Who Owns Culture? : : Appropriation and Authenticity in American Law / / Susan Scafidi.
It is not uncommon for white suburban youths to perform rap music, for New York fashion designers to ransack the world's closets for inspiration, or for Euro-American authors to adopt the voice of a geisha or shaman. But who really owns these art forms? Is it the community in which they were or...
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Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2005] ©2005 |
Year of Publication: | 2005 |
Language: | English |
Series: | Rutgers Series: The Public Life of the Arts
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Physical Description: | 1 online resource (208 p.) |
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Scafidi, Susan, author. aut http://id.loc.gov/vocabulary/relators/aut Who Owns Culture? : Appropriation and Authenticity in American Law / Susan Scafidi. New Brunswick, NJ : Rutgers University Press, [2005] ©2005 1 online resource (208 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Rutgers Series: The Public Life of the Arts Frontmatter -- Contents -- Preface and Acknowledgments -- Introduction -- 1 The Commodification of Culture -- 2 Ownership of Intangible Property -- 3 Cultural Products as Accidental Property -- 4 Categorizing Cultural Products -- 5 Claiming Community Ownership via Authenticity -- 6 Family Feuds -- 7 Outsider Appropriation -- 8 Misappropriation and the Destruction of Value(s) -- 9 Permissive Appropriation -- 10 Reverse Appropriation of Intellectual Properties and Celebrity Personae -- 11 The Civic Role of Cultural Products -- 12 An Emerging Legal Framework -- Appendix: Defining Property -- Notes -- Index -- About the Author restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star It is not uncommon for white suburban youths to perform rap music, for New York fashion designers to ransack the world's closets for inspiration, or for Euro-American authors to adopt the voice of a geisha or shaman. But who really owns these art forms? Is it the community in which they were originally generated, or the culture that has absorbed them? While claims of authenticity or quality may prompt some consumers to seek cultural products at their source, the communities of origin are generally unable to exclude copyists through legal action. Like other works of unincorporated group authorship, cultural products lack protection under our system of intellectual property law. But is this legal vacuum an injustice, the lifeblood of American culture, a historical oversight, a result of administrative incapacity, or all of the above? Who Owns Culture? offers the first comprehensive analysis of cultural authorship and appropriation within American law. From indigenous art to Linux, Susan Scafidi takes the reader on a tour of the no-man's-land between law and culture, pausing to ask: What prompts us to offer legal protection to works of literature, but not folklore? What does it mean for a creation to belong to a community, especially a diffuse or fractured one? And is our national culture the product of Yankee ingenuity or cultural kleptomania? Providing new insights to communal authorship, cultural appropriation, intellectual property law, and the formation of American culture, this innovative and accessible guide greatly enriches future legal understanding of cultural production. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) POLITICAL SCIENCE / General. bisacsh culture, appropriation, authenticity, American Law, appropriation in American Law, appropriation and authenticity, authenticity in American Law, copying culture, mocking culture, property law, injustice, American culture, historical oversight, cultural authorship, cultural appropriation, cultural authorship and appropriation, law and culture, legal protection of culture, intellectual property law, formation of American culture, diversity in American culture, discrimination, discrimination of culture, inequalities in culture, privilege. https://doi.org/10.36019/9780813583433 https://www.degruyter.com/isbn/9780813583433 Cover https://www.degruyter.com/document/cover/isbn/9780813583433/original |
language |
English |
format |
eBook |
author |
Scafidi, Susan, Scafidi, Susan, |
spellingShingle |
Scafidi, Susan, Scafidi, Susan, Who Owns Culture? : Appropriation and Authenticity in American Law / Rutgers Series: The Public Life of the Arts Frontmatter -- Contents -- Preface and Acknowledgments -- Introduction -- 1 The Commodification of Culture -- 2 Ownership of Intangible Property -- 3 Cultural Products as Accidental Property -- 4 Categorizing Cultural Products -- 5 Claiming Community Ownership via Authenticity -- 6 Family Feuds -- 7 Outsider Appropriation -- 8 Misappropriation and the Destruction of Value(s) -- 9 Permissive Appropriation -- 10 Reverse Appropriation of Intellectual Properties and Celebrity Personae -- 11 The Civic Role of Cultural Products -- 12 An Emerging Legal Framework -- Appendix: Defining Property -- Notes -- Index -- About the Author |
author_facet |
Scafidi, Susan, Scafidi, Susan, |
author_variant |
s s ss s s ss |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Scafidi, Susan, |
title |
Who Owns Culture? : Appropriation and Authenticity in American Law / |
title_sub |
Appropriation and Authenticity in American Law / |
title_full |
Who Owns Culture? : Appropriation and Authenticity in American Law / Susan Scafidi. |
title_fullStr |
Who Owns Culture? : Appropriation and Authenticity in American Law / Susan Scafidi. |
title_full_unstemmed |
Who Owns Culture? : Appropriation and Authenticity in American Law / Susan Scafidi. |
title_auth |
Who Owns Culture? : Appropriation and Authenticity in American Law / |
title_alt |
Frontmatter -- Contents -- Preface and Acknowledgments -- Introduction -- 1 The Commodification of Culture -- 2 Ownership of Intangible Property -- 3 Cultural Products as Accidental Property -- 4 Categorizing Cultural Products -- 5 Claiming Community Ownership via Authenticity -- 6 Family Feuds -- 7 Outsider Appropriation -- 8 Misappropriation and the Destruction of Value(s) -- 9 Permissive Appropriation -- 10 Reverse Appropriation of Intellectual Properties and Celebrity Personae -- 11 The Civic Role of Cultural Products -- 12 An Emerging Legal Framework -- Appendix: Defining Property -- Notes -- Index -- About the Author |
title_new |
Who Owns Culture? : |
title_sort |
who owns culture? : appropriation and authenticity in american law / |
series |
Rutgers Series: The Public Life of the Arts |
series2 |
Rutgers Series: The Public Life of the Arts |
publisher |
Rutgers University Press, |
publishDate |
2005 |
physical |
1 online resource (208 p.) |
contents |
Frontmatter -- Contents -- Preface and Acknowledgments -- Introduction -- 1 The Commodification of Culture -- 2 Ownership of Intangible Property -- 3 Cultural Products as Accidental Property -- 4 Categorizing Cultural Products -- 5 Claiming Community Ownership via Authenticity -- 6 Family Feuds -- 7 Outsider Appropriation -- 8 Misappropriation and the Destruction of Value(s) -- 9 Permissive Appropriation -- 10 Reverse Appropriation of Intellectual Properties and Celebrity Personae -- 11 The Civic Role of Cultural Products -- 12 An Emerging Legal Framework -- Appendix: Defining Property -- Notes -- Index -- About the Author |
isbn |
9780813583433 |
url |
https://doi.org/10.36019/9780813583433 https://www.degruyter.com/isbn/9780813583433 https://www.degruyter.com/document/cover/isbn/9780813583433/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.36019/9780813583433 |
work_keys_str_mv |
AT scafidisusan whoownscultureappropriationandauthenticityinamericanlaw |
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ids_txt_mv |
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Who Owns Culture? : Appropriation and Authenticity in American Law / |
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