Global Cinema Networks / / ed. by Elena Gorfinkel, Tami Williams.

• Superior document: Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2018
• MitwirkendeR: Alvaray, Luisela,; Andrew, Dudley,; Blasini, Gilberto M.,; Gorfinkel, Elena,; Guido, Laurent,; Martin, Adrian,; Paik, Peter Y.,; Rhodes, John David,; Schoonover, Karl,; Tweedie, James,; Ukadike, N. Frank,; White, Patricia,; Williams, Tami,; Xu, Jian,
• TeilnehmendeR: Alvaray, Luisela.; Andrew, Dudley.; Blasini, Gilberto M.; Gorfinkel, Elena.; Guido, Laurent.; Martin, Adrian.; Paik, Peter Y.; Rhodes, John David.; Schoonover, Karl.; Tweedie, James.; Ukadike, Frank.; White, Patricia.; Williams, Tami.; Xu, Jian.
• HerausgeberIn: Gorfinkel, Elena,; Williams, Tami,
• Place / Publishing House: New Brunswick, NJ : : Rutgers University Press, , [2018]; ©2018
• Year of Publication: 2018
• Language: English
• Series: Media Matters
• Physical Description: 1 online resource (278 p.) :; 49 b-w photographs

Global Cinema Networks investigates the evolving aesthetic forms, technological and industrial conditions, and social impacts of cinema in the twenty-first century. The collection’s esteemed contributors excavate sites of global filmmaking in an era of digital reproduction and amidst new modes of ci...

Table of Contents

• Frontmatter
• CONTENTS
• Introduction: Global Cinemas in a Time of Networks
• CARTOGRAPHIES, GEOPOLITICS, AESTHETICS
• 1. BEYOND AND BENEATH THE MAP OF WORLD CINEMA
• 2. FRAME
• 3. ABSTRACTION AND THE GEOPOLITICAL: Lessons from Antonioni’s Trip to China
• 4. THE CITY OF BITS AND URBAN RULE: Media Archaeology, Urban Space, and Contemporary Chinese Documentary
• GLOBAL IDEALITY, HISTORY, REPRESENTATION
• 5. TOWARD AN ARCHAEOLOGY OF GLOBAL RHYTHMS: Melodie der Welt and Its Reception in France
• 6. WHEN CINEMA WAS HUMANISM
• 7. AFRICAN CINEMA: Digital Media and Expanding Frames of Representation
• 8. CHANGING CIRCUMSTANCES: Global Flows of Lesbian Cinema
• Part III. KINSHIPS, IDENTIFICATIONS, GENRES
• 9. HERMANO AND LA HORA CERO: Violence and Transgressive Subjectivities in Venezuelan Youth Cinema
• 10. BETWEEN LOVE AND THE MORAL LAW: The Fatal Mother in Park Chan-wook’s Lady Vengeance
• 11. THE QUEER MEXICAN CINEMA OF JULIÁN HERNÁNDEZ
• 12. THE GANGSTER FILM AS WORLD CINEMA
• EPILOGUE 24 FRAMES: Regarding the Past and Future of Global Cinema
• ACKNOWLEDGMENTS
• NOTES ON CONTRIBUTORS
• INDEX