Marginal Modernity : : The Aesthetics of Dependency from Kierkegaard to Joyce / / Leonardo F. Lisi.
Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art, and the aesthetics of fragmentation, practiced by...
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| Superior document: | Title is part of eBook package: De Gruyter Fordham University Press Complete eBook-Package Pre-2014 |
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| Place / Publishing House: | New York, NY : : Fordham University Press, , [2012] ©2012 |
| Year of Publication: | 2012 |
| Language: | English |
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| Physical Description: | 1 online resource (352 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Note on Citations
- Introduction
- PART ONE Philosophical Foundations
- 1. Presuppositions and Varieties of Aesthetic Experience
- PART TWO Aesthetic Forms at the Scandinavian Periphery
- 2. Johan Ludvig Heiberg and the Autonomy of Art
- 3. Aesthetics of Fragmentation in Henrik Ibsen’s Peer Gynt
- 4. Nora’s Departure and the Aesthetics of Dependency
- PART THREE Modernism and Dependency
- 5. Henry James and the Emergence of the Major Phase
- 6. Hugo von Hofmannsthal and the Language of the Future
- 7. Conflict and Mediation in James Joyce’s “The Dead”
- 8. Intransitive Love in Rainer Maria Rilke’s The Notebooks of Malte Laurids Brigge
- Conclusion
- Notes
- Bibliography
- Index