Unwatchable / / ed. by Laura Horak, Gunnar Iversen, Nicholas Baer, Maggie Hennefeld.

We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2019
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Place / Publishing House:New Brunswick, NJ : : Rutgers University Press, , [2019]
©2019
Year of Publication:2019
Language:English
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Physical Description:1 online resource (350 p.) :; 51 images
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spelling Unwatchable / ed. by Laura Horak, Gunnar Iversen, Nicholas Baer, Maggie Hennefeld.
New Brunswick, NJ : Rutgers University Press, [2019]
©2019
1 online resource (350 p.) : 51 images
text txt rdacontent
computer c rdamedia
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text file PDF rda
Frontmatter -- Contents -- Introduction: Envisioning the Unwatchable -- Part I. Violence and Testimony -- 1. Theorizing the Unwatchable -- Unwatchable -- The Gaze from Within -- The Unwatchable and the Unwatchable -- Melting into Visibility -- Pro Forma -- 2. Spectacles of Destruction -- Terminal Radiance -- Unwatched/Unmanned: Drone Strikes and the Aesthetics of the Unseen -- Breakaway -- The Watchability of the Unwatchable: Television Disaster Coverage -- 3. Bearing Witness -- The Incommensurable -- Not Seeing Is Believing: The Unwatchable in Advocacy -- Even If She Had Been a Criminal: A Past Unwatched -- Deframing Evidence: A Transmission from Los ingrávidos -- Alan Kurdi’s Body on the Shore -- 4. Visual Regimes of Racial Violence -- Held Helpless in the Breach: On American History X -- The Flash of History: On the Unwatchable in Get Out -- Nothing Is Unwatchable for All -- Empathy .Complicity -- 5. Spectacularization and Resistance -- Entertainment Value -- Holocausts, Hallowe’en, and Headdresses -- Unwitnessable: Outrageous Ableist Impersonations and Unwitnessed Everyday Violence -- Part II. Histories and Genres -- 6. The Tradition of Provocateurs -- The Two Unwatchables -- Real Horrorshow -- Asymmetries of Desire: Salò, or the 120 Days of Sodom -- Unstomachable: Irréversible and the Extreme Cinema Tradition -- 7. Enduring the Avant-Garde -- Unwatchability by Choice: Isou’s Venom and Eternity -- The Refusal of Spectacle: Debord’s Howls for Sade -- Warhol’s Empire: Unwatched and Unwatchable -- Warhol’s Empire -- Watching Paint Dry -- 8. Visceral Responses to Horror -- “Peekaboo”: Thoughts on (Maybe Not) Seeing Two Horror Films -- Why I Cannot Watch -- Apotropes -- 9. Pornography and the Question of Pleasure -- I Am Curious (Butterball) -- At the Threshold to the Void -- 10. Archives and the Disintegrating Image -- Restoring Blood Money -- Turning Garbo Watchable: From Swedish Bread Bun to Hollywood Goddess -- Twilight of the Dead -- Part III. Spectators and Objects -- 11. Passionate Aversions -- “Sad!”: Why I Won’t Watch Antichrist -- Transforming Nihilism -- Oh, Inventiveness! Oh, Imaginativeness! Precious Cinema and Its Discontents: A Rant -- The Biopic Is an Affront to the Cinema -- 12. Tedious Whiteness -- White Men Behaving Sadly -- “You Is Kind, You Is Smart, You Is Important”; or, Why I Can’t Watch The Help -- Two Tables and a Ladder: WCGW? -- 13. Reality Trumpism -- TV Trumps -- The Once and Future Hillary: Why I Won’t Watch a TV Miniseries about the 2016 U.S. Presidential Election -- 14. Pedagogy and Campus Politics -- Why We Can’t Take a Joke -- The Bridge and Unteachable Films -- Squirming in the Classroom: Fat Girl and the Ethical Value of Extreme Discomfort -- 15. The Triggered Spectator -- What Is an “Unwatchable” Film? (With Reference to Amour and Still Alice) -- Watch at Your Own Peril -- Sects, Fries, and Videotape -- Off Watch -- Acknowledgments -- Filmography -- Bibliography -- Notes on Contributors -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as unsuitable for viewing. Yet what does it mean to proclaim something “unwatchable”: disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the “unwatchable” across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Appealing to a broad academic and general readership, the volume offers multidisciplinary approaches to the vast array of troubling images that circulate in global visual culture.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)
Image (Philosophy).
Mass media and the arts.
Representation (Philosophy).
Visual communication Psychological aspects.
Visual perception Philosophy.
