The Work of Difference : : Modernism, Romanticism, and the Production of Literary Form / / Audrey Wasser.
The Work of Difference addresses a fundamental ontological question: What is literature? And at the heart of this question, it argues, is the problem of the new. How is it that new works or new forms are possible within the rule-governed orders of history, language use, or the social? How are new wo...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2017 |
---|---|
VerfasserIn: | |
Place / Publishing House: | New York, NY : : Fordham University Press, , [2016] ©2017 |
Year of Publication: | 2016 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (216 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780823270088 |
---|---|
ctrlnum |
(DE-B1597)554969 (OCoLC)939195516 |
collection |
bib_alma |
record_format |
marc |
spelling |
Wasser, Audrey, author. aut http://id.loc.gov/vocabulary/relators/aut The Work of Difference : Modernism, Romanticism, and the Production of Literary Form / Audrey Wasser. New York, NY : Fordham University Press, [2016] ©2017 1 online resource (216 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Content -- Introduction -- 1. Form and Fragmentation: Romantic Legacies -- 2. The Book of the World: Form and Intent in New Criticism, Revisited -- 3. Tyranny of the Possible: Blanchot -- 4. A Genesis of the New: Deleuze -- 5. From Figure to Fissure: Self-Correction in Beckett's Molloy, Malone Dies, and The Unnamable -- 6. Hyperbole in Proust's A la recherche du temps perdu -- 7. "How Anything Can Be Different from What It Is": Tautology in Stein's The Making of Americans -- Conclusion -- Appendix -- Notes -- Bibliography -- Index -- Acknowledgments restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The Work of Difference addresses a fundamental ontological question: What is literature? And at the heart of this question, it argues, is the problem of the new. How is it that new works or new forms are possible within the rule-governed orders of history, language use, or the social? How are new works in turn recognizable to already-existing institutions? Tracing the relationship between literature and the problem of newness back to a set of concerns first articulated in early German romanticism, this book goes on to mount a critique of romantic tendencies in contemporary criticism in order, ultimately, to develop an original theory of literary production. Along the way, it offers new readings of major modernist novels by Samuel Beckett, Marcel Proust, and Gertrude Stein. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Literary Studies. Philosophy & Theory. LITERARY CRITICISM / Semiotics & Theory. bisacsh Gertude Stein. Gilles Deleuze. Individuation. Marcel Proust. Modernism. Modernist Novel. Newness. Samuel Beckett. rhetoric. romanticism. Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2017 9783110729016 print 9780823270064 https://doi.org/10.1515/9780823270088?locatt=mode:legacy https://www.degruyter.com/isbn/9780823270088 Cover https://www.degruyter.com/document/cover/isbn/9780823270088/original |
language |
English |
format |
eBook |
author |
Wasser, Audrey, Wasser, Audrey, |
spellingShingle |
Wasser, Audrey, Wasser, Audrey, The Work of Difference : Modernism, Romanticism, and the Production of Literary Form / Frontmatter -- Content -- Introduction -- 1. Form and Fragmentation: Romantic Legacies -- 2. The Book of the World: Form and Intent in New Criticism, Revisited -- 3. Tyranny of the Possible: Blanchot -- 4. A Genesis of the New: Deleuze -- 5. From Figure to Fissure: Self-Correction in Beckett's Molloy, Malone Dies, and The Unnamable -- 6. Hyperbole in Proust's A la recherche du temps perdu -- 7. "How Anything Can Be Different from What It Is": Tautology in Stein's The Making of Americans -- Conclusion -- Appendix -- Notes -- Bibliography -- Index -- Acknowledgments |
author_facet |
Wasser, Audrey, Wasser, Audrey, |
author_variant |
a w aw a w aw |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Wasser, Audrey, |
title |
The Work of Difference : Modernism, Romanticism, and the Production of Literary Form / |
title_sub |
Modernism, Romanticism, and the Production of Literary Form / |
title_full |
The Work of Difference : Modernism, Romanticism, and the Production of Literary Form / Audrey Wasser. |
title_fullStr |
The Work of Difference : Modernism, Romanticism, and the Production of Literary Form / Audrey Wasser. |
title_full_unstemmed |
The Work of Difference : Modernism, Romanticism, and the Production of Literary Form / Audrey Wasser. |
title_auth |
The Work of Difference : Modernism, Romanticism, and the Production of Literary Form / |
title_alt |
Frontmatter -- Content -- Introduction -- 1. Form and Fragmentation: Romantic Legacies -- 2. The Book of the World: Form and Intent in New Criticism, Revisited -- 3. Tyranny of the Possible: Blanchot -- 4. A Genesis of the New: Deleuze -- 5. From Figure to Fissure: Self-Correction in Beckett's Molloy, Malone Dies, and The Unnamable -- 6. Hyperbole in Proust's A la recherche du temps perdu -- 7. "How Anything Can Be Different from What It Is": Tautology in Stein's The Making of Americans -- Conclusion -- Appendix -- Notes -- Bibliography -- Index -- Acknowledgments |
title_new |
The Work of Difference : |
title_sort |
the work of difference : modernism, romanticism, and the production of literary form / |
publisher |
Fordham University Press, |
publishDate |
2016 |
physical |
1 online resource (216 p.) Issued also in print. |
contents |
Frontmatter -- Content -- Introduction -- 1. Form and Fragmentation: Romantic Legacies -- 2. The Book of the World: Form and Intent in New Criticism, Revisited -- 3. Tyranny of the Possible: Blanchot -- 4. A Genesis of the New: Deleuze -- 5. From Figure to Fissure: Self-Correction in Beckett's Molloy, Malone Dies, and The Unnamable -- 6. Hyperbole in Proust's A la recherche du temps perdu -- 7. "How Anything Can Be Different from What It Is": Tautology in Stein's The Making of Americans -- Conclusion -- Appendix -- Notes -- Bibliography -- Index -- Acknowledgments |
