Making Believe : : Screen Performance and Special Effects in Popular Cinema / / Lisa Bode.
In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizing scr...
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter RUP eBook-Package 2017 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2017] ©2017 |
| Year of Publication: | 2017 |
| Language: | English |
| Series: | Techniques of the Moving Image
|
| Online Access: | |
| Physical Description: | 1 online resource (246 p.) :; 19 photographs |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Introduction
- 1. Acting through Machines: Fidelity and Expression from Cameras to Mo-Cap
- 2. Behind Rubber and Pixels: Mimesis, Seamlessness, and Acting Achievement
- 3. In Another's Skin: Typecasting, Identity, and the Limits of Proteanism
- 4. Double Trouble: Authenticity, Fakery, and Concealed Performance Labor
- 5. Performing with Themselves: Versatility, Timing, and Nuance in Multiple Roles
- 6. There Is No There There: Making Believe in Composite Screen Space
- Conclusion
- Acknowledgments
- Notes
- Index