Digital Cinema / / Stephen Prince.
Digital Cinema considers how new technologies have revolutionized the medium, while investigating the continuities that might remain from filmmaking’s analog era. In the process, it raises provocative questions about the status of realism in a pixel-generated digital medium whose scenes often defy t...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2019 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2019] ©2019 |
| Year of Publication: | 2019 |
| Language: | English |
| Series: | Quick Takes: Movies and Popular Culture
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| Online Access: | |
| Physical Description: | 1 online resource (144 p.) :; 0 images |
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| 100 | 1 | |a Prince, Stephen, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Digital Cinema / |c Stephen Prince. |
| 264 | 1 | |a New Brunswick, NJ : |b Rutgers University Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (144 p.) : |b 0 images | ||
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| 490 | 0 | |a Quick Takes: Movies and Popular Culture | |
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t INTRODUCTION -- |t 1 CINEMA AS CONSTRUCTION Then and Now -- |t 2 REASONS FOR REALISM -- |t 3 CHEATING PHYSICS -- |t 4 BEYOND CINEMA -- |t 5 EVERYWHERE AND NOWHERE -- |t ACKNOWLEDGMENTS -- |t FURTHER READING -- |t WORKS CITED -- |t INDEX |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Digital Cinema considers how new technologies have revolutionized the medium, while investigating the continuities that might remain from filmmaking’s analog era. In the process, it raises provocative questions about the status of realism in a pixel-generated digital medium whose scenes often defy the laws of physics. It also considers what these changes might bode for the future of cinema. How will digital works be preserved and shared? And will the emergence of virtual reality finally consign cinema to obsolescence? Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges some fundamental assumptions about film. It is essential reading for anyone interested in understanding how movies are shot, produced, distributed, and consumed in the twenty-first century. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | |a Digital cinematography. | |
| 650 | 0 | |a Motion pictures |x History |y 21st century. | |
| 650 | 7 | |a PERFORMING ARTS / General. |2 bisacsh | |
| 653 | |a digital, cinema, film, filmmaking, analog, photographic, realism, documentary, virtual reality. | ||
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| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Arts, Architecture and Design 2019 English |z 9783110610017 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2019 English |z 9783110610765 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2019 |z 9783110664232 |o ZDB-23-DGG |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Rutgers University Press Complete eBook-Package 2019 |z 9783110653526 |
| 856 | 4 | 0 | |u https://doi.org/10.36019/9780813596303 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780813596303 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780813596303/original |
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