PERFORMING ARTS / General. bisacsh
Baer, Nicholas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Baer, Nicholas, editor. edt http://id.loc.gov/vocabulary/relators/edt
Balsom, Erika, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Balsom, Erika.
Berger, Kenneth, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Berger, Kenneth.
Boyce Gillespie, Michael, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Bright, Susie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Bright, Susie.
Bush, Alex, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Bush, Alex.
Butler, Alec, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Butler, Alec.
Carroll, Noel.
Carroll, Noël, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Chen, Mel.
Crary, Jonathan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Crary, Jonathan.
De Kosnik, Abigail, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
England, Samuel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
England, Samuel.
Frey, Mattias, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Frey, Mattias.
Geimer, Peter, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Geimer, Peter.
Gillespie, Michael Boyce.
Groys, Boris, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Groys, Boris.
Grønstad, Asbjørn, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Grønstad, Asbjørn.
Guerin, Frances, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Guerin, Frances.
Halberstam, Jack, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Halberstam, Jack.
Hammer, Barbara, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Hammer, Barbara.
Hanich, Julian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Hanich, Julian.
Harney, Stefano, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Harney, Stefano.
Hennefeld, Maggie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Hennefeld, Maggie, editor. edt http://id.loc.gov/vocabulary/relators/edt
Hoberman, J.
Hoberman, J., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Horak, Laura, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Horak, Laura, editor. edt http://id.loc.gov/vocabulary/relators/edt
Iversen, Gunnar, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Iversen, Gunnar, editor. edt http://id.loc.gov/vocabulary/relators/edt
Joyrich, Lynne, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Joyrich, Lynne.
Juhasz, Alexandra, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Juhasz, Alexandra.
Kaplan, E. Ann, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Kaplan, E. Ann.
Kosnik, Abigail De.
Kyrölä, Katariina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Kyrölä, Katariina.
Lee, Nathan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Lee, Nathan.
Lippit, Akira.
Malkowski, Jennifer, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Malkowski, Jennifer.
Mitchell, W. J. T., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Mitchell, W.J.T.
Mizuta Lippit, Akira, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Monk-Payton, Brandy, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Monk-Payton, Brandy.
Moten, Fred, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Moten, Fred.
Nichols, Bill, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Nichols, Bill.
Olsson, Jan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Olsson, Jan.
Peers, Danielle, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Peers, Danielle.
Perez, Raul.
Pérez, Raúl, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Regan Wills, Emily, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Resmini, Mauro, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Resmini, Mauro.
Rich, B. Ruby, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Rich, B. Ruby.
Rongen-Kaynakçi, Elif, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Rongen-Kaynakçi, Elif.
Rosenbaum, Jonathan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Rosenbaum, Jonathan.
Saha, Poulomi, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Saha, Poulomi.
Schneider, Rebecca, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Schneider, Rebecca.
Sconce, Jeffrey, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Sconce, Jeffrey.
Sexton, Jared, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Sexton, Jared.
Sobchack, Vivian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Sobchack, Vivian.
Stiasny, Philipp, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Stiasny, Philipp.
Sutherland, Meghan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Sutherland, Meghan.
Togler, Bennet, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Togler, Bennet.
Torchin, Leshu, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Torchin, Leshu.
Vaid-Menon, Alok, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Vaid-Menon, Alok.
Wall-Romana, Christophe, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Wall-Romana, Christophe.
Wigoder, Meir, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Wigoder, Meir.
Wills, Emily.
Windhausen, Federico, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Windhausen, Federico.
Wolukau-Wanambwa, Stanley, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Wolukau-Wanambwa, Stanley.
Y. Chen, Mel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Yue, Genevieve, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Yue, Genevieve.
Zupancic, Alenka.
Zupančič, Alenka, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2019 9783110605785 ZDB-23-DPK
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2019 English 9783110610017
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2019 English 9783110610765
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2019 9783110664232 ZDB-23-DGG
Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2019 9783110653526
https://doi.org/10.36019/9780813599625
https://www.degruyter.com/isbn/9780813599625
Cover https://www.degruyter.com/cover/covers/9780813599625.jpg
language English
format eBook
author2 Baer, Nicholas,
Baer, Nicholas,
Baer, Nicholas,
Baer, Nicholas,
Balsom, Erika,
Balsom, Erika,
Balsom, Erika.
Berger, Kenneth,
Berger, Kenneth,
Berger, Kenneth.
Boyce Gillespie, Michael,
Boyce Gillespie, Michael,
Bright, Susie,
Bright, Susie,
Bright, Susie.
Bush, Alex,
Bush, Alex,
Bush, Alex.
