Broadcasting Hollywood : : The Struggle over Feature Films on Early TV / / Jennifer Porst.

Broadcasting Hollywood: The Struggle Over Feature Films on Early Television uses extensive archival research into the files of studios, networks, advertising agencies, unions and guilds, theatre associations, the FCC, and key legal cases to analyze the tensions and synergies between the film and tel...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021
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Place / Publishing House:New Brunswick, NJ : : Rutgers University Press, , [2021]
©2021
Year of Publication:2021
Language:English
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Physical Description:1 online resource (254 p.)
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245 1 0 |a Broadcasting Hollywood :  |b The Struggle over Feature Films on Early TV /  |c Jennifer Porst. 
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505 0 0 |t Frontmatter --   |t Contents --   |t Abbreviations --   |t Introduction: Media Disruption and Convergence --   |t 1. Systems of Authority and Evaluation --   |t 2. Exhibition, Audiences, and Media Consumption --   |t 3. Contracts, Rights, Residuals, and Labor --   |t 4. Roy Rogers, Gene Autry, and the Intervention of the Courts --   |t 5. Antitrust, Market Dominance, and Emerging Media --   |t 6. Feature Films Make Their Way to Television --   |t Conclusion: Disrupting a Big Market Can Be Bumpy --   |t Acknowledgments --   |t Abbreviations Used in Notes --   |t Notes --   |t Bibliography --   |t Index --   |t About the Author 
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520 |a Broadcasting Hollywood: The Struggle Over Feature Films on Early Television uses extensive archival research into the files of studios, networks, advertising agencies, unions and guilds, theatre associations, the FCC, and key legal cases to analyze the tensions and synergies between the film and television industries in the early years of television. This analysis of the case study of the struggle over Hollywood’s feature films appearing on television in the 1940s and 1950s illustrates that the notion of an industry misunderstands the complex array of stakeholders who work in and profit from a media sector, and models a variegated examination of the history of media industries. Ultimately, it draws a parallel to the contemporary period and the introduction of digital media to highlight the fact that history repeats itself and can therefore play a key role in helping media industry scholars and practitioners to understand and navigate contemporary industrial phenomena. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a Copyright  |x Broadcasting rights  |z United States. 
650 0 |a License agreements  |z United States. 
650 0 |a Motion picture audiences  |z United States. 
650 0 |a Motion picture industry  |z United States  |x History  |y 20th century. 
650 0 |a Motion pictures  |z United States  |x Distribution. 
650 0 |a Television broadcasting of films  |z United States  |x History  |y 20th century. 
650 0 |a Television broadcasting  |z United States  |x History  |y 20th century. 
650 0 |a Television viewers  |z United States. 
650 7 |a PERFORMING ARTS / General.  |2 bisacsh 
653 |a screenwriter, screenwriting, writing, writer, television, tv writer, television writer, script, film, filmmaker, film writer, movie writer, screenplay, hollywood, mel brooks, carl reiner, norman lear, screenwriters' guild, screenwriters guild, broadcasting, media, communications, American studies, American film, film studio, film networks, advertising, advertising agencies, guilds, theatre, theatre associations, FCC, TV ratings, television industry, 1940s, 1950s, digital media, contemporary, postwar industrialism, intermedia, convergence, transmedia, media industry studies, early TV. 
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