isbn |
9780823270088 9783110729016 9780823270064 |
url |
https://doi.org/10.1515/9780823270088?locatt=mode:legacy https://www.degruyter.com/isbn/9780823270088 https://www.degruyter.com/document/cover/isbn/9780823270088/original |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
800 - Literature, rhetoric & criticism |
dewey-ones |
808 - Rhetoric & collections of literature |
dewey-full |
808 |
dewey-sort |
3808 |
dewey-raw |
808 |
dewey-search |
808 |
doi_str_mv |
10.1515/9780823270088?locatt=mode:legacy |
oclc_num |
939195516 |
work_keys_str_mv |
AT wasseraudrey theworkofdifferencemodernismromanticismandtheproductionofliteraryform AT wasseraudrey workofdifferencemodernismromanticismandtheproductionofliteraryform |
status_str |
n |
ids_txt_mv |
(DE-B1597)554969 (OCoLC)939195516 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2017 |
is_hierarchy_title |
The Work of Difference : Modernism, Romanticism, and the Production of Literary Form / |
container_title |
Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2017 |
_version_ |
1806143453904502784 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04092nam a22007935i 4500</leader><controlfield tag="001">9780823270088</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220302035458.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220302t20162017nyu fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780823270088</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780823270088</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)554969</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)939195516</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nyu</subfield><subfield code="c">US-NY</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT006000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">808</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wasser, Audrey, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Work of Difference :</subfield><subfield code="b">Modernism, Romanticism, and the Production of Literary Form /</subfield><subfield code="c">Audrey Wasser.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY : </subfield><subfield code="b">Fordham University Press, </subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (216 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Content -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">1. Form and Fragmentation: Romantic Legacies -- </subfield><subfield code="t">2. The Book of the World: Form and Intent in New Criticism, Revisited -- </subfield><subfield code="t">3. Tyranny of the Possible: Blanchot -- </subfield><subfield code="t">4. A Genesis of the New: Deleuze -- </subfield><subfield code="t">5. From Figure to Fissure: Self-Correction in Beckett's Molloy, Malone Dies, and The Unnamable -- </subfield><subfield code="t">6. Hyperbole in Proust's A la recherche du temps perdu -- </subfield><subfield code="t">7. "How Anything Can Be Different from What It Is": Tautology in Stein's The Making of Americans -- </subfield><subfield code="t">Conclusion -- </subfield><subfield code="t">Appendix -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index -- </subfield><subfield code="t">Acknowledgments</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The Work of Difference addresses a fundamental ontological question: What is literature? And at the heart of this question, it argues, is the problem of the new. How is it that new works or new forms are possible within the rule-governed orders of history, language use, or the social? How are new works in turn recognizable to already-existing institutions? Tracing the relationship between literature and the problem of newness back to a set of concerns first articulated in early German romanticism, this book goes on to mount a critique of romantic tendencies in contemporary criticism in order, ultimately, to develop an original theory of literary production. Along the way, it offers new readings of major modernist novels by Samuel Beckett, Marcel Proust, and Gertrude Stein.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Philosophy & Theory.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / Semiotics & Theory.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Gertude Stein.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Gilles Deleuze.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Individuation.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Marcel Proust.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Modernism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Modernist Novel.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Newness.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Samuel Beckett.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">rhetoric.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">romanticism.</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Fordham University Press Complete eBook-Package 2017</subfield><subfield code="z">9783110729016</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9780823270064</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780823270088?locatt=mode:legacy</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780823270088</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780823270088/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-072901-6 Fordham University Press Complete eBook-Package 2017</subfield><subfield code="b">2017</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_LS</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_LS</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |