Reuse, Misuse, Abuse : : The Ethics of Audiovisual Appropriation in the Digital Era / / Jaimie Baron.
In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a...
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Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English |
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Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2020] ©2021 |
Year of Publication: | 2020 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (218 p.) :; 10 b-w images |
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100 | 1 | |a Baron, Jaimie, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Reuse, Misuse, Abuse : |b The Ethics of Audiovisual Appropriation in the Digital Era / |c Jaimie Baron. |
264 | 1 | |a New Brunswick, NJ : |b Rutgers University Press, |c [2020] | |
264 | 4 | |c ©2021 | |
300 | |a 1 online resource (218 p.) : |b 10 b-w images | ||
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction: Theorizing Misuse -- |t 1 (Re)exposing Intimate Traces -- |t 2 Speaking through Others -- |t 3 Dislocating the Hegemonic Gaze -- |t 4 Reframing the Perpetrator’s Gaze -- |t 5 Abusing Images -- |t Filmography -- |t Acknowledgments -- |t Acknowledgments -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
650 | 0 | |a Actualities (Motion pictures). | |
650 | 0 | |a Documentary films |x Moral and ethical aspects. | |
650 | 0 | |a Gaze in motion pictures. | |
650 | 0 | |a Stock footage. | |
650 | 0 | |a Video recordings |x Moral and ethical aspects. | |
650 | 7 | |a SOCIAL SCIENCE / General. |2 bisacsh | |
653 | |a Audio, Audiovisual, Contemporary, Culture, Digital Era, Documentary, Ethics, Films, Recording, Scholars, Videos, Visual, Footage, People, Life, Events, Originality, Content, Reuse, Gas, Intimate Traces. | ||
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773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Rutgers University Press Complete eBook-Package 2021 |z 9783110739138 |
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