Lost : : Miscarriage in Nineteenth-Century America / / Shannon Withycombe.

• Superior document: Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2019
• VerfasserIn: Withycombe, Shannon,
• Place / Publishing House: New Brunswick, NJ : : Rutgers University Press, , [2018]; ©2019
• Year of Publication: 2018
• Language: English
• Series: Critical Issues in Health and Medicine
• Physical Description: 1 online resource (236 p.) :; 9 images, half tones
• Other title: Frontmatter --; Contents --; Introduction --; 1. Oh Joy, Oh Rapture Describing the Nineteenth-Century Miscarriage --; 2. Enveloped in Mystery: Pregnancy and Miscarriage in the Late Eighteenth and Early Nineteenth Centuries --; 3. Before Its Due Time: Setting Standards in Miscarriage, 1830-1860s --; 4. Dr. Taylor Went Up in the Uterus Miscarriage Treatment and Intrusive Interventions, 1860-1900 --; 5. The Body in the Clot: Medical Interest in Miscarried Tissues, 1870-1912 --; Conclusion --; Acknowledgments --; Notes --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780813591575; 9783110653526
• DOI: 10.36019/9780813591575?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Shannon Withycombe.

In Lost, medical historian Shannon Withycombe weaves together women's personal writings and doctors' publications from the 1820s through the 1910s to investigate the transformative changes in how Americans conceptualized pregnancy, understood miscarriage, and interpreted fetal tissue over the course of the nineteenth century. Withycombe's pathbreaking research reveals how Americans construed, and continue to understand, miscarriage within a context of reproductive desires, expectations, and abilities. This is the first book to utilize women's own writings about miscarriage to explore the individual understandings of pregnancy loss and the multiple social and medical forces that helped to shape those perceptions. What emerges from Withycombe's work is unlike most medicalization narratives.