this cultural phenomenon, Andrew Hui explains how the invention of the ruin propelled poets into creating works that were self-aware of their absorption of the past as well as their own survival in the future. | ||
| 530 | |a Issued also in print. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 4 | |a Art & Visual Culture. | |
| 650 | 4 | |a Literary Studies. | |
| 650 | 4 | |a Renaissance Studies. | |
| 650 | 7 | |a LITERARY CRITICISM / Renaissance. |2 bisacsh | |
| 653 | |a Aesthetic of Ruins. | ||
| 653 | |a Cultural Philology. | ||
| 653 | |a Du Bellay. | ||
| 653 | |a Hypnerotomachia Poliphili. | ||
| 653 | |a Monuments. | ||
| 653 | |a Petrarch. | ||
| 653 | |a Poetic Immortality. | ||
| 653 | |a Renaissance Aesthetics. | ||
| 653 | |a Spenser. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Fordham University Press Complete eBook-Package 2017 |z 9783110729016 |
| 776 | 0 | |c print |z 9780823273355 | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780823273379 |
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