Celebricities : : Media Culture and the Phenomenology of Gadget Commodity Life / / Anthony Curtis Adler.
What becomes of life, experience, and truth in the hyperconsumeristic culture of the twenty-first century? What happens to the phenomenological call to go "back to the things themselves" when these things, to an ever greater degree, involve a televised life that is not ours to live, celebr...
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| Superior document: | Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2016 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | New York, NY : : Fordham University Press, , [2016] ©2016 |
| Year of Publication: | 2016 |
| Language: | English |
| Series: | Idiom: Inventing Writing Theory
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| Online Access: | |
| Physical Description: | 1 online resource (264 p.) |
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| 100 | 1 | |a Adler, Anthony Curtis, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Celebricities : |b Media Culture and the Phenomenology of Gadget Commodity Life / |c Anthony Curtis Adler. |
| 264 | 1 | |a New York, NY : |b Fordham University Press, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (264 p.) | ||
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| 490 | 0 | |a Idiom: Inventing Writing Theory | |
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t EXORDIUM -- |t INTRODUCTION -- |t PART I -- |t 1. THE PHENOMENOLOGY OF TELEVISION -- |t 2. THE LIFE NOT OURS TO LIVE -- |t 3. THE CELEBRITY AND THE NOBODY -- |t 4. BEING(S) -- |t 5. THE LIFE OF THINGS -- |t 6. IDEOLOGY AND TRUTH -- |t 7. THE TRUTH OF THE COMMODITY -- |t 8. VALUE, PUBLICITY, POLITICS -- |t 9. REPRODUCTION -- |t 10. THE GADGET -- |t 11. TO THE THINGS THEMSELVES -- |t PART II -- |t 12. METHODS -- |t 13. CELEBRITY -- |t 14. TELEVISION/GADGET -- |t EPILOGUE -- |t NOTES -- |t BIBLIOGRAPHY -- |t VIDEOGRAPHY -- |t INDEX -- |t ACKNOWLEDGMENTS |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a What becomes of life, experience, and truth in the hyperconsumeristic culture of the twenty-first century? What happens to the phenomenological call to go "back to the things themselves" when these things, to an ever greater degree, involve a televised life that is not ours to live, celebrities who are utterly like us yet infinitely untouchable, and uncannily pluripotent electronic gadgets? Combining sustained philosophical inquiry with fragmentary and experimental theoretical interventions, Anthony Curtis Adler rethinks Marxist materialism and the Heideggerian project in terms of the singular experiences of late capitalism. In doing so, he reveals how the disarticulation of life via the commodity fetish demands at once a new notion of phenomenological method and an ontology oriented toward the radical contingency of being itself as transcendental ground. | ||
| 530 | |a Issued also in print. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 7 | |a PHILOSOPHY / Movements / Phenomenology. |2 bisacsh | |
| 653 | |a Althusser. | ||
| 653 | |a Celebrity. | ||
| 653 | |a Commodity. | ||
| 653 | |a Gadget. | ||
| 653 | |a Heidegger. | ||
| 653 | |a Marx. | ||
| 653 | |a Ontology. | ||
| 653 | |a Phenomenology. | ||
| 653 | |a Television. | ||
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