Making the Scene in the Garden State : : Popular Music in New Jersey from Edison to Springsteen and Beyond / / Dewar MacLeod.

Making the Scene in the Garden State explores New Jersey’s rich musical heritage through stories about the musicians, listeners and fans who came together to create sounds from across the American popular music spectrum. The book includes chapters on the beginnings of musical recording in Thomas Edi...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 English
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Place / Publishing House:New Brunswick, NJ : : Rutgers University Press, , [2020]
©2020
Year of Publication:2020
Language:English
Online Access:
Physical Description:1 online resource (206 p.) :; 20 images; some color
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245 1 0 |a Making the Scene in the Garden State :  |b Popular Music in New Jersey from Edison to Springsteen and Beyond /  |c Dewar MacLeod. 
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505 0 0 |t Frontmatter --   |t CONTENTS --   |t Introduction: Making Scenes --   |t 1 Thomas Edison and the First Recording Studio --   |t 2 The Victor Talking Machine Company and the Scene at Home --   |t 3 Jazz at the Cliffside: The Studios of Rudy Van Gelder --   |t 4 Transylvania Bandstand and Rockin’ with the Cool Ghoul --   |t 5 The Upstage Club and the Asbury Park Scene --   |t 6 “Drums Along the Hudson”: The Hoboken Sound --   |t Conclusion: Making the Scene in the Twenty-First Century --   |t Acknowledgments --   |t Notes --   |t Index --   |t ABOUT THE AUTHOR 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Making the Scene in the Garden State explores New Jersey’s rich musical heritage through stories about the musicians, listeners and fans who came together to create sounds from across the American popular music spectrum. The book includes chapters on the beginnings of musical recording in Thomas Edison’s factories in West Orange; early recording and the invention of the Victrola at Victor Records’ Camden complex; Rudy Van Gelder’s recording studios (for Blue Note, Prestige, and other jazz labels) in Hackensack and Englewood Cliffs; Zacherley and the afterschool dance television show Disc-o-Teen, broadcast from Newark in the 1960s; Bruce Springsteen’s early years on the Jersey Shore at the Upstage Club in Asbury Park; and, the 1980s indie rock scene centered at Maxwell’s in Hoboken. Concluding with a foray into the thriving local music scenes of today, the book examines the sounds, sights and textures of the locales where New Jerseyans have gathered to rock, bop, and boogie. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) 
650 7 |a MUSIC / General.  |2 bisacsh 
653 |a Criticism, History, United States, State, Local, Middle Atlantic, Popular Culture, music, Genres, Styles, Pop Vocal, social science, Media Studies, Machine Company, Thomas Edison, Cool Ghoul, Twenty-First Century, Upstage Club, Asbury Park, scene, Rudy Van Gelder, First Recording Studio, Bandstand, Garden State, New Jersey, musicians, listeners, fans, music spectrum, popular music, musical recording, West Orange, Jersey Shore, 1980s, sounds, sights, textures, rock, bop, boogie, Hoboken, Maxwell’s, Blue Note, Prestige, jazz, Hackensack, Englewood Cliff, Zacherley, television show, Disc-o-Teen, broadcast, Newark, Bruce Springsteen. 
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