The Migration of Musical Film : : From Ethnic Margins to American Mainstream / / Desirée J. Garcia.
Movie musicals are among the most quintessentially American art forms, often celebrating mobility, self-expression, and the pursuit of one's dreams. But like America itself, the Hollywood musical draws from many distinct ethnic traditions. In this illuminating new study, Desirée J. Garcia exami...
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Superior document: | Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2014-2015 |
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Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2014] ©2014 |
Year of Publication: | 2014 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (208 p.) :; 20 photographs |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction: There's No Place Like Home
- 1. The Shtetls, Shund, and Shows of Musicals
- 2. The Musicals of Black Folk: Race Cinema and the Black-Cast Musicals of 1929
- 3. "Not a Musical in Any Sense of the Word": Allá en el Rancho Grande Crosses the Border
- 4. "Our Home Town": The Hollywood Folk Musical
- 5. "Tahiti, Rome, and Mason City, Iowa": Musical Migrants in the Postwar Era
- 6. "Ease on Down the Road": Folk Musicals of the Ethnic Revival
- 7. Home Is Where the Audience Is: The Sing-Along
- Conclusion: Beyond the Rainbow
- Notes
- Bibliography
- Index
- About the Author