Butler, Alec,
Butler, Alec,
Butler, Alec.
Carroll, Noel.
Carroll, Noël,
Carroll, Noël,
Chen, Mel.
Crary, Jonathan,
Crary, Jonathan,
Crary, Jonathan.
De Kosnik, Abigail,
De Kosnik, Abigail,
England, Samuel,
England, Samuel,
England, Samuel.
Frey, Mattias,
Frey, Mattias,
Frey, Mattias.
Geimer, Peter,
Geimer, Peter,
Geimer, Peter.
Gillespie, Michael Boyce.
Groys, Boris,
Groys, Boris,
Groys, Boris.
Grønstad, Asbjørn,
Grønstad, Asbjørn,
Grønstad, Asbjørn.
Guerin, Frances,
Guerin, Frances,
Guerin, Frances.
Halberstam, Jack,
Halberstam, Jack,
Halberstam, Jack.
Hammer, Barbara,
Hammer, Barbara,
Hammer, Barbara.
Hanich, Julian,
Hanich, Julian,
Hanich, Julian.
Harney, Stefano,
Harney, Stefano,
Harney, Stefano.
Hennefeld, Maggie,
Hennefeld, Maggie,
Hennefeld, Maggie,
Hennefeld, Maggie,
Hoberman, J.
Hoberman, J.,
Hoberman, J.,
Horak, Laura,
Horak, Laura,
Horak, Laura,
Horak, Laura,
Iversen, Gunnar,
Iversen, Gunnar,
Iversen, Gunnar,
Iversen, Gunnar,
Joyrich, Lynne,
Joyrich, Lynne,
Joyrich, Lynne.
Juhasz, Alexandra,
Juhasz, Alexandra,
Juhasz, Alexandra.
Kaplan, E. Ann,
Kaplan, E. Ann,
Kaplan, E. Ann.
Kosnik, Abigail De.
Kyrölä, Katariina,
Kyrölä, Katariina,
Kyrölä, Katariina.
Lee, Nathan,
Lee, Nathan,
Lee, Nathan.
Lippit, Akira.
Malkowski, Jennifer,
Malkowski, Jennifer,
Malkowski, Jennifer.
Mitchell, W. J. T.,
Mitchell, W. J. T.,
Mitchell, W.J.T.
Mizuta Lippit, Akira,
Mizuta Lippit, Akira,
Monk-Payton, Brandy,
Monk-Payton, Brandy,
Monk-Payton, Brandy.
Moten, Fred,
Moten, Fred,
Moten, Fred.
Nichols, Bill,
Nichols, Bill,
Nichols, Bill.
Olsson, Jan,
Olsson, Jan,
Olsson, Jan.
Peers, Danielle,
Peers, Danielle,
Peers, Danielle.
Perez, Raul.
Pérez, Raúl,
Pérez, Raúl,
Regan Wills, Emily,
Regan Wills, Emily,
Resmini, Mauro,
Resmini, Mauro,
Resmini, Mauro.
Rich, B. Ruby,
Rich, B. Ruby,
Rich, B. Ruby.
Rongen-Kaynakçi, Elif,
Rongen-Kaynakçi, Elif,
Rongen-Kaynakçi, Elif.
Rosenbaum, Jonathan,
Rosenbaum, Jonathan,
Rosenbaum, Jonathan.
Saha, Poulomi,
Saha, Poulomi,
Saha, Poulomi.
Schneider, Rebecca,
Schneider, Rebecca,
Schneider, Rebecca.
Sconce, Jeffrey,
Sconce, Jeffrey,
Sconce, Jeffrey.
Sexton, Jared,
Sexton, Jared,
Sexton, Jared.
Sobchack, Vivian,
Sobchack, Vivian,
Sobchack, Vivian.
Stiasny, Philipp,
Stiasny, Philipp,
Stiasny, Philipp.
Sutherland, Meghan,
Sutherland, Meghan,
Sutherland, Meghan.
Togler, Bennet,
Togler, Bennet,
Togler, Bennet.
Torchin, Leshu,
Torchin, Leshu,
Torchin, Leshu.
Vaid-Menon, Alok,
Vaid-Menon, Alok,
Vaid-Menon, Alok.
Wall-Romana, Christophe,
Wall-Romana, Christophe,
Wall-Romana, Christophe.
Wigoder, Meir,
Wigoder, Meir,
Wigoder, Meir.
Wills, Emily.
Windhausen, Federico,
Windhausen, Federico,
Windhausen, Federico.
Wolukau-Wanambwa, Stanley,
Wolukau-Wanambwa, Stanley,
Wolukau-Wanambwa, Stanley.
