Harrying : : Skills of Offense in Shakespeare's Henriad / / Harry Berger.

Harrying considers Richard III and the four plays of Shakespeare's Henriad-Richard II, Henry IV Part 1, Henry IV Part 2, and Henry V. Berger combines close reading with cultural analysis to show how the language characters speak always says more than the speakers mean to say. Shakespeare's...

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Superior document:Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package 2014-2015
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Place / Publishing House:New York, NY : : Fordham University Press, , [2015]
©2015
Year of Publication:2015
Language:English
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Physical Description:1 online resource (232 p.)
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100 1 |a Berger, Harry,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Harrying :  |b Skills of Offense in Shakespeare's Henriad /  |c Harry Berger. 
264 1 |a New York, NY :   |b Fordham University Press,   |c [2015] 
264 4 |c ©2015 
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505 0 0 |t Frontmatter --   |t Contents --   |t Preface --   |t 1. Misanthropology in Richard III --   |t 2. "Here, Cousin, Seize the Crown" --   |t 3. Richard's Soliloquy --   |t 4. On the Continuity of the Henriad --   |t 5. Falstaff and Harry --   |t 6. A Horse Named Cut --   |t 7. Hydra and Rhizome --   |t 8. Falstaff , Carnival, and the Perils of Speech-Prefixity --   |t 9. Interlude --   |t 10. The King's Names --   |t 11. Rabbits, Ducks, Lions, Foxes --   |t 12. Harrying the Stage --   |t 13. Harry's Question --   |t Notes 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Harrying considers Richard III and the four plays of Shakespeare's Henriad-Richard II, Henry IV Part 1, Henry IV Part 2, and Henry V. Berger combines close reading with cultural analysis to show how the language characters speak always says more than the speakers mean to say. Shakespeare's speakers try to say one thing. Their language says other things that often question the speakers' motives or intentions. Harrying explores the effect of this linguistic mischief on the representation of all the Henriad's major figures.It centers attention on the portrayal of Falstaff and on the bad faith that darkens the language and performance of Harry, the Prince of Wales who becomes King Henry V. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 4 |a Literary Studies. 
650 4 |a Renaissance Studies. 
650 4 |a Theater & Performance. 
650 7 |a LITERARY CRITICISM / Shakespeare.  |2 bisacsh 
653 |a Harry's Question. 
653 |a Harrying. 
653 |a Misanthropolgy. 
653 |a Rhizome. 
653 |a Tetralogical echo chamber. 
653 |a despair. 
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776 0 |c print  |z 9780823256631 
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