Thinking in the Dark : : Cinema, Theory, Practice / / ed. by Murray Pomerance, R. Barton Palmer.

Today's film scholars draw from a dizzying range of theoretical perspectives-they're just as likely to cite philosopher Gilles Deleuze as they are to "e classic film theorist André Bazin. To students first encountering them, these theoretical lenses for viewing film can seem exhilarat...

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Superior document:Title is part of eBook package: De Gruyter Rutgers University Press Complete eBook-Package 2014-2015
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Place / Publishing House:New Brunswick, NJ : : Rutgers University Press, , [2015]
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spelling Thinking in the Dark : Cinema, Theory, Practice / ed. by Murray Pomerance, R. Barton Palmer.
New Brunswick, NJ : Rutgers University Press, [2015]
©2015
1 online resource (288 p.) : 42 photographs
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Frontmatter -- CONTENTS -- Acknowledgments -- Introduction -- 1. Hugo Münsterberg: Psychologizing Spectatorship between Laboratory and Theater -- 2. Vachel Lindsay: Theory of Movie Hieroglyphics -- 3. Béla Balázs: Film Aesthetics and the Rituals of Romance -- 4. Siegfried Kracauer: The Politics of Film Theory and Criticism -- 5. Walter Benjamin: Afterimages of the Aura -- 6. Jean Epstein: Cinema's Encounter with Modern Life -- 7. Sergei Eisenstein: Attractions/Montage/Animation -- 8. Jacques Lacan: Giving All the Right Signs -- 9. Rudolf Arnheim: Cinema and Partial Illusion -- 10. Roland Barthes: What Films Show Us and What They Mean -- 11. Jean Rouch: The Camera as Provocateur -- 12. André Bazin: Dark Passage into the Mystery of Being -- 13. Gilles Deleuze: On Movement, Time, and Modernism -- 14. Stanley Cavell: The Contingencies of Film and Its Theory -- 15. Michel Foucault: Murmur and Meditation -- 16. Jean Douchet: La Politique Hitchcockienne -- 17. Christian Metz: Dreaming a Language in Cinema -- 18. V. F. Perkins: Aesthetic Suspense -- 19. Jacques Rancière: Equality and Aesthetics -- 20. Michel Chion: Listening to Cinema -- 21. Judith Butler: Sex, Gender, and Subject Formation -- Works Cited -- Notes on Contributors -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Today's film scholars draw from a dizzying range of theoretical perspectives-they're just as likely to cite philosopher Gilles Deleuze as they are to "e classic film theorist André Bazin. To students first encountering them, these theoretical lenses for viewing film can seem exhilarating, but also overwhelming. Thinking in the Dark introduces readers to twenty-one key theorists whose work has made a great impact on film scholarship today, including Rudolf Arnheim, Sergei Eisenstein, Michel Foucault, Siegfried Kracauer, and Judith Butler. Rather than just discussing each theorist's ideas in the abstract, the book shows how those concepts might be applied when interpreting specific films by including an analysis of both a classic film and a contemporary one. It thus demonstrates how theory can help us better appreciate films from all eras and genres: from Hugo to Vertigo, from City Lights to Sunset Blvd., and from Young Mr. Lincoln to A.I. and Wall-E. The volume's contributors are all experts on their chosen theorist's work and, furthermore, are skilled at explaining that thinker's key ideas and terms to readers who are not yet familiar with them. Thinking in the Dark is not only a valuable resource for teachers and students of film, it's also a fun read, one that teaches us all how to view familiar films through new eyes. Theorists examined in this volume are: Rudolf Arnheim, Béla Balázs, Roland Barthes, André Bazin, Walter Benjamin, Judith Butler, Stanley Cavell, Michel Chion, Gilles Deleuze, Jean Douchet, Sergei Eisenstein, Jean Epstein, Michel Foucault, Siegfried Kracauer, Jacques Lacan, Vachel Lindsay, Christian Metz, Hugo Münsterberg, V. F. Perkins, Jacques Rancière, and Jean Rouch.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
Film criticism.
Film critics.
Motion pictures Philosophy.
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Solomon, Matthew,
Solomon, Matthew.
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Clayton, Alex.
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Corne, Jonah,
Corne, Jonah.
Gunning, Tom,
Gunning, Tom,
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Hatch, Kristen,
Hatch, Kristen.
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Keller, Sarah.
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Palmer, R. Barton,
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Pomerance, Murray,
Pomerance, Murray,
Pomerance, Murray,
Pomerance, Murray.
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Rothman, William,
Rothman, William.
Rybin, Steven,
Rybin, Steven,
Rybin, Steven.
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Scheibel, Will,
Scheibel, Will.
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Solomon, Matthew,
Solomon, Matthew.