Y. Chen, Mel,
Y. Chen, Mel,
Yue, Genevieve,
Yue, Genevieve,
Yue, Genevieve.
Zupancic, Alenka.
Zupančič, Alenka,
Zupančič, Alenka,
author_facet Baer, Nicholas,
Baer, Nicholas,
Baer, Nicholas,
Baer, Nicholas,
Balsom, Erika,
Balsom, Erika,
Balsom, Erika.
Berger, Kenneth,
Berger, Kenneth,
Berger, Kenneth.
Boyce Gillespie, Michael,
Boyce Gillespie, Michael,
Bright, Susie,
Bright, Susie,
Bright, Susie.
Bush, Alex,
Bush, Alex,
Bush, Alex.
Butler, Alec,
Butler, Alec,
Butler, Alec.
Carroll, Noel.
Carroll, Noël,
Carroll, Noël,
Chen, Mel.
Crary, Jonathan,
Crary, Jonathan,
Crary, Jonathan.
De Kosnik, Abigail,
De Kosnik, Abigail,
England, Samuel,
England, Samuel,
England, Samuel.
Frey, Mattias,
Frey, Mattias,
Frey, Mattias.
Geimer, Peter,
Geimer, Peter,
Geimer, Peter.
Gillespie, Michael Boyce.
Groys, Boris,
Groys, Boris,
Groys, Boris.
Grønstad, Asbjørn,
Grønstad, Asbjørn,
Grønstad, Asbjørn.
Guerin, Frances,
Guerin, Frances,
Guerin, Frances.
Halberstam, Jack,
Halberstam, Jack,
Halberstam, Jack.
Hammer, Barbara,
Hammer, Barbara,
Hammer, Barbara.
Hanich, Julian,
Hanich, Julian,
Hanich, Julian.
Harney, Stefano,
Harney, Stefano,
Harney, Stefano.
Hennefeld, Maggie,
Hennefeld, Maggie,
Hennefeld, Maggie,
Hennefeld, Maggie,
Hoberman, J.
Hoberman, J.,
Hoberman, J.,
Horak, Laura,
Horak, Laura,
Horak, Laura,
Horak, Laura,
Iversen, Gunnar,
Iversen, Gunnar,
Iversen, Gunnar,
Iversen, Gunnar,
Joyrich, Lynne,
Joyrich, Lynne,
Joyrich, Lynne.
Juhasz, Alexandra,
Juhasz, Alexandra,
Juhasz, Alexandra.
Kaplan, E. Ann,
Kaplan, E. Ann,
Kaplan, E. Ann.
Kosnik, Abigail De.
Kyrölä, Katariina,
Kyrölä, Katariina,
Kyrölä, Katariina.
Lee, Nathan,
Lee, Nathan,
Lee, Nathan.
Lippit, Akira.
Malkowski, Jennifer,
Malkowski, Jennifer,
Malkowski, Jennifer.
Mitchell, W. J. T.,
Mitchell, W. J. T.,
Mitchell, W.J.T.
Mizuta Lippit, Akira,
Mizuta Lippit, Akira,
Monk-Payton, Brandy,
Monk-Payton, Brandy,
Monk-Payton, Brandy.
Moten, Fred,
Moten, Fred,
Moten, Fred.
Nichols, Bill,
Nichols, Bill,
Nichols, Bill.
Olsson, Jan,
Olsson, Jan,
Olsson, Jan.
Peers, Danielle,
Peers, Danielle,
Peers, Danielle.
Perez, Raul.
Pérez, Raúl,
Pérez, Raúl,
Regan Wills, Emily,
Regan Wills, Emily,
Resmini, Mauro,
Resmini, Mauro,
Resmini, Mauro.
Rich, B. Ruby,
Rich, B. Ruby,
Rich, B. Ruby.
Rongen-Kaynakçi, Elif,
Rongen-Kaynakçi, Elif,
Rongen-Kaynakçi, Elif.
Rosenbaum, Jonathan,
Rosenbaum, Jonathan,
Rosenbaum, Jonathan.
Saha, Poulomi,
Saha, Poulomi,
Saha, Poulomi.
Schneider, Rebecca,
Schneider, Rebecca,
Schneider, Rebecca.
Sconce, Jeffrey,
Sconce, Jeffrey,
Sconce, Jeffrey.
Sexton, Jared,
Sexton, Jared,
Sexton, Jared.
Sobchack, Vivian,
Sobchack, Vivian,
Sobchack, Vivian.
Stiasny, Philipp,
Stiasny, Philipp,
Stiasny, Philipp.
