The Extraordinary Image : : Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema / / Robert P. Kolker.
Welles. Hitchcock. Kubrick. These names appear on nearly every list of the all-time greatest filmmakers. But what makes these directors so great? Despite their very different themes and sensibilities, is there a common genius that unites them and elevates their work into the realm of the sublime? Th...
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| Superior document: | Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2017 |
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| Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2016] ©2016 |
| Year of Publication: | 2016 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (224 p.) :; 50 photographs |
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Table of Contents:
- Frontmatter
- CONTENTS
- List of Illustrations
- Acknowledgments
- Prelude
- The Passion of Film
- What We Talk about When We Talk about Film
- The Body of Work
- Origins
- The Films They Made
- The Work of the Body
- Hunger Artists
- Apollo, Dionysus, and Nemesis
- Embodiment and Performance
- Form, Time, and Space
- Spatial Illusions
- Conventional Spaces
- Against Realism
- Touch of Evil and Psycho
- Labyrinths, Lost Time, Dying Falls
- Hitchcock and the Abyss
- The Dreamworld
- The Spaces of Space Fiction
- Cycles and Symmetry
- Photograph of a Photograph
- Power and Sexuality
- The Art of Feeling
- Coda: An Immense Shadow
- Chronology of Films by Welles, Hitchcock, and Kubrick
- Notes
- Select Bibliography
- Index