Phantom Limbs : : On Musical Bodies / / Peter Szendy.
The prostheses Peter Szendy explores-those peculiar artifacts known as musical instruments-are not only technical devices but also bodies that live a strange phantom life, as uncanny as a sixth finger or a third lung.The musicological impulse to inventory those bodies that produce sound is called in...
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Place / Publishing House: | New York, NY : : Fordham University Press, , [2015] ©2015 |
Year of Publication: | 2015 |
Language: | English |
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Physical Description: | 1 online resource (208 p.) |
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Szendy, Peter, author. aut http://id.loc.gov/vocabulary/relators/aut Phantom Limbs : On Musical Bodies / Peter Szendy. New York, NY : Fordham University Press, [2015] ©2015 1 online resource (208 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- Training -- Chapter 1 Interpreting Bodies -- Chapter 2 Effictions -- Chapter 3 Organologics (1): The Erasure of Bodies -- Chapter 4 Touch-ups, or The Return of Bodies -- Chapter 5 Idiotisms, or The Dialect of Bodies -- Chapter 6 Monk, a Legend -- Chapter 7 Traces of Fingers -- Chapter 8 Digital Rhetoric -- Chapter 9 Ablations and Grafts (Too Many Fingers) -- Chapter 10 Romantic Fingers (System of Touch) -- Chapter 11 Feet -- Chapter 12 Joyful Tropiques (Evolution, Revolutions) -- Chapter 13 Two Dispatches (One Fictive and the Other Dreamed Up) -- Chapter 14 Organologics (2): Autophony -- Chapter 15 Genesis (1): Ocular Harpsichord, Organ of Flavors -- Chapter 16 Telepathy -- Chapter 17 Scruples (Clones and Stand-ins) -- Chapter 18 Conducting (Seen from the Back) -- Chapter 19 Genesis (2): Fantasia, or "Plasmaticity" -- Chapter 20 Touching from Afar -- Chapter 21 Organologics (3): Areality -- Chapter 22 Bodies Electric -- Chapter 23 Mass Formations -- P.S. -- Notes restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The prostheses Peter Szendy explores-those peculiar artifacts known as musical instruments-are not only technical devices but also bodies that live a strange phantom life, as uncanny as a sixth finger or a third lung.The musicological impulse to inventory those bodies that produce sound is called into question here. In Szendy's hands, its respectable corpus of scholarship is read aslant, so as to tease out what it usually prefers to hide: hybrids and grafts produced by active fictions, monsters, and chimera awaiting the opportunity to be embodied. Beyond these singular bodies that music composes and disposes there lies the figure of a collective "social" body ready to emerge amid an innervated apparatus that operates at a distance, telepathically.Phantom Limbs touches on bodies of all shapes and sizes that haunt the edges of music's conceptualizations. Music continually reinvents such bodies and reconvenes them in new collective formations. It is their dynamics and crystallizations that Szendy auscultates on a motley corpus that includes Bach, Diderot, Berlioz, Eisenstein, Disney, and Monk. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Human body in music. Music Philosophy and aesthetics. MUSIC / History & Criticism. bisacsh Bishop, Will. Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2014-2015 9783110729030 print 9780823267057 https://doi.org/10.1515/9780823267088?locatt=mode:legacy https://www.degruyter.com/isbn/9780823267088 Cover https://www.degruyter.com/document/cover/isbn/9780823267088/original |
language |
English |
format |
eBook |
author |
Szendy, Peter, Szendy, Peter, |
spellingShingle |
Szendy, Peter, Szendy, Peter, Phantom Limbs : On Musical Bodies / Frontmatter -- CONTENTS -- Training -- Chapter 1 Interpreting Bodies -- Chapter 2 Effictions -- Chapter 3 Organologics (1): The Erasure of Bodies -- Chapter 4 Touch-ups, or The Return of Bodies -- Chapter 5 Idiotisms, or The Dialect of Bodies -- Chapter 6 Monk, a Legend -- Chapter 7 Traces of Fingers -- Chapter 8 Digital Rhetoric -- Chapter 9 Ablations and Grafts (Too Many Fingers) -- Chapter 10 Romantic Fingers (System of Touch) -- Chapter 11 Feet -- Chapter 12 Joyful Tropiques (Evolution, Revolutions) -- Chapter 13 Two Dispatches (One Fictive and the Other Dreamed Up) -- Chapter 14 Organologics (2): Autophony -- Chapter 15 Genesis (1): Ocular Harpsichord, Organ of Flavors -- Chapter 16 Telepathy -- Chapter 17 Scruples (Clones and Stand-ins) -- Chapter 18 Conducting (Seen from the Back) -- Chapter 19 Genesis (2): Fantasia, or "Plasmaticity" -- Chapter 20 Touching from Afar -- Chapter 21 Organologics (3): Areality -- Chapter 22 Bodies Electric -- Chapter 23 Mass Formations -- P.S. -- Notes |
