Buyers Beware : : Insurgency and Consumption in Caribbean Popular Culture / / Patricia Joan Saunders.

Buyers Beware offers a new perspective for critical inquiries about the practices of consumption in (and of) Caribbean popular culture. The book revisits commonly accepted representations of the Caribbean from “less respectable” segments of popular culture such as dancehall culture and 'sistah...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English
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Place / Publishing House:New Brunswick, NJ : : Rutgers University Press, , [2022]
©2022
Year of Publication:2022
Language:English
Series:Critical Caribbean Studies
Online Access:
Physical Description:1 online resource (218 p.) :; 25 color images
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245 1 0 |a Buyers Beware :  |b Insurgency and Consumption in Caribbean Popular Culture /  |c Patricia Joan Saunders. 
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490 0 |a Critical Caribbean Studies 
505 0 0 |t Frontmatter --   |t Contents --   |t Introduction: Between the Devil and the Deep Blue Sea—Situating Caribbean Pop Culture Globally --   |t 1 Is Not Everything Good to Eat, Good to Talk: Sexual Economy and Dancehall Music in the Global Marketplace --   |t 2 Buyers Beware, Hoodwinking on the Rise: Epistemologies of Consumption in “Sistah Lit” --   |t 3 “Who’s On Top?” Power, Pleasure, and the Politics of Taste --   |t 4 “Fashion ova Style” The Art of Self-Fashioning in Jamaican Pop Culture --   |t 5 “Outta Order” or “Outta Door”? Caribbean Women Performing Power, Politics, and Sexuality --   |t 6 Gardening in the Garrisons (Un)Visibility in Contemporary Caribbean Art --   |t Conclusion “Puuulll Uuuuuuup”: Dissident Dreams of Cultural Insurgency --   |t Acknowledgments --   |t Notes --   |t Bibliography --   |t Index --   |t About the Author 
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520 |a Buyers Beware offers a new perspective for critical inquiries about the practices of consumption in (and of) Caribbean popular culture. The book revisits commonly accepted representations of the Caribbean from “less respectable” segments of popular culture such as dancehall culture and 'sistah lit' that proudly jettison any aspirations toward middle-class respectability. Treating these pop cultural texts and phenomena with the same critical attention as dominant mass cultural representations of the region allows Patricia Joan Saunders to read them against the grain and consider whether and how their “pulp” preoccupation with contemporary fashion, music, sex, fast food, and television, is instructive for how race, class, gender, sexuality and national politics are constructed, performed, interpreted, disseminated and consumed from within the Caribbean. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) 
650 0 |a Consumers  |z Caribbean Area. 
650 0 |a Consumption (Economics)  |x Social aspects  |z Caribbean Area. 
650 0 |a Popular culture  |z Caribbean Area. 
650 7 |a SOCIAL SCIENCE / General.  |2 bisacsh 
653 |a critical inquiry, shopping, buyer, consumption, Caribbean studies, Caribbean, Caribbean popular culture, pop culture, sistah lit, middle-class, pulp, contemporary fashion, music, sex, fast food, television, race, gender, class, sexuality, national politics, perform, Global Marketplace, Epistemology, Self-Fashioning, Jamaican Pop Culture, Caribbean Women, Contemporary Caribbean Art, Cultural Insurgency. 
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