Sutherland, Meghan,
Sutherland, Meghan,
Sutherland, Meghan.
Togler, Bennet,
Togler, Bennet,
Togler, Bennet.
Torchin, Leshu,
Torchin, Leshu,
Torchin, Leshu.
Vaid-Menon, Alok,
Vaid-Menon, Alok,
Vaid-Menon, Alok.
Wall-Romana, Christophe,
Wall-Romana, Christophe,
Wall-Romana, Christophe.
Wigoder, Meir,
Wigoder, Meir,
Wigoder, Meir.
Wills, Emily.
Windhausen, Federico,
Windhausen, Federico,
Windhausen, Federico.
Wolukau-Wanambwa, Stanley,
Wolukau-Wanambwa, Stanley,
Wolukau-Wanambwa, Stanley.
Y. Chen, Mel,
Y. Chen, Mel,
Yue, Genevieve,
Yue, Genevieve,
Yue, Genevieve.
Zupancic, Alenka.
Zupančič, Alenka,
Zupančič, Alenka,
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author_sort Baer, Nicholas,
title Unwatchable /
spellingShingle Unwatchable /
Frontmatter --
Contents --
Introduction: Envisioning the Unwatchable --
Part I. Violence and Testimony --
1. Theorizing the Unwatchable --
Unwatchable --
The Gaze from Within --
The Unwatchable and the Unwatchable --
Melting into Visibility --
Pro Forma --
2. Spectacles of Destruction --
Terminal Radiance --
Unwatched/Unmanned: Drone Strikes and the Aesthetics of the Unseen --
Breakaway --
The Watchability of the Unwatchable: Television Disaster Coverage --
3. Bearing Witness --
The Incommensurable --
Not Seeing Is Believing: The Unwatchable in Advocacy --
Even If She Had Been a Criminal: A Past Unwatched --
Deframing Evidence: A Transmission from Los ingrávidos --
Alan Kurdi’s Body on the Shore --
4. Visual Regimes of Racial Violence --
Held Helpless in the Breach: On American History X --
The Flash of History: On the Unwatchable in Get Out --
Nothing Is Unwatchable for All --
Empathy .Complicity --
5. Spectacularization and Resistance --
Entertainment Value --
Holocausts, Hallowe’en, and Headdresses --
Unwitnessable: Outrageous Ableist Impersonations and Unwitnessed Everyday Violence --
Part II. Histories and Genres --
6. The Tradition of Provocateurs --
The Two Unwatchables --
Real Horrorshow --
Asymmetries of Desire: Salò, or the 120 Days of Sodom --
Unstomachable: Irréversible and the Extreme Cinema Tradition --
7. Enduring the Avant-Garde --
Unwatchability by Choice: Isou’s Venom and Eternity --
The Refusal of Spectacle: Debord’s Howls for Sade --
Warhol’s Empire: Unwatched and Unwatchable --
Warhol’s Empire --
Watching Paint Dry --
8. Visceral Responses to Horror --
“Peekaboo”: Thoughts on (Maybe Not) Seeing Two Horror Films --
Why I Cannot Watch --
Apotropes --
9. Pornography and the Question of Pleasure --
I Am Curious (Butterball) --
At the Threshold to the Void --
10. Archives and the Disintegrating Image --
Restoring Blood Money --
Turning Garbo Watchable: From Swedish Bread Bun to Hollywood Goddess --
Twilight of the Dead --
Part III. Spectators and Objects --
11. Passionate Aversions --
“Sad!”: Why I Won’t Watch Antichrist --
Transforming Nihilism --
Oh, Inventiveness! Oh, Imaginativeness! Precious Cinema and Its Discontents: A Rant --
The Biopic Is an Affront to the Cinema --
12. Tedious Whiteness --
White Men Behaving Sadly --
“You Is Kind, You Is Smart, You Is Important”; or, Why I Can’t Watch The Help --
Two Tables and a Ladder: WCGW? --
13. Reality Trumpism --
TV Trumps --
The Once and Future Hillary: Why I Won’t Watch a TV Miniseries about the 2016 U.S. Presidential Election --
14. Pedagogy and Campus Politics --
Why We Can’t Take a Joke --
The Bridge and Unteachable Films --
Squirming in the Classroom: Fat Girl and the Ethical Value of Extreme Discomfort --
15. The Triggered Spectator --
What Is an “Unwatchable” Film? (With Reference to Amour and Still Alice) --
Watch at Your Own Peril --
Sects, Fries, and Videotape --
Off Watch --
Acknowledgments --
Filmography --
Bibliography --
Notes on Contributors --
Index
title_full Unwatchable / ed. by Laura Horak, Gunnar Iversen, Nicholas Baer, Maggie Hennefeld.
