Tricksters and Cosmopolitans : : Cross-Cultural Collaborations in Asian American Literary Production / / Rei Magosaki.

Tricksters and Cosmopolitans is the first sustained exploration into the history of cross-cultural collaborations between Asian American writers and their non-Asian American editors and publishers. The volume focuses on the literary production of the cosmopolitan subject, featuring the writers Sui S...

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Superior document:Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2016
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Place / Publishing House:New York, NY : : Fordham University Press, , [2016]
©2016
Year of Publication:2016
Language:English
Online Access:
Physical Description:1 online resource (168 p.)
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245 1 0 |a Tricksters and Cosmopolitans :  |b Cross-Cultural Collaborations in Asian American Literary Production /  |c Rei Magosaki. 
264 1 |a New York, NY :   |b Fordham University Press,   |c [2016] 
264 4 |c ©2016 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction --   |t 1. Trickster Poetics at the Turn of the Twentieth Century --   |t 2. The Making of the Cosmopolitan Subject --   |t 3. L.A.-Paris-New York: The Parameters of Literary Production at the Turn of the Twenty-First Century --   |t Notes --   |t Index 
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520 |a Tricksters and Cosmopolitans is the first sustained exploration into the history of cross-cultural collaborations between Asian American writers and their non-Asian American editors and publishers. The volume focuses on the literary production of the cosmopolitan subject, featuring the writers Sui Sin Far, Jessica Hagedorn, Karen Tei Yamashita, Monique Truong, and Min Jin Lee. The newly imagined cosmopolitan subject that emerges from their works dramatically reconfigured Asian American female subjectivity in metropolitan space with a kind of fluidity and ease never before seen. But as Rei Magosaki shows, these narratives also invariably expose the problematic side of this figure, which also serves to perpetuate exploitative structures of Western imperialism and its legacies in late capitalism.Arguing that the actual establishment of such a critical standpoint on imperialism and globalization required the expansive and internationalist vision of editors who supported, cultivated, and promoted these works, Tricksters and Cosmopolitans reveals the negotiations between these authors and their publishers and between the shared investment in both politics and aesthetics that influenced the narrative structure of key works in the Asian American literary canon. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a American literature  |x Asian American authors  |x History and criticism. 
650 0 |a Authors and publishers  |z United States. 
650 0 |a Authorship  |x Collaboration. 
650 0 |a Authorship  |x Social aspects  |z United States. 
650 4 |a Asian American Studies. 
650 4 |a Literary Studies. 
650 7 |a LITERARY CRITICISM / American / Asian American.  |2 bisacsh 
653 |a Archival Research. 
653 |a Asian American Editors. 
653 |a Asian American Literature. 
653 |a Asian American Writers. 
653 |a Cosmopolitans. 
653 |a Globalization. 
653 |a Jessica Hagedorn. 
653 |a Karen Tei Yashamita. 
653 |a Literary Criticism. 
653 |a Min Jee Lee. 
653 |a Monique Truong. 
653 |a Narrative Fiction. 
653 |a Publishing History. 
653 |a Sui Sin Far. 
653 |a Tricksters. 
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