Brothers Gonna Work It Out : : Sexual Politics in the Golden Age of Rap Nationalism / / Charise Cheney.
Brothers Gonna Work It Out considers the political expression of rap artists within the historical tradition of black nationalism. Interweaving songs and personal interviews with hip-hop artists and activists including Chuck D of Public Enemy, KRS-One, Rosa Clemente, manager of dead prez, and Wise I...
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Superior document: | Title is part of eBook package: De Gruyter New York University Press Backlist eBook-Package 2000-2013 |
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Place / Publishing House: | New York, NY : : New York University Press, , [2005] ©2005 |
Year of Publication: | 2005 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource |
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100 | 1 | |a Cheney, Charise, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Brothers Gonna Work It Out : |b Sexual Politics in the Golden Age of Rap Nationalism / |c Charise Cheney. |
264 | 1 | |a New York, NY : |b New York University Press, |c [2005] | |
264 | 4 | |c ©2005 | |
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t 1. From the Revolutionary War to the “Revolutionary Generation” -- |t 2. “We Men Ain’t We?” -- |t 3. Brothers Gonna Work It Out -- |t 4. Ladies First? -- |t 5. Representin’ God -- |t 6. Be True to the Game -- |t Notes -- |t Selected Bibliography -- |t Index -- |t About the Author |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Brothers Gonna Work It Out considers the political expression of rap artists within the historical tradition of black nationalism. Interweaving songs and personal interviews with hip-hop artists and activists including Chuck D of Public Enemy, KRS-One, Rosa Clemente, manager of dead prez, and Wise Intelligent of Poor Righteous Teachers, Cheney links late twentieth-century hip-hop nationalists with their nineteenth-century spiritual forebears.Cheney examines Black nationalism as an ideology historically inspired by a crisis of masculinity. Challenging simplistic notions of hip-hop culture as simply sexist or misogynistic, she pays particular attention to Black nationalists’ historicizing of slavery and their visualization of male empowerment through violent resistance. She charts the recent rejection of Christianity in the lyrics of rap nationalist music due to the perception that it is too conciliatory, and the increasing popularity of Black Muslim rap artists.Cheney situates rap nationalism in the 1980s and 90s within a long tradition of Black nationalist political thought which extends beyond its more obvious influences in the mid-to-late twentieth century like the Nation of Islam or the Black Power Movement, and demonstrates its power as a voice for disenfranchised and disillusioned youth all over the world. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
650 | 0 | |a African American men |x Attitudes. | |
650 | 0 | |a Black nationalism |z United States |x History. | |
650 | 0 | |a Masculinity |z United States. | |
650 | 0 | |a Rap (Music) |x Political aspects |z United States. | |
650 | 0 | |a Sex role |z United States. | |
650 | 7 | |a SOCIAL SCIENCE / Discrimination & Race Relations. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t New York University Press Backlist eBook-Package 2000-2013 |z 9783110706444 |
776 | 0 | |c print |z 9780814716120 | |
856 | 4 | 0 | |u https://doi.org/10.18574/nyu/9780814790441.001.0001 |
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856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780814790441/original |
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