Dickens The Novelist / / / F. R. Leavis.

• Superior document: Title is part of eBook package: De Gruyter Rutgers University Press Archive eBook-Package Pre-2000
• VerfasserIn: Leavis, F. R.,
• Author: Leavis, F. R.,
• Place / Publishing House: New Brunswick, NJ : : : Rutgers University Press, , [1979]; ©1979
• Year of Publication: 1979
• Language: English
• Physical Description: 1 online resource (392 p.)
• Other title: Frontmatter --; Contents --; Preface and Note --; CHAPTER I The First Major Novel: Dombey and Son- --; Appendix: Dickens and Smollett --; CHAPTER II Dickens and Tolstoy: The Case for a Serious View of David Copperfield --; Appendix A: Dora 'from a woman's point of view' --; Appendix B : Oliver Twist, Jane Eyre and David Copperfield --; Appendix C: Dickens's Exposure Scenes --; CHAPTER III Bleak House : A Chancery World --; Appendix A: The Symbolic Function of the Doctor in Victorian Novels --; Appendix B: Mayhew and Dickens --; CHAPTER IV Hard Times: The World of Bentham --; CHAPTER V Dickens and Blake: Little Dorrit --; CHAPTER VI How we must read Great Expectations --; CHAPTER VII The Dickens Illustrations: Their Function
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780813566764; 9783110663334
• DOI: 10.36019/9780813566764
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: F. R. Leavis.

In The Great Tradition, published in 1948, F. R. Leavis seemed to rate the work of Charles Dickens - with the exception of Hard Times - as lacking the seriousness and formal control of the true masters of English fiction. By 1970, when Dickens the Novelist was published on the first centenary of the writer's death, Leavis and his lifelong collaborator Q. D. (Queenie) Leavis, had changed their minds. 'Our purpose', they wrote, 'is to enforce as unanswerably as possible the conviction that Dickens was one of the greatest of creative writers .' In seven typically robust and uncompromising chapters, the Leavises grapple with the evaluation of a writer who was then still open to dismissal as a mere entertainer, a caricaturist not worthy of discussion in the same breath as Henry James. Q. D. Leavis shows, for example, how deeply influential David Copperfield was on the work of Tolstoy, and explores the symbolic richness of the nightmare world of Bleak House. F. R. Leavis reprints his famous essay on Hard Times, with its moral critique of utilitarianism, and reveals the imaginative influence of Blake on Little Dorrit. Q. D. Leavis contributes a pathbreaking chapter on the importance of Dickens's illustrators to the effect of his work.