Grief Taboo in American Literature : : Loss and Prolonged Adolescence in Twain, Melville, and Hemingway / / Pamela A. Boker.

• VerfasserIn: Boker, Pamela A.,
• MitwirkendeR: Berman, Jeffrey,
• Place / Publishing House: New York, NY : : New York University Press, , [1995]; ©1995
• Year of Publication: 1995
• Language: English
• Series: Literature and Psychoanalysis
• Physical Description: 1 online resource
• Other title: Frontmatter --; Contents --; Foreword --; Introduction --; 1. "Circle-Sailing": The Eternal Return of Tabooed Grief in Melville's Moby-Dick --; 2. "My First Lie, and How I Got Out of It": Deprivation-Grief and the Making of an American Humorist --; 3. "Blessed are they that mourn, for they— they—": Repressed Grief and Pathological Mourning in Mark Twain's Fiction --; 4. Huckleberry Finn's Anti-Oedipus Complex: Father-Loss and Mother-Hunger in the Great American Novel --; 5. The Shaping of Hemingway's Art of Repressed Grief: Mother-Loss and Father- Hunger from In Our Time to Winner Take Nothing --; 6. "Ether in the Brain": Blunting the Edges of Perception in Hemingway's Middle Period --; 7. Grief Hoarders and "Beat-Up Old Bastards55: Hemingway's Bittersweet Taste of Nostalgia --; Conclusion --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780814786192
• DOI: 10.18574/nyu/9780814786192.001.0001
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Pamela A. Boker.

In this feminist rereading, Pamela A. Boker examines the prolonged adolescence of the American male in the works of three quintessential American male authors, Herman Melville, Mark Twain, and Ernest Hemingway, through a highly original psychoanalytic inquiry. Challenging conventional interpretations, Boker argues that failing to mourn loss and repressing one's true emotions do not demonstrate a heroic capacity, but rather, a damaging inability to work through psychological wounds that have not healed.Boker locates in the lives and fiction of Melville, Twain, and Hemingway the suicidal orphan, the adolescent simultaneously seeking masculine maturity and escaping from it. She reveals a world of perpetual adolescence, repressed grief, and repudiation of feminine identification. All three writers lacked intimate relationships with their fathers and remained conflicted emotionally, a condition which profoundly influenced their creative work.In Melville's life and work, readers encounter aggressive and guilt ridden characters, trapped in infantile and early adolescent development. Similarly, Mark Twain enlisted humor and nostalgic fantasies of an ideal past in his avoidance of difficult emotions. Silent references and vague allusions to painful feelings proliferate the fiction of Hemingway. In seeking out the repressed vulnerability of the tough guy in American literature, Boker finds it where it is most vigorously denied.