Sabato Rodia's Towers in Watts : : Art, Migrations, Development / / ed. by Luisa Del Giudice.

• Superior document: Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2014-2015
• MitwirkendeR: Ballacchino, Katia,; Barra, Monica,; Bilancioni, Guglielmo,; Brown, Gail,; Ceparano, Felice,; Del Giudice, Luisa,; Epolito, George,; Harris, Paul A.,; Harrison, Thomas,; Hayden, Shirmel,; Hernández, Jo Farb,; Herr, Jeffrey,; Morgan, Jeanne S.,; Ruberto, Laura E.,; Scambray, Kenneth,; Schrank, Sarah,; Sciorra, Joseph,; Smith, Richard Cándida,
• HerausgeberIn: Giudice, Luisa Del,
• Place / Publishing House: New York, NY : : Fordham University Press, , [2014]; ©2014
• Year of Publication: 2014
• Language: English
• Series: Critical Studies in Italian America
• Physical Description: 1 online resource (496 p.)
• Other title: Frontmatter --; Contents --; Acknowledgments --; introduction. Sabato Rodia’s Towers in Watts and the Search for Common Ground --; part 1. Situating Sabato Rodia and the Watts Towers: Art Movements, Cultural Contexts, and Migrations --; Local Art, Global Issues: Tales of Survival and Demise Among Contemporary Art Environments --; Everybody Knows This Is Nowhere: Structure and Performance in Rodia’s Watts Towers --; Sam Rodia’s Watts Towers in Six Sections in Succession --; Without Precedent: The Watts Towers --; An Era of Grand Ambitions: Sam Rodia and California Modernism --; A California Detour on the Road to Italy: The Hubcap Ranch, the Napa Valley, and Italian American Identity --; The Gigli of Nola During Rodia’s Times --; The Literary and Immigrant Contexts of Simon Rodia’s Watts Towers --; Sabato Rodia’s Towers in Watts: Art, Migration, and Italian Imaginaries --; “Why a Man Makes the Shoes?”: Italian American Art and Philosophy in Sabato Rodia’s Watts Towers --; Parallel Expressions: Artistic Contributions of Italian Immigrants in the Río de la Plata Basin of South America at the Time of Simon Rodia --; part 2. The Watts Towers Contested: Conservation, Guardianship, and Cultural Heritage --; Fifty Years of Guardianship: The Committee for Simon Rodia’s Towers in Watts (CSRTW) --; A Custody Case: Ownership of Rodia’s Towers --; Nuestro Pueblo: The Spatial and Cultural Politics of Los Angeles’s Watts Towers --; Reading the Watts Towers, Teaching Los Angeles: Storytelling and Public Art --; Spires and Towers Between Tangible, Intangible, and Contested Transnational Cultural Heritage --; part 3. The Watts Towers and Community Development --; Artists in Conversation --; Building Community Through Self- Awareness and Self- Expression --; Simon Rodia’s Watts Towers: Sociopolitical Realities, Economic Underdevelopment, and Renaissance: Yesterday and Today --; afterword. Personal Refl ections on the Watts Towers Common Ground Initiative --; A.1. Interview of S. Rodia, with Bill Hale and Ray Wisniewsky --; A.2. Interview with Simon Rodia, by William Hale and Ray Wisniewsky “at the Towers Site, Standing Outside Rodia’s House,” 1953 --; A.3. Conversation with Sam Rodia, by Mae Babitz and Jeanne Morgan --; A.4. Interviews with S. Rodia, by Ed Farrell, Jody Farrell, Bud Goldstone, and Seymour Rosen --; A.5. Report on Visits to Simon Rodia, Made to CSRTW, from Jody Farrell (November, 1961), Re: A.4. Interview with Rodia, by Bud Goldstone, Seymour Rosen, Ed Farrell, and Jody Farrell --; A.6. Letter to the CSRTW, by Claudio Segre [Segrè], January 26, 1962, Re: Visit in Martinez, California, January 25, 1962 --; A.7. “New Yorker Reporter [Calvin Trillin] Visits Rodia” --; A.8. Conversations with Rodia, Report by Jeanne Morgan, September 10, 1964 --; A.9. Last Conversation with Sam Rodia, Report by Jeanne Morgan, December 23, 1964 --; A.10. Interviews with S. Rodia, by Norma Ashley- David (with Jonathan David) --; A.11. Interview (Excerpts) with Rodia’s Neighbors (“Pete Scanlon’s in- laws”), by Bud Goldstone, Long Beach, California, 1963 --; A.12. Interview with S. Rodia, by Nicholas King, Martinez, California, September, 1960 --; Notes --; Contributors --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780823260669; 9783110729030; 9783111189604
• DOI: 10.1515/9780823260669?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Luisa Del Giudice.

The extraordinary Watts Towers were created over the course of three decades by a determined, single-minded artist, Sabato Rodia, a highly remarkable Italian immigrant laborer who wanted to do “something big.” Now a National Historic Landmark and internationally renowned destination, the Watts Towers in Los Angeles are both a personal artistic expression and a collective symbol of Nuestro Pueblo—Our Town/Our People. Featuring fresh and innovative examinations that mine deeper and broader than ever before, Sabato Rodia’s Towers in Watts is a much anticipated revisitation of the man and his towers.In 1919, Sabato Rodia purchased a triangular plot of land in a multiethnic, working-class, semi-rural district. He set to work on an unusual building project in his own yard. By night, Rodia dreamed and excogitated, and by day he built. He experimented with form, color, texture, cement mixtures, and construction techniques. He built, tore down, and re-built. As an artist completely possessed by his work, he was often derided as an incomprehensible crazy man.Providing a multifaceted, holistic understanding of Rodia, the towers, and the cultural/social/physical environment within which the towers and their maker can be understood, Sabato Rodia’s Towers in Watts compiles essays from twenty authors, offering perspectives from the arts, the communities involved in the preservation and interpretation of the towers, and the academy. Most of the contributions originated at two interdisciplinary conferences held in Los Angeles and in Italy: “Art & Migration: Sabato Rodia’s Towers in Watts, Los Angeles” and “The Watts Towers Common Ground Initiative: Art, Migrations, Development.”The Watts Towers are wondrous objects of art and architecture as well as the expression and embodiment of the resolve of a singular artistic genius to do something great. But they also recount the heroic civic efforts (art and social action) to save them, both of which continue to this day to evoke awe and inspiration. Sabato Rodia’s Towers in Watts presents a well-rounded tribute to one man’s tenacious labor of love.A portion of royalties from this book will go to support the work of the Watts Towers Arts Center.