Aesthetics of Negativity : : Blanchot, Adorno, and Autonomy / / William S. Allen.
Maurice Blanchot and Theodor W. Adorno are among the most difficult but also the most profound thinkers in twentieth-century aesthetics. While their methods and perspectives differ widely, they share a concern with the negativity of the artwork conceived in terms of either its experience and possibi...
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| Superior document: | Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2016 |
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| Place / Publishing House: | New York, NY : : Fordham University Press, , [2016] ©2016 |
| Year of Publication: | 2016 |
| Language: | English |
| Series: | Perspectives in Continental Philosophy
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| Online Access: | |
| Physical Description: | 1 online resource (338 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Abbreviations
- Acknowledgments
- Introduction: Abstract and Concrete Modernity
- PART I. Contre- Temps
- 1. Autonomous Literature
- 2. The Obscurities of Artistic Innovation
- PART II. Negative Spaces
- 3. Dead Transcendence
- 4. An Image of Thought in Thomas l'Obscur
- 5. Indifferent Reading in Aminadab
- PART III. Material Ambiguity
- 6. The Language-Like Quality of the Artwork
- 7. The Possibility of Speculative Writing
- PART IV. Grey Literature
- 8. Echo Location
- 9. The Negativity of Thinking through Language
- Appendix: Thomas l'Obscur, Chapter 1
- Notes
- Bibliography
- Index