Mixed Feelings : : Feminism, Mass Culture, and Victorian Sensationalism / / Ann Cvetkovich.

Arguing that affect has a history, Ann Cvetkovich challenges both nineteenth- and twentieth-century claims that the expression of feeling is naturally or intrinsically liberating or reactionary. The central focus of Mixed Feelings is the Victorian sensation novel, the fad genre of the 1860s, whose c...

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Superior document:Title is part of eBook package: De Gruyter Rutgers University Press Archive eBook-Package Pre-2000
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Place / Publishing House:New Brunswick, NJ : : Rutgers University Press, , [1992]
©1992
Year of Publication:1992
Language:English
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Physical Description:1 online resource (250 p.)
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spelling Cvetkovich, Ann, author. aut http://id.loc.gov/vocabulary/relators/aut
Mixed Feelings : Feminism, Mass Culture, and Victorian Sensationalism / Ann Cvetkovich.
New Brunswick, NJ : Rutgers University Press, [1992]
©1992
1 online resource (250 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- Acknowledgments -- Introduction: The Politics of Affect -- One. Marketing Affect: The Nineteenth-Century Sensation Novel -- Two. Theorizing Affect: Twentieth-Century Mass Culture Criticism -- Three. Detective in the House: Subversion and Containment in 45 Lady Audley's Secret -- Four. Ghostlier Determinations: The Economy of Sensation and The Woman in White -- Five. Crying for Power: East Lynne and Maternal Melodrama -- Six. The Inside Story: On Sympathy in Daniel Deronda -- Seven. Marx's Capital and the Mystery of the Commodity -- Epilogue -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Arguing that affect has a history, Ann Cvetkovich challenges both nineteenth- and twentieth-century claims that the expression of feeling is naturally or intrinsically liberating or reactionary. The central focus of Mixed Feelings is the Victorian sensation novel, the fad genre of the 1860s, whose controversial popularity marks an important moment in the history of mass culture. Drawing on Marxist, feminist, and Foucauldian cultural theory, Cvetkovich investigates the sensation novel's power to produce emotional responses, its representation of social problems as affective ones, and the difficulties involved in assessing the genre as either reactionary or subversive. She is particularly concerned with the relation of gender and affect since many of the sensation novels were written by and for women, and women. By examining the powerful conjunction of ideologies of affect, gender, and mass culture, Cvetkovich reveals the powerful political effects of affective expression and sensational representations.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024)
English fiction 19th century History and criticism.
Feminism and literature Great Britain History 19th century.
Feminist fiction, English History and criticism.
Popular culture Great Britain History 19th century.
Sensationalism in literature.
Women and literature Great Britain History 19th century.
LITERARY COLLECTIONS / General. bisacsh
Title is part of eBook package: De Gruyter Rutgers University Press Archive eBook-Package Pre-2000 9783110663334
https://doi.org/10.36019/9780813582924
https://www.degruyter.com/isbn/9780813582924
Cover https://www.degruyter.com/document/cover/isbn/9780813582924/original
language English
format eBook
author Cvetkovich, Ann,
Cvetkovich, Ann,
spellingShingle Cvetkovich, Ann,
Cvetkovich, Ann,
Mixed Feelings : Feminism, Mass Culture, and Victorian Sensationalism /
Frontmatter --
Contents --
Acknowledgments --
Introduction: The Politics of Affect --
One. Marketing Affect: The Nineteenth-Century Sensation Novel --
Two. Theorizing Affect: Twentieth-Century Mass Culture Criticism --
Three. Detective in the House: Subversion and Containment in 45 Lady Audley's Secret --
Four. Ghostlier Determinations: The Economy of Sensation and The Woman in White --
Five. Crying for Power: East Lynne and Maternal Melodrama --
Six. The Inside Story: On Sympathy in Daniel Deronda --
Seven. Marx's Capital and the Mystery of the Commodity --
Epilogue --
Index
author_facet Cvetkovich, Ann,
Cvetkovich, Ann,
author_variant a c ac
a c ac
author_role VerfasserIn
VerfasserIn
author_sort Cvetkovich, Ann,
title Mixed Feelings : Feminism, Mass Culture, and Victorian Sensationalism /
title_sub Feminism, Mass Culture, and Victorian Sensationalism /
title_full Mixed Feelings : Feminism, Mass Culture, and Victorian Sensationalism / Ann Cvetkovich.
title_fullStr Mixed Feelings : Feminism, Mass Culture, and Victorian Sensationalism / Ann Cvetkovich.
title_full_unstemmed Mixed Feelings : Feminism, Mass Culture, and Victorian Sensationalism / Ann Cvetkovich.
title_auth Mixed Feelings : Feminism, Mass Culture, and Victorian Sensationalism /
title_alt Frontmatter --
Contents --
Acknowledgments --
Introduction: The Politics of Affect --
One. Marketing Affect: The Nineteenth-Century Sensation Novel --
Two. Theorizing Affect: Twentieth-Century Mass Culture Criticism --
Three. Detective in the House: Subversion and Containment in 45 Lady Audley's Secret --
Four. Ghostlier Determinations: The Economy of Sensation and The Woman in White --
Five. Crying for Power: East Lynne and Maternal Melodrama --
Six. The Inside Story: On Sympathy in Daniel Deronda --
Seven. Marx's Capital and the Mystery of the Commodity --
Epilogue --
Index
title_new Mixed Feelings :
title_sort mixed feelings : feminism, mass culture, and victorian sensationalism /
publisher Rutgers University Press,
publishDate 1992
physical 1 online resource (250 p.)
contents Frontmatter --
Contents --
Acknowledgments --
Introduction: The Politics of Affect --
One. Marketing Affect: The Nineteenth-Century Sensation Novel --
Two. Theorizing Affect: Twentieth-Century Mass Culture Criticism --
Three. Detective in the House: Subversion and Containment in 45 Lady Audley's Secret --
Four. Ghostlier Determinations: The Economy of Sensation and The Woman in White --
Five. Crying for Power: East Lynne and Maternal Melodrama --
Six. The Inside Story: On Sympathy in Daniel Deronda --
Seven. Marx's Capital and the Mystery of the Commodity --
Epilogue --
Index
isbn 9780813582924
9783110663334
callnumber-first P - Language and Literature
callnumber-subject PR - English Literature
callnumber-label PR878
callnumber-sort PR 3878 F45 C85 41992EB
geographic_facet Great Britain
era_facet 19th century
19th century.
url https://doi.org/10.36019/9780813582924
https://www.degruyter.com/isbn/9780813582924
https://www.degruyter.com/document/cover/isbn/9780813582924/original
illustrated Not Illustrated
dewey-hundreds 800 - Literature
dewey-tens 820 - English & Old English literatures
dewey-ones 823 - English fiction
dewey-full 823/.809352042
dewey-sort 3823 9809352042
dewey-raw 823/.809352042
dewey-search 823/.809352042
doi_str_mv 10.36019/9780813582924
work_keys_str_mv AT cvetkovichann mixedfeelingsfeminismmasscultureandvictoriansensationalism
status_str n
ids_txt_mv (DE-B1597)529646
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Rutgers University Press Archive eBook-Package Pre-2000
is_hierarchy_title Mixed Feelings : Feminism, Mass Culture, and Victorian Sensationalism /
container_title Title is part of eBook package: De Gruyter Rutgers University Press Archive eBook-Package Pre-2000
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