author_facet |
Szendy, Peter, Szendy, Peter, Bishop, Will. |
author_variant |
p s ps p s ps |
author_role |
VerfasserIn VerfasserIn |
author2 |
Bishop, Will. |
author2_variant |
w b wb |
author2_role |
TeilnehmendeR |
author_sort |
Szendy, Peter, |
title |
Phantom Limbs : On Musical Bodies / |
title_sub |
On Musical Bodies / |
title_full |
Phantom Limbs : On Musical Bodies / Peter Szendy. |
title_fullStr |
Phantom Limbs : On Musical Bodies / Peter Szendy. |
title_full_unstemmed |
Phantom Limbs : On Musical Bodies / Peter Szendy. |
title_auth |
Phantom Limbs : On Musical Bodies / |
title_alt |
Frontmatter -- CONTENTS -- Training -- Chapter 1 Interpreting Bodies -- Chapter 2 Effictions -- Chapter 3 Organologics (1): The Erasure of Bodies -- Chapter 4 Touch-ups, or The Return of Bodies -- Chapter 5 Idiotisms, or The Dialect of Bodies -- Chapter 6 Monk, a Legend -- Chapter 7 Traces of Fingers -- Chapter 8 Digital Rhetoric -- Chapter 9 Ablations and Grafts (Too Many Fingers) -- Chapter 10 Romantic Fingers (System of Touch) -- Chapter 11 Feet -- Chapter 12 Joyful Tropiques (Evolution, Revolutions) -- Chapter 13 Two Dispatches (One Fictive and the Other Dreamed Up) -- Chapter 14 Organologics (2): Autophony -- Chapter 15 Genesis (1): Ocular Harpsichord, Organ of Flavors -- Chapter 16 Telepathy -- Chapter 17 Scruples (Clones and Stand-ins) -- Chapter 18 Conducting (Seen from the Back) -- Chapter 19 Genesis (2): Fantasia, or "Plasmaticity" -- Chapter 20 Touching from Afar -- Chapter 21 Organologics (3): Areality -- Chapter 22 Bodies Electric -- Chapter 23 Mass Formations -- P.S. -- Notes |
title_new |
Phantom Limbs : |
title_sort |
phantom limbs : on musical bodies / |
publisher |
Fordham University Press, |
publishDate |
2015 |
physical |
1 online resource (208 p.) Issued also in print. |
contents |
Frontmatter -- CONTENTS -- Training -- Chapter 1 Interpreting Bodies -- Chapter 2 Effictions -- Chapter 3 Organologics (1): The Erasure of Bodies -- Chapter 4 Touch-ups, or The Return of Bodies -- Chapter 5 Idiotisms, or The Dialect of Bodies -- Chapter 6 Monk, a Legend -- Chapter 7 Traces of Fingers -- Chapter 8 Digital Rhetoric -- Chapter 9 Ablations and Grafts (Too Many Fingers) -- Chapter 10 Romantic Fingers (System of Touch) -- Chapter 11 Feet -- Chapter 12 Joyful Tropiques (Evolution, Revolutions) -- Chapter 13 Two Dispatches (One Fictive and the Other Dreamed Up) -- Chapter 14 Organologics (2): Autophony -- Chapter 15 Genesis (1): Ocular Harpsichord, Organ of Flavors -- Chapter 16 Telepathy -- Chapter 17 Scruples (Clones and Stand-ins) -- Chapter 18 Conducting (Seen from the Back) -- Chapter 19 Genesis (2): Fantasia, or "Plasmaticity" -- Chapter 20 Touching from Afar -- Chapter 21 Organologics (3): Areality -- Chapter 22 Bodies Electric -- Chapter 23 Mass Formations -- P.S. -- Notes |
isbn |
9780823267088 9783110729030 9780823267057 |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML3800 |
callnumber-sort |
ML 43800 S96813 42016EB |
url |
https://doi.org/10.1515/9780823267088?locatt=mode:legacy https://www.degruyter.com/isbn/9780823267088 https://www.degruyter.com/document/cover/isbn/9780823267088/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
781 - General principles & musical forms |
dewey-full |
781.1 |
dewey-sort |
3781.1 |
dewey-raw |
781.1 |
dewey-search |
781.1 |
doi_str_mv |
10.1515/9780823267088?locatt=mode:legacy |
oclc_num |
960165788 |
work_keys_str_mv |
AT szendypeter phantomlimbsonmusicalbodies AT bishopwill phantomlimbsonmusicalbodies |
status_str |
n |
ids_txt_mv |
(DE-B1597)555224 (OCoLC)960165788 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2014-2015 |
is_hierarchy_title |
Phantom Limbs : On Musical Bodies / |
container_title |
Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2014-2015 |
author2_original_writing_str_mv |
noLinkedField |
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