Borderlands Saints : : Secular Sanctity in Chicano/a and Mexican Culture / / Desirée A. Martín.

• Superior document: Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013
• VerfasserIn: Martín, Desirée A.,
• Place / Publishing House: New Brunswick, NJ : : Rutgers University Press, , [2013]; ©2013
• Year of Publication: 2013
• Language: English
• Series: Latinidad: Transnational Cultures in the
• Physical Description: 1 online resource (296 p.) :; 5 illustrations
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction: The Secular Sanctity of Borderlands Saints --; 1. Saint of Contradiction: Teresa Urrea, La Santa de Cabora --; 2. The Remains of Pancho Villa --; 3. Canonizing César Chávez --; 4. "Todos Somos Santos": Subcomandante Marcos and the EZLN --; 5. Illegal Marginalizations: La Santísima Muerte --; Conclusion: Narrative Devotion --; Notes --; Works Cited --; Index --; About the Author
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780813562353; 9783110688610
• DOI: 10.36019/9780813562353
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Desirée A. Martín.

In Borderlands Saints, Desirée A. Martín examines the rise and fall of popular saints and saint-like figures in the borderlands of the United States and Mexico. Focusing specifically on Teresa Urrea (La Santa de Cabora), Pancho Villa, César Chávez, Subcomandante Marcos, and Santa Muerte, she traces the intersections of these figures, their devotees, artistic representations, and dominant institutions with an eye for the ways in which such unofficial saints mirror traditional spiritual practices and serve specific cultural needs. Popular spirituality of this kind engages the use and exchange of relics, faith healing, pilgrimages, and spirit possession, exemplifying the contradictions between high and popular culture, human and divine, and secular and sacred. Martín focuses upon a wide range of Mexican and Chicano/a cultural works drawn from the nineteenth century to the present, covering such diverse genres as the novel, the communiqué, drama, the essay or crónica, film, and contemporary digital media. She argues that spiritual practice is often represented as narrative, while narrative-whether literary, historical, visual, or oral-may modify or even function as devotional practice.