Fugitive Testimony : : On the Visual Logic of Slave Narratives / / Janet Neary.

Fugitive Testimony traces the long arc of the African American slave narrative from the eighteenth century to the present in order to rethink the epistemological limits of the form and to theorize the complicated interplay between the visual and the literary throughout its history. Gathering an arch...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2016
VerfasserIn:
Place / Publishing House:New York, NY : : Fordham University Press, , [2016]
©2016
Year of Publication:2016
Language:English
Online Access:
Physical Description:1 online resource (232 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
id 9780823272921
ctrlnum (DE-B1597)555049
(OCoLC)958551814
collection bib_alma
record_format marc
spelling Neary, Janet, author. aut http://id.loc.gov/vocabulary/relators/aut
Fugitive Testimony : On the Visual Logic of Slave Narratives / Janet Neary.
New York, NY : Fordham University Press, [2016]
©2016
1 online resource (232 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- Introduction: Representational Static -- 1. Sight Unseen: Contemporary Visual Slave Narratives -- 2. Behind the Scenes and Inside Out: Elizabeth Keckly's Use of the Slave Narrative Form -- 3. Optical Allusions: Textual Visuality in Running a Thousand Miles for Freedom -- 4. "Th e Shadow of the Cloud": Racial Speculation and Cultural Vision in Solomon Northup's Twelve Years a Slave -- 5. Gestures Against Movements: Henry Box Brown and Economies of Narrative Performance -- Epilogue. Racial Violence, Racial Capitalism, and Reading Revolution: Harriet Jacobs, John Jones, Kerry James Marshall, and Kyle Baker -- Acknowledgments -- Notes -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Fugitive Testimony traces the long arc of the African American slave narrative from the eighteenth century to the present in order to rethink the epistemological limits of the form and to theorize the complicated interplay between the visual and the literary throughout its history. Gathering an archive of ante- and postbellum literary slave narratives as well as contemporary visual art, Janet Neary brings visual and performance theory to bear on the genre's central problematic: that the ex-slave narrator must be both object and subject of his or her own testimony.Taking works by current-day visual artists, including Glenn Ligon, Kara Walker, and Ellen Driscoll, Neary employs their representational strategies to decode the visual work performed in nineteenth-century literary narratives by Elizabeth Keckley, Solomon Northup, William Craft, Henry Box Brown, and others. She focuses on the textual visuality of these narratives to illustrate how their authors use the logic of the slave narrative against itself as a way to undermine the epistemology of the genre and to offer a model of visuality as intersubjective recognition rather than objective division.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
Art, Modern 20th century Themes, motives.
Semiotics and the arts.
Slave narratives United States History and criticism.
Slavery in art.
African American Studies.
American Studies.
Art & Visual Culture.
LITERARY CRITICISM / American / African-American. bisacsh
African American literature.
Elizabeth Keckley.
Henry Box Brown.
Slave narratives.
Solomon Northup.
William Craft.
fugitivity.
visual culture.
visuality.
Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2016 9783110729023
print 9780823272891
https://doi.org/10.1515/9780823272921
https://www.degruyter.com/isbn/9780823272921
Cover https://www.degruyter.com/document/cover/isbn/9780823272921/original
language English
format eBook
author Neary, Janet,
Neary, Janet,
spellingShingle Neary, Janet,
Neary, Janet,
Fugitive Testimony : On the Visual Logic of Slave Narratives /
Frontmatter --
Contents --
Introduction: Representational Static --
1. Sight Unseen: Contemporary Visual Slave Narratives --
2. Behind the Scenes and Inside Out: Elizabeth Keckly's Use of the Slave Narrative Form --
3. Optical Allusions: Textual Visuality in Running a Thousand Miles for Freedom --
4. "Th e Shadow of the Cloud": Racial Speculation and Cultural Vision in Solomon Northup's Twelve Years a Slave --
5. Gestures Against Movements: Henry Box Brown and Economies of Narrative Performance --
Epilogue. Racial Violence, Racial Capitalism, and Reading Revolution: Harriet Jacobs, John Jones, Kerry James Marshall, and Kyle Baker --
Acknowledgments --
Notes --
Index
author_facet Neary, Janet,
Neary, Janet,
author_variant j n jn
j n jn
author_role VerfasserIn
VerfasserIn
author_sort Neary, Janet,
title Fugitive Testimony : On the Visual Logic of Slave Narratives /
title_sub On the Visual Logic of Slave Narratives /
title_full Fugitive Testimony : On the Visual Logic of Slave Narratives / Janet Neary.
title_fullStr Fugitive Testimony : On the Visual Logic of Slave Narratives / Janet Neary.
title_full_unstemmed Fugitive Testimony : On the Visual Logic of Slave Narratives / Janet Neary.
title_auth Fugitive Testimony : On the Visual Logic of Slave Narratives /
title_alt Frontmatter --
Contents --
Introduction: Representational Static --
1. Sight Unseen: Contemporary Visual Slave Narratives --
2. Behind the Scenes and Inside Out: Elizabeth Keckly's Use of the Slave Narrative Form --
3. Optical Allusions: Textual Visuality in Running a Thousand Miles for Freedom --
4. "Th e Shadow of the Cloud": Racial Speculation and Cultural Vision in Solomon Northup's Twelve Years a Slave --
5. Gestures Against Movements: Henry Box Brown and Economies of Narrative Performance --
Epilogue. Racial Violence, Racial Capitalism, and Reading Revolution: Harriet Jacobs, John Jones, Kerry James Marshall, and Kyle Baker --
Acknowledgments --
Notes --
Index
title_new Fugitive Testimony :
title_sort fugitive testimony : on the visual logic of slave narratives /
publisher Fordham University Press,
publishDate 2016
physical 1 online resource (232 p.)