title_fullStr Unwatchable / ed. by Laura Horak, Gunnar Iversen, Nicholas Baer, Maggie Hennefeld.
title_full_unstemmed Unwatchable / ed. by Laura Horak, Gunnar Iversen, Nicholas Baer, Maggie Hennefeld.
title_auth Unwatchable /
title_alt Frontmatter --
Contents --
Introduction: Envisioning the Unwatchable --
Part I. Violence and Testimony --
1. Theorizing the Unwatchable --
Unwatchable --
The Gaze from Within --
The Unwatchable and the Unwatchable --
Melting into Visibility --
Pro Forma --
2. Spectacles of Destruction --
Terminal Radiance --
Unwatched/Unmanned: Drone Strikes and the Aesthetics of the Unseen --
Breakaway --
The Watchability of the Unwatchable: Television Disaster Coverage --
3. Bearing Witness --
The Incommensurable --
Not Seeing Is Believing: The Unwatchable in Advocacy --
Even If She Had Been a Criminal: A Past Unwatched --
Deframing Evidence: A Transmission from Los ingrávidos --
Alan Kurdi’s Body on the Shore --
4. Visual Regimes of Racial Violence --
Held Helpless in the Breach: On American History X --
The Flash of History: On the Unwatchable in Get Out --
Nothing Is Unwatchable for All --
Empathy .Complicity --
5. Spectacularization and Resistance --
Entertainment Value --
Holocausts, Hallowe’en, and Headdresses --
Unwitnessable: Outrageous Ableist Impersonations and Unwitnessed Everyday Violence --
Part II. Histories and Genres --
6. The Tradition of Provocateurs --
The Two Unwatchables --
Real Horrorshow --
Asymmetries of Desire: Salò, or the 120 Days of Sodom --
Unstomachable: Irréversible and the Extreme Cinema Tradition --
7. Enduring the Avant-Garde --
Unwatchability by Choice: Isou’s Venom and Eternity --
The Refusal of Spectacle: Debord’s Howls for Sade --
Warhol’s Empire: Unwatched and Unwatchable --
Warhol’s Empire --
Watching Paint Dry --
8. Visceral Responses to Horror --
“Peekaboo”: Thoughts on (Maybe Not) Seeing Two Horror Films --
Why I Cannot Watch --
Apotropes --
9. Pornography and the Question of Pleasure --
I Am Curious (Butterball) --
At the Threshold to the Void --
10. Archives and the Disintegrating Image --
Restoring Blood Money --
Turning Garbo Watchable: From Swedish Bread Bun to Hollywood Goddess --
Twilight of the Dead --
Part III. Spectators and Objects --
11. Passionate Aversions --
“Sad!”: Why I Won’t Watch Antichrist --
Transforming Nihilism --
Oh, Inventiveness! Oh, Imaginativeness! Precious Cinema and Its Discontents: A Rant --
The Biopic Is an Affront to the Cinema --
12. Tedious Whiteness --
White Men Behaving Sadly --
“You Is Kind, You Is Smart, You Is Important”; or, Why I Can’t Watch The Help --
Two Tables and a Ladder: WCGW? --
13. Reality Trumpism --
TV Trumps --
The Once and Future Hillary: Why I Won’t Watch a TV Miniseries about the 2016 U.S. Presidential Election --
14. Pedagogy and Campus Politics --
Why We Can’t Take a Joke --
The Bridge and Unteachable Films --
Squirming in the Classroom: Fat Girl and the Ethical Value of Extreme Discomfort --
15. The Triggered Spectator --
What Is an “Unwatchable” Film? (With Reference to Amour and Still Alice) --
Watch at Your Own Peril --
Sects, Fries, and Videotape --
Off Watch --
Acknowledgments --
Filmography --
Bibliography --
Notes on Contributors --
Index
title_new Unwatchable /
title_sort unwatchable /
publisher Rutgers University Press,
publishDate 2019
physical 1 online resource (350 p.) : 51 images
contents Frontmatter --
Contents --
Introduction: Envisioning the Unwatchable --
Part I. Violence and Testimony --
1. Theorizing the Unwatchable --
Unwatchable --
The Gaze from Within --
The Unwatchable and the Unwatchable --
Melting into Visibility --
Pro Forma --
2. Spectacles of Destruction --
Terminal Radiance --
Unwatched/Unmanned: Drone Strikes and the Aesthetics of the Unseen --
Breakaway --
The Watchability of the Unwatchable: Television Disaster Coverage --
3. Bearing Witness --
The Incommensurable --
Not Seeing Is Believing: The Unwatchable in Advocacy --
Even If She Had Been a Criminal: A Past Unwatched --
Deframing Evidence: A Transmission from Los ingrávidos --
Alan Kurdi’s Body on the Shore --
4. Visual Regimes of Racial Violence --
Held Helpless in the Breach: On American History X --
The Flash of History: On the Unwatchable in Get Out --
Nothing Is Unwatchable for All --
Empathy .Complicity --
5. Spectacularization and Resistance --
Entertainment Value --
Holocausts, Hallowe’en, and Headdresses --
