Speaking about Godard / / Harun Farocki, Kaja Silverman.
Probably the most prominent living filmmaker, and one of the foremost directors of the postwar era, Jean Luc-Godard has received astonishingly little critical attention in the United States. With Speaking about Godard, leading film theorist Kaja Silverman and filmmaker Harun Farocki have made one of...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter New York University Press Archive eBook-Package Pre-2000 |
---|---|
VerfasserIn: | |
MitwirkendeR: | |
Place / Publishing House: | New York, NY : : New York University Press, , [2020] ©1998 |
Year of Publication: | 2020 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780814786666 |
---|---|
ctrlnum |
(DE-B1597)548661 (OCoLC)782878086 |
collection |
bib_alma |
record_format |
marc |
spelling |
Silverman, Kaja, author. aut http://id.loc.gov/vocabulary/relators/aut Speaking about Godard / Harun Farocki, Kaja Silverman. New York, NY : New York University Press, [2020] ©1998 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Foreword -- Acknowledgments -- One. Nana Is an Animal -- Two. In Search of Homer -- Three. Words Like Love -- Four. Anal Capitalism -- Five. I Speak, Therefore I'm Not -- Six. In Her Place -- Seven. Moving Pictures -- Eight. The Same, Yet Other -- Notes -- About the Authors restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Probably the most prominent living filmmaker, and one of the foremost directors of the postwar era, Jean Luc-Godard has received astonishingly little critical attention in the United States. With Speaking about Godard, leading film theorist Kaja Silverman and filmmaker Harun Farocki have made one of the most significant contributions to film studies in recent memory: a lively set of conversations about Godard and his major films, from Contempt to Passion. Combining the insights of a feminist film theorist with those of an avant-garde filmmaker, these eight dialogues–each representing a different period of Godard's film production, and together spanning his entire career–get at the very heart of his formal and theoretical innovations, teasing out, with probity and grace, the ways in which image and text inform one another throughout Godard's oeuvre. Indeed, the dialogic format here serves as the perfect means of capturing the rhythm of Godard's ongoing conversation with his own medium, in addition to shedding light on how a critic and a director of films respectively interpret his work. As it takes us through Godard's films in real time, Speaking about Godard conveys the sense that we are at the movies with Silverman and Farocki, and that we, as both student and participant, are the ultimate beneficiaries of the performance of this critique. Accessible, informative, witty, and, most of all, entertaining, the conversations assembled here form a testament to the continuing power of Godard's work to spark intense debate, and reinvigorate the study of one of the great artists of our time. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) SOCIAL SCIENCE / Media Studies. bisacsh Farocki, Harun, author. aut http://id.loc.gov/vocabulary/relators/aut Penley, Constance, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter New York University Press Archive eBook-Package Pre-2000 9783110716924 print 9780814780657 https://doi.org/10.18574/nyu/9780814786666.001.0001 https://www.degruyter.com/isbn/9780814786666 Cover https://www.degruyter.com/document/cover/isbn/9780814786666/original |
language |
English |
format |
eBook |
author |
Silverman, Kaja, Silverman, Kaja, Farocki, Harun, |
spellingShingle |
Silverman, Kaja, Silverman, Kaja, Farocki, Harun, Speaking about Godard / Frontmatter -- Contents -- Foreword -- Acknowledgments -- One. Nana Is an Animal -- Two. In Search of Homer -- Three. Words Like Love -- Four. Anal Capitalism -- Five. I Speak, Therefore I'm Not -- Six. In Her Place -- Seven. Moving Pictures -- Eight. The Same, Yet Other -- Notes -- About the Authors |
author_facet |
Silverman, Kaja, Silverman, Kaja, Farocki, Harun, Farocki, Harun, Farocki, Harun, Penley, Constance, Penley, Constance, |
author_variant |
k s ks k s ks h f hf |
author_role |
VerfasserIn VerfasserIn VerfasserIn |
author2 |
Farocki, Harun, Farocki, Harun, Penley, Constance, Penley, Constance, |
author2_variant |
h f hf c p cp c p cp |
author2_role |
VerfasserIn VerfasserIn MitwirkendeR MitwirkendeR |
author_sort |
Silverman, Kaja, |
title |
Speaking about Godard / |
title_full |
Speaking about Godard / Harun Farocki, Kaja Silverman. |
title_fullStr |
Speaking about Godard / Harun Farocki, Kaja Silverman. |
title_full_unstemmed |
Speaking about Godard / Harun Farocki, Kaja Silverman. |
title_auth |
Speaking about Godard / |
title_alt |
Frontmatter -- Contents -- Foreword -- Acknowledgments -- One. Nana Is an Animal -- Two. In Search of Homer -- Three. Words Like Love -- Four. Anal Capitalism -- Five. I Speak, Therefore I'm Not -- Six. In Her Place -- Seven. Moving Pictures -- Eight. The Same, Yet Other -- Notes -- About the Authors |
title_new |
Speaking about Godard / |
title_sort |
speaking about godard / |
publisher |
New York University Press, |
publishDate |
2020 |
physical |
1 online resource |
contents |
Frontmatter -- Contents -- Foreword -- Acknowledgments -- One. Nana Is an Animal -- Two. In Search of Homer -- Three. Words Like Love -- Four. Anal Capitalism -- Five. I Speak, Therefore I'm Not -- Six. In Her Place -- Seven. Moving Pictures -- Eight. The Same, Yet Other -- Notes -- About the Authors |
isbn |
9780814786666 9783110716924 9780814780657 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1998 |