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title Thinking in the Dark : Cinema, Theory, Practice /
spellingShingle Thinking in the Dark : Cinema, Theory, Practice /
Frontmatter --
CONTENTS --
Acknowledgments --
Introduction --
1. Hugo Münsterberg: Psychologizing Spectatorship between Laboratory and Theater --
2. Vachel Lindsay: Theory of Movie Hieroglyphics --
3. Béla Balázs: Film Aesthetics and the Rituals of Romance --
4. Siegfried Kracauer: The Politics of Film Theory and Criticism --
5. Walter Benjamin: Afterimages of the Aura --
6. Jean Epstein: Cinema's Encounter with Modern Life --
7. Sergei Eisenstein: Attractions/Montage/Animation --
8. Jacques Lacan: Giving All the Right Signs --
9. Rudolf Arnheim: Cinema and Partial Illusion --
10. Roland Barthes: What Films Show Us and What They Mean --
11. Jean Rouch: The Camera as Provocateur --
12. André Bazin: Dark Passage into the Mystery of Being --
13. Gilles Deleuze: On Movement, Time, and Modernism --
14. Stanley Cavell: The Contingencies of Film and Its Theory --
15. Michel Foucault: Murmur and Meditation --
16. Jean Douchet: La Politique Hitchcockienne --
17. Christian Metz: Dreaming a Language in Cinema --
18. V. F. Perkins: Aesthetic Suspense --
19. Jacques Rancière: Equality and Aesthetics --
20. Michel Chion: Listening to Cinema --
21. Judith Butler: Sex, Gender, and Subject Formation --
Works Cited --
Notes on Contributors --
Index
title_sub Cinema, Theory, Practice /
title_full Thinking in the Dark : Cinema, Theory, Practice / ed. by Murray Pomerance, R. Barton Palmer.
title_fullStr Thinking in the Dark : Cinema, Theory, Practice / ed. by Murray Pomerance, R. Barton Palmer.
title_full_unstemmed Thinking in the Dark : Cinema, Theory, Practice / ed. by Murray Pomerance, R. Barton Palmer.
title_auth Thinking in the Dark : Cinema, Theory, Practice /
title_alt Frontmatter --
CONTENTS --
Acknowledgments --
Introduction --
1. Hugo Münsterberg: Psychologizing Spectatorship between Laboratory and Theater --
2. Vachel Lindsay: Theory of Movie Hieroglyphics --
3. Béla Balázs: Film Aesthetics and the Rituals of Romance --
4. Siegfried Kracauer: The Politics of Film Theory and Criticism --
5. Walter Benjamin: Afterimages of the Aura --
6. Jean Epstein: Cinema's Encounter with Modern Life --
7. Sergei Eisenstein: Attractions/Montage/Animation --
8. Jacques Lacan: Giving All the Right Signs --
9. Rudolf Arnheim: Cinema and Partial Illusion --
10. Roland Barthes: What Films Show Us and What They Mean --
11. Jean Rouch: The Camera as Provocateur --
12. André Bazin: Dark Passage into the Mystery of Being --
13. Gilles Deleuze: On Movement, Time, and Modernism --
14. Stanley Cavell: The Contingencies of Film and Its Theory --
15. Michel Foucault: Murmur and Meditation --
16. Jean Douchet: La Politique Hitchcockienne --
17. Christian Metz: Dreaming a Language in Cinema --
18. V. F. Perkins: Aesthetic Suspense --
19. Jacques Rancière: Equality and Aesthetics --
20. Michel Chion: Listening to Cinema --
21. Judith Butler: Sex, Gender, and Subject Formation --
Works Cited --
Notes on Contributors --
Index
title_new Thinking in the Dark :
title_sort thinking in the dark : cinema, theory, practice /
publisher Rutgers University Press,
publishDate 2015
physical 1 online resource (288 p.) : 42 photographs
Issued also in print.