Unwitnessable: Outrageous Ableist Impersonations and Unwitnessed Everyday Violence --
Part II. Histories and Genres --
6. The Tradition of Provocateurs --
The Two Unwatchables --
Real Horrorshow --
Asymmetries of Desire: Salò, or the 120 Days of Sodom --
Unstomachable: Irréversible and the Extreme Cinema Tradition --
7. Enduring the Avant-Garde --
Unwatchability by Choice: Isou’s Venom and Eternity --
The Refusal of Spectacle: Debord’s Howls for Sade --
Warhol’s Empire: Unwatched and Unwatchable --
Warhol’s Empire --
Watching Paint Dry --
8. Visceral Responses to Horror --
“Peekaboo”: Thoughts on (Maybe Not) Seeing Two Horror Films --
Why I Cannot Watch --
Apotropes --
9. Pornography and the Question of Pleasure --
I Am Curious (Butterball) --
At the Threshold to the Void --
10. Archives and the Disintegrating Image --
Restoring Blood Money --
Turning Garbo Watchable: From Swedish Bread Bun to Hollywood Goddess --
Twilight of the Dead --
Part III. Spectators and Objects --
11. Passionate Aversions --
“Sad!”: Why I Won’t Watch Antichrist --
Transforming Nihilism --
Oh, Inventiveness! Oh, Imaginativeness! Precious Cinema and Its Discontents: A Rant --
The Biopic Is an Affront to the Cinema --
12. Tedious Whiteness --
White Men Behaving Sadly --
“You Is Kind, You Is Smart, You Is Important”; or, Why I Can’t Watch The Help --
Two Tables and a Ladder: WCGW? --
13. Reality Trumpism --
TV Trumps --
The Once and Future Hillary: Why I Won’t Watch a TV Miniseries about the 2016 U.S. Presidential Election --
14. Pedagogy and Campus Politics --
Why We Can’t Take a Joke --
The Bridge and Unteachable Films --
Squirming in the Classroom: Fat Girl and the Ethical Value of Extreme Discomfort --
15. The Triggered Spectator --
What Is an “Unwatchable” Film? (With Reference to Amour and Still Alice) --
Watch at Your Own Peril --
Sects, Fries, and Videotape --
Off Watch --
Acknowledgments --
Filmography --
Bibliography --
Notes on Contributors --
Index
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url https://doi.org/10.36019/9780813599625
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Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2019 English
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2019 English
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2019
Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2019
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Violence and Testimony -- </subfield><subfield code="t">1. Theorizing the Unwatchable -- </subfield><subfield code="t">Unwatchable -- </subfield><subfield code="t">The Gaze from Within -- </subfield><subfield code="t">The Unwatchable and the Unwatchable -- </subfield><subfield code="t">Melting into Visibility -- </subfield><subfield code="t">Pro Forma -- </subfield><subfield code="t">2. Spectacles of Destruction -- </subfield><subfield code="t">Terminal Radiance -- </subfield><subfield code="t">Unwatched/Unmanned: Drone Strikes and the Aesthetics of the Unseen -- </subfield><subfield code="t">Breakaway -- </subfield><subfield code="t">The Watchability of the Unwatchable: Television Disaster Coverage -- </subfield><subfield code="t">3. Bearing Witness -- </subfield><subfield code="t">The Incommensurable -- </subfield><subfield code="t">Not Seeing Is Believing: The Unwatchable in Advocacy -- </subfield><subfield code="t">Even If She Had Been a Criminal: A Past Unwatched -- </subfield><subfield code="t">Deframing Evidence: A Transmission from Los ingrávidos -- </subfield><subfield code="t">Alan Kurdi’s Body on the Shore -- </subfield><subfield code="t">4. Visual Regimes of Racial Violence -- </subfield><subfield code="t">Held Helpless in the Breach: On American History X -- </subfield><subfield code="t">The Flash of History: On the Unwatchable in Get Out -- </subfield><subfield code="t">Nothing Is Unwatchable for All -- </subfield><subfield code="t">Empathy .Complicity -- </subfield><subfield code="t">5. Spectacularization and Resistance -- </subfield><subfield code="t">Entertainment Value -- </subfield><subfield code="t">Holocausts, Hallowe’en, and Headdresses -- </subfield><subfield code="t">Unwitnessable: Outrageous Ableist Impersonations and Unwitnessed Everyday Violence -- </subfield><subfield code="t">Part II. Histories and Genres -- </subfield><subfield code="t">6. The Tradition of Provocateurs -- </subfield><subfield code="t">The Two Unwatchables -- </subfield><subfield code="t">Real Horrorshow -- </subfield><subfield code="t">Asymmetries of Desire: Salò, or the 120 Days of Sodom -- </subfield><subfield code="t">Unstomachable: Irréversible and the Extreme Cinema Tradition -- </subfield><subfield code="t">7. Enduring the Avant-Garde -- </subfield><subfield code="t">Unwatchability by Choice: Isou’s Venom and Eternity -- </subfield><subfield code="t">The Refusal of Spectacle: Debord’s Howls for Sade -- </subfield><subfield code="t">Warhol’s Empire: Unwatched and Unwatchable -- </subfield><subfield code="t">Warhol’s Empire -- </subfield><subfield code="t">Watching Paint Dry -- </subfield><subfield code="t">8. Visceral Responses to Horror -- </subfield><subfield code="t">“Peekaboo”: Thoughts on (Maybe Not) Seeing Two Horror Films -- </subfield><subfield code="t">Why I Cannot Watch -- </subfield><subfield code="t">Apotropes -- </subfield><subfield code="t">9. Pornography and the Question of Pleasure -- </subfield><subfield code="t">I Am Curious (Butterball) -- </subfield><subfield code="t">At the Threshold to the Void -- </subfield><subfield code="t">10. Archives and the Disintegrating Image -- </subfield><subfield code="t">Restoring Blood Money -- </subfield><subfield code="t">Turning Garbo Watchable: From Swedish Bread Bun to Hollywood Goddess -- </subfield><subfield code="t">Twilight of the Dead -- </subfield><subfield code="t">Part III. Spectators and Objects -- </subfield><subfield code="t">11. Passionate Aversions -- </subfield><subfield code="t">“Sad!”: Why I Won’t Watch Antichrist -- </subfield><subfield code="t">Transforming Nihilism -- </subfield><subfield code="t">Oh, Inventiveness! Oh, Imaginativeness! Precious Cinema and Its Discontents: A Rant -- </subfield><subfield code="t">The Biopic Is an Affront to the Cinema -- </subfield><subfield code="t">12. Tedious Whiteness -- </subfield><subfield code="t">White Men Behaving Sadly -- </subfield><subfield code="t">“You Is Kind, You Is Smart, You Is Important”; or, Why I Can’t Watch The Help -- </subfield><subfield code="t">Two Tables and a Ladder: WCGW? -- </subfield><subfield code="t">13. Reality Trumpism -- </subfield><subfield code="t">TV Trumps -- </subfield><subfield code="t">The Once and Future Hillary: Why I Won’t Watch a TV Miniseries about the 2016 U.S. Presidential Election -- </subfield><subfield code="t">14. Pedagogy and Campus Politics -- </subfield><subfield code="t">Why We Can’t Take a Joke -- </subfield><subfield code="t">The Bridge and Unteachable Films -- </subfield><subfield code="t">Squirming in the Classroom: Fat Girl and the Ethical Value of Extreme Discomfort -- </subfield><subfield code="t">15. The Triggered Spectator -- </subfield><subfield code="t">What Is an “Unwatchable” Film? (With Reference to Amour and Still Alice) -- </subfield><subfield code="t">Watch at Your Own Peril -- </subfield><subfield code="t">Sects, Fries, and Videotape -- </subfield><subfield code="t">Off Watch -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Filmography -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as unsuitable for viewing. Yet what does it mean to proclaim something “unwatchable”: disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the “unwatchable” across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Appealing to a broad academic and general readership, the volume offers multidisciplinary approaches to the vast array of troubling images that circulate in global visual culture.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Image (Philosophy).</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Mass media and the arts.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Representation (Philosophy).</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Visual communication</subfield><subfield code="x">Psychological aspects.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Visual perception</subfield><subfield code="x">Philosophy.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Baer, Nicholas, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Baer, Nicholas, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Balsom, Erika, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Balsom, Erika.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Berger, Kenneth, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Berger, 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