Telling Women's Lives : : Subject/Narrator/Reader/Text / / Judy Long.

• Superior document: Title is part of eBook package: De Gruyter New York University Press Archive eBook-Package Pre-2000
• VerfasserIn: Long, Judy,
• Place / Publishing House: New York, NY : : New York University Press, , [1999]; ©1999
• Year of Publication: 1999
• Language: English
• Series: Feminist Crosscurrents ; 5
• Physical Description: 1 online resource
• Other title: Frontmatter --; Contents --; Acknowledgments --; 1 Telling Women’s Lives --; 2 Gender and Genre --; 3 Scribbling Women --; 4 Translating Darkness --; 5 The Second Person in Social Science --; 6 Sociological Life History --; 7 Feminist Biography --; 8 A Feminist Approach to Telling Women’s Lives --; Notes --; Bibliography --; Index --; About the Author
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780814765227; 9783110716924
• DOI: 10.18574/nyu/9780814765227.001.0001
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Judy Long.

For centuries, the "great man" format and masculine discourse of biography and autobiography have eclipsed women. If we accept this history, we remain ignorant of "Lady Sarashina," a Japanese woman of the Han period, whose book survives from the 11th century. We overlook Margaret Cavendish and Dame Julian, two early English autobiographers. And we fail to consider sufficiently slave narratives, oral histories, or lesbian "coming out" stories. Telling Women's Lives assesses existing traditions of autobiography and biography in search of a method capable of conveying the distinctive content of women's lives while retaining the tenor of feminine subjectivity. Drawing on feminist research methodologies of the past two decades as well as anthropology and sociology, Long paves the way for the formulation of an emergent feminist methodology for telling women's lives. This highly original study seeks to revise and recreate the genre so as to accommodate a feminine discourse, narrator, reader, and subject. The "messiness" of women's lives-the daily work and detail that men have programmatically excluded-acquires new meaning as Long develops here an innovative theory of sociobiography.