Editing and Special/Visual Effects / / ed. by Charlie Keil, Kristen Whissel.
Most moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film edit...
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Superior document: | Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2016 |
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Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2016] ©2016 |
Year of Publication: | 2016 |
Language: | English |
Series: | Behind the Silver Screen Series
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Online Access: | |
Physical Description: | 1 online resource (268 p.) :; 16 color and 29 black-and-whit |
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Table of Contents:
- Frontmatter
- Contents
- Introduction
- 1. The Silent Screen, 1895–1927: Editing
- 2. The Silent Screen, 1895–1927: Special/Visual Effects
- 3. Classical Hollywood, 1928–1946: Editing
- 4. Classical Hollywood, 1928–1946: Special/Visual Effects
- 5. Postwar Hollywood, 1947–1967: Editing
- 6. Postwar Hollywood, 1947–1967: Special/Visual Effects
- 7. The Auteur Renaissance, 1968–1980: Editing
- 8. The Auteur Renaissance, 1968–1980: Special/Visual Effects
- 9. The New Hollywood, 1981–1999: Editing
- 10. The New Hollywood, 1981–1999: Special/Visual Effects
- 11. The Modern Entertainment Marketplace, 2000–Present: Editing
- 12. The Modern Entertainment Marketplace, 2000–Present: Special/Visual Effects
- Academy Awards For Editing
- Academy Awards For Special/Visual Effects
- Notes
- Glossary
- Selected Bibliography
- Notes On Contributors
- Index