contents Frontmatter --
CONTENTS --
Acknowledgments --
Introduction --
1. Hugo Münsterberg: Psychologizing Spectatorship between Laboratory and Theater --
2. Vachel Lindsay: Theory of Movie Hieroglyphics --
3. Béla Balázs: Film Aesthetics and the Rituals of Romance --
4. Siegfried Kracauer: The Politics of Film Theory and Criticism --
5. Walter Benjamin: Afterimages of the Aura --
6. Jean Epstein: Cinema's Encounter with Modern Life --
7. Sergei Eisenstein: Attractions/Montage/Animation --
8. Jacques Lacan: Giving All the Right Signs --
9. Rudolf Arnheim: Cinema and Partial Illusion --
10. Roland Barthes: What Films Show Us and What They Mean --
11. Jean Rouch: The Camera as Provocateur --
12. André Bazin: Dark Passage into the Mystery of Being --
13. Gilles Deleuze: On Movement, Time, and Modernism --
14. Stanley Cavell: The Contingencies of Film and Its Theory --
15. Michel Foucault: Murmur and Meditation --
16. Jean Douchet: La Politique Hitchcockienne --
17. Christian Metz: Dreaming a Language in Cinema --
18. V. F. Perkins: Aesthetic Suspense --
19. Jacques Rancière: Equality and Aesthetics --
20. Michel Chion: Listening to Cinema --
21. Judith Butler: Sex, Gender, and Subject Formation --
Works Cited --
Notes on Contributors --
Index
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Barton Palmer.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Brunswick, NJ : </subfield><subfield code="b">Rutgers University Press, </subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (288 p.) :</subfield><subfield code="b">42 photographs</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">CONTENTS -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">1. Hugo Münsterberg: Psychologizing Spectatorship between Laboratory and Theater -- </subfield><subfield code="t">2. Vachel Lindsay: Theory of Movie Hieroglyphics -- </subfield><subfield code="t">3. Béla Balázs: Film Aesthetics and the Rituals of Romance -- </subfield><subfield code="t">4. Siegfried Kracauer: The Politics of Film Theory and Criticism -- </subfield><subfield code="t">5. Walter Benjamin: Afterimages of the Aura -- </subfield><subfield code="t">6. Jean Epstein: Cinema's Encounter with Modern Life -- </subfield><subfield code="t">7. Sergei Eisenstein: Attractions/Montage/Animation -- </subfield><subfield code="t">8. Jacques Lacan: Giving All the Right Signs -- </subfield><subfield code="t">9. Rudolf Arnheim: Cinema and Partial Illusion -- </subfield><subfield code="t">10. Roland Barthes: What Films Show Us and What They Mean -- </subfield><subfield code="t">11. Jean Rouch: The Camera as Provocateur -- </subfield><subfield code="t">12. André Bazin: Dark Passage into the Mystery of Being -- </subfield><subfield code="t">13. Gilles Deleuze: On Movement, Time, and Modernism -- </subfield><subfield code="t">14. Stanley Cavell: The Contingencies of Film and Its Theory -- </subfield><subfield code="t">15. Michel Foucault: Murmur and Meditation -- </subfield><subfield code="t">16. Jean Douchet: La Politique Hitchcockienne -- </subfield><subfield code="t">17. Christian Metz: Dreaming a Language in Cinema -- </subfield><subfield code="t">18. V. F. Perkins: Aesthetic Suspense -- </subfield><subfield code="t">19. Jacques Rancière: Equality and Aesthetics -- </subfield><subfield code="t">20. Michel Chion: Listening to Cinema -- </subfield><subfield code="t">21. Judith Butler: Sex, Gender, and Subject Formation -- </subfield><subfield code="t">Works Cited -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Today's film scholars draw from a dizzying range of theoretical perspectives-they're just as likely to cite philosopher Gilles Deleuze as they are to "e classic film theorist André Bazin. To students first encountering them, these theoretical lenses for viewing film can seem exhilarating, but also overwhelming. Thinking in the Dark introduces readers to twenty-one key theorists whose work has made a great impact on film scholarship today, including Rudolf Arnheim, Sergei Eisenstein, Michel Foucault, Siegfried Kracauer, and Judith Butler. Rather than just discussing each theorist's ideas in the abstract, the book shows how those concepts might be applied when interpreting specific films by including an analysis of both a classic film and a contemporary one. It thus demonstrates how theory can help us better appreciate films from all eras and genres: from Hugo to Vertigo, from City Lights to Sunset Blvd., and from Young Mr. Lincoln to A.I. and Wall-E. The volume's contributors are all experts on their chosen theorist's work and, furthermore, are skilled at explaining that thinker's key ideas and terms to readers who are not yet familiar with them. Thinking in the Dark is not only a valuable resource for teachers and students of film, it's also a fun read, one that teaches us all how to view familiar films through new eyes. Theorists examined in this volume are: Rudolf Arnheim, Béla Balázs, Roland Barthes, André Bazin, Walter Benjamin, Judith Butler, Stanley Cavell, Michel Chion, Gilles Deleuze, Jean Douchet, Sergei Eisenstein, Jean Epstein, Michel Foucault, Siegfried Kracauer, Jacques Lacan, Vachel Lindsay, Christian Metz, Hugo Münsterberg, V. F. Perkins, Jacques Rancière, and Jean Rouch.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Film criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Film critics.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">Philosophy.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Andrew, Dudley, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Andrew, Dudley.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Blatter, Jeremy T.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Blatter, Jeremy, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Brown, William, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Brown, William.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Clayton, Alex, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Clayton, Alex.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Conley, Tom, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Conley, Tom.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Corne, Jonah, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Corne, Jonah.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gunning, Tom, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gunning, Tom.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hatch, Kristen, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hatch, Kristen.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Holmes, Nathan, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Holmes, Nathan.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Keller, Sarah, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Keller, Sarah.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lennard, Dominic, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lennard, Dominic.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Moltke, Johannes von.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Morgan, Daniel, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Morgan, Daniel.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Palmer, R. 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