Extraordinarily Ordinary : : Us Weekly and the Rise of Reality Television Celebrity / / Erin A. Meyers.

• Superior document: Title is part of eBook package: De Gruyter Art and Architecture eBook-Package 2020
• VerfasserIn: Meyers, Erin A.,
• Place / Publishing House: New Brunswick, NJ : : Rutgers University Press, , [2020]; ©2020
• Year of Publication: 2020
• Language: English
• Physical Description: 1 online resource (250 p.) :; 7 B-W Halftone
• Other title: Frontmatter --; CONTENTS --; INTRODUCTION --; 1. The Ordinary and the Extraordinary: Unpacking the Celebrity Image --; 2. The Labor of Ordinariness: Famous for Being Yourself --; 3. Celebrity Lifestyle Labor: Making the Ordinary Extraordinary --; 4. Lauren Conrad: Us Weekly and the Extraordinarily Ordinary Celebrity --; Conclusion: The Future of the Extraordinarily Ordinary Celebrity --; Acknowledgments --; Notes --; References --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780813599465; 9783110738230; 9783110704655; 9783110704785; 9783110704716; 9783110704518; 9783110690330
• DOI: 10.36019/9780813599465
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Erin A. Meyers.

Extraordinarily Ordinary offers a critical analysis of the production of a distinct form of twenty-first century celebrity constructed through the exploding coverage of reality television cast members in Us Weekly magazine. Erin A. Meyers connects the economic and industrial forces that helped propel Us Weekly to the top of the celebrity gossip market in the early 2000s with the ways in which reality television cast members fit neatly into the social and cultural norms that shaped the successful gossip formulas of the magazine. Us Weekly’s construction of the “extraordinarily ordinary” celebrity within its gossip narratives is a significant symptom of the broader intensification of discourses of ordinariness and the private in the production of contemporary celebrity, in which fame is paradoxically grounded in “just being yourself” while simultaneously defining what the “right” sort of self is in contemporary culture.