Ethnic Humor in Multiethnic America / / David Gillota.
When wielded by the white majority, ethnic humor can be used to ridicule and demean marginalized groups. In the hands of ethnic minorities themselves, ethnic humor can work as a site of community building and resistance. In nearly all cases, however, ethnic humor can serve as a window through which...
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Superior document: | Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 |
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Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (206 p.) :; 11 illustrations |
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100 | 1 | |a Gillota, David, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Ethnic Humor in Multiethnic America / |c David Gillota. |
264 | 1 | |a New Brunswick, NJ : |b Rutgers University Press, |c [2013] | |
264 | 4 | |c ©2013 | |
300 | |a 1 online resource (206 p.) : |b 11 illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction: The Boundaries of American Ethnic Humor -- |t 1. "Just Us": African American Humor in Multiethnic America -- |t 2. The New Jewish Blackface: Ethnic Anxiety in Contemporary Jewish Humor -- |t 3. "Cracker, Please!": Toward a White Ethnic Humor -- |t 4. Imagining Diversity: Corporate Multiculturalism in the Children's Film and the Situation Comedy -- |t 5. Comedy without Borders? Toward a Multiethnic Humor -- |t Conclusion: Emerging Ethnic Humor in Multiethnic America -- |t Notes -- |t Index -- |t About the Author |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a When wielded by the white majority, ethnic humor can be used to ridicule and demean marginalized groups. In the hands of ethnic minorities themselves, ethnic humor can work as a site of community building and resistance. In nearly all cases, however, ethnic humor can serve as a window through which to examine the complexities of American race relations. In Ethnic Humor in Multiethnic America, David Gillota explores the ways in which contemporary comic works both reflect and participate in national conversations about race and ethnicity. Gillota investigates the manner in which various humorists respond to multiculturalism and the increasing diversity of the American population. Rather than looking at one or two ethnic groups at a time-as is common scholarly practice-the book focuses on the interplay between humorists from different ethnic communities. While some comic texts project a fantasy world in which diverse ethnic characters coexist in a rarely disputed harmony, others genuinely engage with the complexities and contradictions of multiethnic America. The first chapter focuses on African American comedy with a discussion of such humorists as Paul Mooney and Chris Rock, who tend to reinforce a black/white vision of American race relations. This approach is contrasted to the comedy of Dave Chappelle, who looks beyond black and white and uses his humor to place blackness within a much wider multiethnic context. Chapter 2 concentrates primarily on the Jewish humorists Sarah Silverman, Larry David, and Sacha Baron Cohen-three artists who use their personas to explore the peculiar position of contemporary Jews who exist in a middle space between white and other. In chapter 3, Gillota discusses different humorous constructions of whiteness, from a detailed analysis of South Park to "Blue Collar Comedy" and the blog Stuff White People Like. Chapter 4 is focused on the manner in which animated children's film and the network situation comedy often project simplified and harmonious visions of diversity. In contrast, chapter 5 considers how many recent works, such as Harold and Kumar Go to White Castle and the Showtime series Weeds, engage with diversity in more complex and productive ways. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
650 | 0 | |a American wit and humor |x History and criticism. | |
650 | 0 | |a Ethnic wit and humor |z United States |x History and criticism. | |
650 | 0 | |a Wit and humor |x Social aspects |z United States. | |
650 | 7 | |a SOCIAL SCIENCE / General. |2 bisacsh | |
653 | |a social science, ethnic studies, performing arts, television, history, criticism, american studies, race studies, film, film studies, media, media studies, communications, ethnic humor, comedy, humor, community, marginalized, racist, racism, stereotype, race relations, american race relations, multiethnic, comic, ethnicity, humorist, multicultural, multiculturalism, diversity, african american, african american comedy, paul mooney, chris rock, trevor noah, kevin hart, dave chapelle, blackness, whiteness, jewish humor, sarah silverman, larry david, sacha baron cohen, contemporary jew, south park, blue collar comedy, stuff white people like, cartoon, animated childrens films, harold and kumar, weeds. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Rutgers University Press Backlist eBook-Package 2000-2013 |z 9783110688610 |
776 | 0 | |c print |z 9780813561493 | |
856 | 4 | 0 | |u https://doi.org/10.36019/9780813561509 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780813561509 |
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