Issued also in print.
contents Frontmatter --
Contents --
Introduction: Representational Static --
1. Sight Unseen: Contemporary Visual Slave Narratives --
2. Behind the Scenes and Inside Out: Elizabeth Keckly's Use of the Slave Narrative Form --
3. Optical Allusions: Textual Visuality in Running a Thousand Miles for Freedom --
4. "Th e Shadow of the Cloud": Racial Speculation and Cultural Vision in Solomon Northup's Twelve Years a Slave --
5. Gestures Against Movements: Henry Box Brown and Economies of Narrative Performance --
Epilogue. Racial Violence, Racial Capitalism, and Reading Revolution: Harriet Jacobs, John Jones, Kerry James Marshall, and Kyle Baker --
Acknowledgments --
Notes --
Index
isbn 9780823272921
9783110729023
9780823272891
callnumber-first E - United States History
callnumber-subject E - United States History
callnumber-label E444
callnumber-sort E 3444 N43 42017EB
geographic_facet United States
era_facet 20th century
url https://doi.org/10.1515/9780823272921
https://www.degruyter.com/isbn/9780823272921
https://www.degruyter.com/document/cover/isbn/9780823272921/original
illustrated Not Illustrated
dewey-hundreds 300 - Social sciences
dewey-tens 300 - Social sciences, sociology & anthropology
dewey-ones 306 - Culture & institutions
dewey-full 306.3/62092
dewey-sort 3306.3 562092
dewey-raw 306.3/62092
dewey-search 306.3/62092
doi_str_mv 10.1515/9780823272921
oclc_num 958551814
work_keys_str_mv AT nearyjanet fugitivetestimonyonthevisuallogicofslavenarratives
status_str n
ids_txt_mv (DE-B1597)555049
(OCoLC)958551814
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2016
is_hierarchy_title Fugitive Testimony : On the Visual Logic of Slave Narratives /
container_title Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2016
_version_ 1806143454076469248
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04829nam a22008535i 4500</leader><controlfield tag="001">9780823272921</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220302035458.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220302t20162016nyu fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780823272921</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780823272921</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)555049</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)958551814</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nyu</subfield><subfield code="c">US-NY</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">E444</subfield><subfield code="b">.N43 2017eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT004040</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">306.3/62092</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Neary, Janet, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Fugitive Testimony :</subfield><subfield code="b">On the Visual Logic of Slave Narratives /</subfield><subfield code="c">Janet Neary.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY : </subfield><subfield code="b">Fordham University Press, </subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (232 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Introduction: Representational Static -- </subfield><subfield code="t">1. Sight Unseen: Contemporary Visual Slave Narratives -- </subfield><subfield code="t">2. Behind the Scenes and Inside Out: Elizabeth Keckly's Use of the Slave Narrative Form -- </subfield><subfield code="t">3. Optical Allusions: Textual Visuality in Running a Thousand Miles for Freedom -- </subfield><subfield code="t">4. "Th e Shadow of the Cloud": Racial Speculation and Cultural Vision in Solomon Northup's Twelve Years a Slave -- </subfield><subfield code="t">5. Gestures Against Movements: Henry Box Brown and Economies of Narrative Performance -- </subfield><subfield code="t">Epilogue. Racial Violence, Racial Capitalism, and Reading Revolution: Harriet Jacobs, John Jones, Kerry James Marshall, and Kyle Baker -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Fugitive Testimony traces the long arc of the African American slave narrative from the eighteenth century to the present in order to rethink the epistemological limits of the form and to theorize the complicated interplay between the visual and the literary throughout its history. Gathering an archive of ante- and postbellum literary slave narratives as well as contemporary visual art, Janet Neary brings visual and performance theory to bear on the genre's central problematic: that the ex-slave narrator must be both object and subject of his or her own testimony.Taking works by current-day visual artists, including Glenn Ligon, Kara Walker, and Ellen Driscoll, Neary employs their representational strategies to decode the visual work performed in nineteenth-century literary narratives by Elizabeth Keckley, Solomon Northup, William Craft, Henry Box Brown, and others. She focuses on the textual visuality of these narratives to illustrate how their authors use the logic of the slave narrative against itself as a way to undermine the epistemology of the genre and to offer a model of visuality as intersubjective recognition rather than objective division.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art, Modern</subfield><subfield code="y">20th century</subfield><subfield code="x">Themes, motives.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Semiotics and the arts.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Slave narratives</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Slavery in art.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African American Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">American Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art &amp; Visual Culture.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / American / African-American.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">African American literature.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Elizabeth Keckley.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Henry Box Brown.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Slave narratives.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Solomon Northup.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">William Craft.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">fugitivity.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">visual culture.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">visuality.</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Fordham University Press Complete eBook-Package 2016</subfield><subfield code="z">9783110729023</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9780823272891</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780823272921</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780823272921</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780823272921/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-072902-3 Fordham University Press Complete eBook-Package 2016</subfield><subfield code="b">2016</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection>