Cinema Civil Rights : : Regulation, Repression, and Race in the Classical Hollywood Era / / Ellen C. Scott.
From Al Jolson in blackface to Song of the South, there is a long history of racism in Hollywood film. Yet as early as the 1930s, movie studios carefully vetted their releases, removing racially offensive language like the "N-word." This censorship did not stem from purely humanitarian con...
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Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2015] ©2015 |
Year of Publication: | 2015 |
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Scott, Ellen C., author. aut http://id.loc.gov/vocabulary/relators/aut Cinema Civil Rights : Regulation, Repression, and Race in the Classical Hollywood Era / Ellen C. Scott. New Brunswick, NJ : Rutgers University Press, [2015] ©2015 1 online resource (268 p.) : 30 photographs text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Regulating Race, Structuring Absence: Industry Self-Censorship And African American Representability -- 2. State Censorship And The Color Line -- 3. Racial Trauma, Civil Rights, And The Brutal Imagination Of Darryl F. Zanuck -- 4. Shadowboxing: Black Interpretive Activism In The Classical Hollywood Era -- Conclusion -- Notes -- Index -- About The Author restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star From Al Jolson in blackface to Song of the South, there is a long history of racism in Hollywood film. Yet as early as the 1930s, movie studios carefully vetted their releases, removing racially offensive language like the "N-word." This censorship did not stem from purely humanitarian concerns, but rather from worries about boycotts from civil rights groups and loss of revenue from African American filmgoers. Cinema Civil Rights presents the untold history of how Black audiences, activists, and lobbyists influenced the representation of race in Hollywood in the decades before the 1960s civil rights era. Employing a nuanced analysis of power, Ellen C. Scott reveals how these representations were shaped by a complex set of negotiations between various individuals and organizations. Rather than simply recounting the perspective of film studios, she calls our attention to a variety of other influential institutions, from protest groups to state censorship boards. Scott demonstrates not only how civil rights debates helped shaped the movies, but also how the movies themselves provided a vital public forum for addressing taboo subjects like interracial sexuality, segregation, and lynching. Emotionally gripping, theoretically sophisticated, and meticulously researched, Cinema Civil Rights presents us with an in-depth look at the film industry's role in both articulating and censoring the national conversation on race. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) African American political activists History 20th century. African Americans in motion pictures. African Americans in the motion picture industry History 20th century. African Americans Civil rights History 20th century. Motion picture industry United States History 20th century. Motion pictures Censorship United States History 20th century. Motion pictures United States History 20th century. Racism in motion pictures. Stereotypes (Social psychology) in motion pictures. PERFORMING ARTS / General. bisacsh Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2014-2015 9783110666151 print 9780813571362 https://doi.org/10.36019/9780813571379 https://www.degruyter.com/isbn/9780813571379 Cover https://www.degruyter.com/cover/covers/9780813571379.jpg |
language |
English |
format |
eBook |
author |
Scott, Ellen C., Scott, Ellen C., |
spellingShingle |
Scott, Ellen C., Scott, Ellen C., Cinema Civil Rights : Regulation, Repression, and Race in the Classical Hollywood Era / Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Regulating Race, Structuring Absence: Industry Self-Censorship And African American Representability -- 2. State Censorship And The Color Line -- 3. Racial Trauma, Civil Rights, And The Brutal Imagination Of Darryl F. Zanuck -- 4. Shadowboxing: Black Interpretive Activism In The Classical Hollywood Era -- Conclusion -- Notes -- Index -- About The Author |
author_facet |
Scott, Ellen C., Scott, Ellen C., |
author_variant |
e c s ec ecs e c s ec ecs |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Scott, Ellen C., |
title |
Cinema Civil Rights : Regulation, Repression, and Race in the Classical Hollywood Era / |
title_sub |
Regulation, Repression, and Race in the Classical Hollywood Era / |
title_full |
Cinema Civil Rights : Regulation, Repression, and Race in the Classical Hollywood Era / Ellen C. Scott. |
title_fullStr |
Cinema Civil Rights : Regulation, Repression, and Race in the Classical Hollywood Era / Ellen C. Scott. |
title_full_unstemmed |
Cinema Civil Rights : Regulation, Repression, and Race in the Classical Hollywood Era / Ellen C. Scott. |
title_auth |
Cinema Civil Rights : Regulation, Repression, and Race in the Classical Hollywood Era / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Regulating Race, Structuring Absence: Industry Self-Censorship And African American Representability -- 2. State Censorship And The Color Line -- 3. Racial Trauma, Civil Rights, And The Brutal Imagination Of Darryl F. Zanuck -- 4. Shadowboxing: Black Interpretive Activism In The Classical Hollywood Era -- Conclusion -- Notes -- Index -- About The Author |
title_new |
Cinema Civil Rights : |
title_sort |
cinema civil rights : regulation, repression, and race in the classical hollywood era / |
publisher |
Rutgers University Press, |
publishDate |
2015 |
physical |
1 online resource (268 p.) : 30 photographs Issued also in print. |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Regulating Race, Structuring Absence: Industry Self-Censorship And African American Representability -- 2. State Censorship And The Color Line -- 3. Racial Trauma, Civil Rights, And The Brutal Imagination Of Darryl F. Zanuck -- 4. Shadowboxing: Black Interpretive Activism In The Classical Hollywood Era -- Conclusion -- Notes -- Index -- About The Author |
isbn |
9780813571379 9783110666151 9780813571362 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 N4 S35 42014 |
geographic_facet |
United States |
era_facet |
20th century. |
url |
https://doi.org/10.36019/9780813571379 https://www.degruyter.com/isbn/9780813571379 https://www.degruyter.com/cover/covers/9780813571379.jpg |
illustrated |
Not Illustrated |
doi_str_mv |
10.36019/9780813571379 |
oclc_num |
898070981 |
work_keys_str_mv |
AT scottellenc cinemacivilrightsregulationrepressionandraceintheclassicalhollywoodera |
status_str |
n |
ids_txt_mv |
(DE-B1597)526252 (OCoLC)898070981 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2014-2015 |
is_hierarchy_title |
Cinema Civil Rights : Regulation, Repression, and Race in the Classical Hollywood Era / |
container_title |
Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2014-2015 |
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1770176481064910848 |
fullrecord |
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