callnumber-sort |
PN 41998.3 G63 S56 41998 |
url |
https://doi.org/10.18574/nyu/9780814786666.001.0001 https://www.degruyter.com/isbn/9780814786666 https://www.degruyter.com/document/cover/isbn/9780814786666/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/0233/092 |
dewey-sort |
3791.43 3233 292 |
dewey-raw |
791.43/0233/092 |
dewey-search |
791.43/0233/092 |
doi_str_mv |
10.18574/nyu/9780814786666.001.0001 |
oclc_num |
782878086 |
work_keys_str_mv |
AT silvermankaja speakingaboutgodard AT farockiharun speakingaboutgodard AT penleyconstance speakingaboutgodard |
status_str |
n |
ids_txt_mv |
(DE-B1597)548661 (OCoLC)782878086 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter New York University Press Archive eBook-Package Pre-2000 |
is_hierarchy_title |
Speaking about Godard / |
container_title |
Title is part of eBook package: De Gruyter New York University Press Archive eBook-Package Pre-2000 |
author2_original_writing_str_mv |
noLinkedField noLinkedField noLinkedField noLinkedField |
_version_ |
1806143432979120128 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04446nam a22006735i 4500</leader><controlfield tag="001">9780814786666</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20230529101353.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">230529t20201998nyu fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780814786666</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.18574/nyu/9780814786666.001.0001</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)548661</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)782878086</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nyu</subfield><subfield code="c">US-NY</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1998.3.G63</subfield><subfield code="b">S56 1998</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC052000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.43/0233/092</subfield><subfield code="2">21</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Silverman, Kaja, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Speaking about Godard /</subfield><subfield code="c">Harun Farocki, Kaja Silverman.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY : </subfield><subfield code="b">New York University Press, </subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©1998</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Foreword -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">One. Nana Is an Animal -- </subfield><subfield code="t">Two. In Search of Homer -- </subfield><subfield code="t">Three. Words Like Love -- </subfield><subfield code="t">Four. Anal Capitalism -- </subfield><subfield code="t">Five. I Speak, Therefore I'm Not -- </subfield><subfield code="t">Six. In Her Place -- </subfield><subfield code="t">Seven. Moving Pictures -- </subfield><subfield code="t">Eight. The Same, Yet Other -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">About the Authors</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Probably the most prominent living filmmaker, and one of the foremost directors of the postwar era, Jean Luc-Godard has received astonishingly little critical attention in the United States. With Speaking about Godard, leading film theorist Kaja Silverman and filmmaker Harun Farocki have made one of the most significant contributions to film studies in recent memory: a lively set of conversations about Godard and his major films, from Contempt to Passion. Combining the insights of a feminist film theorist with those of an avant-garde filmmaker, these eight dialogues–each representing a different period of Godard's film production, and together spanning his entire career–get at the very heart of his formal and theoretical innovations, teasing out, with probity and grace, the ways in which image and text inform one another throughout Godard's oeuvre. Indeed, the dialogic format here serves as the perfect means of capturing the rhythm of Godard's ongoing conversation with his own medium, in addition to shedding light on how a critic and a director of films respectively interpret his work. As it takes us through Godard's films in real time, Speaking about Godard conveys the sense that we are at the movies with Silverman and Farocki, and that we, as both student and participant, are the ultimate beneficiaries of the performance of this critique. Accessible, informative, witty, and, most of all, entertaining, the conversations assembled here form a testament to the continuing power of Godard's work to spark intense debate, and reinvigorate the study of one of the great artists of our time.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023)</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Media Studies.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Farocki, Harun, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Penley, Constance, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">New York University Press Archive eBook-Package Pre-2000</subfield><subfield code="z">9783110716924</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9780814780657</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.18574/nyu/9780814786666.001.0001</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780814786666</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780814786666/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-071692-4 New York University Press Archive eBook-Package Pre-2000</subfield><subfield code="b">2000</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_HICS</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_HICS</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |