Body Double : : The Author Incarnate in the Cinema / / Lucy Fischer.
Body Double explores the myriad ways that film artists have represented the creative process. In this highly innovative work, Lucy Fischer draws on a neglected element of auteur studies to show that filmmakers frequently raise questions about the paradoxes of authorship by portraying the onscreen wr...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 |
---|---|
VerfasserIn: | |
Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (288 p.) :; 41 photographs |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780813554501 |
---|---|
lccn |
2012009920 |
ctrlnum |
(DE-B1597)529721 (OCoLC)1014477236 |
collection |
bib_alma |
record_format |
marc |
spelling |
Fischer, Lucy, author. aut http://id.loc.gov/vocabulary/relators/aut Body Double : The Author Incarnate in the Cinema / Lucy Fischer. New Brunswick, NJ : Rutgers University Press, [2013] ©2013 1 online resource (288 p.) : 41 photographs text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Introduction: The Screen Author - Wanted: Dead or Alive -- 1. Typecasting the Author -- 2. Beyond Adaptation: The Writer as Filmmaker -- 3. The Author at the Dream Factory: The Screenwriter and the Movies -- 4. The Authoress: Textuality as Sexuality -- 5. Writing Pain: The Infirm Author -- 6. Cinécriture: Word and Image -- 7. Corpus and Oeuvre: Authorship and the Body -- 8. Stealing Beauty: The Reader, the Critic, and the Appropriation of the Authorial Voice -- Afterword: Signs and Meaning in the Cinema -- Notes -- Filmography -- Bibliography -- Index -- About the author restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Body Double explores the myriad ways that film artists have represented the creative process. In this highly innovative work, Lucy Fischer draws on a neglected element of auteur studies to show that filmmakers frequently raise questions about the paradoxes of authorship by portraying the onscreen writer. Dealing with such varied topics as the icon of the typewriter, the case of the writer/director, the authoress, and the omnipresent infirm author, she probes the ways in which films can tell a plausible story while contemplating the conditions and theories of their making. By examining many forms of cinema, from Hollywood and the international art cinema to the avant-garde, Fischer considers the gender, age, and mental or physical health of fictionalized writers; the dramatized interaction between artists and their audiences and critics; and the formal play of written words and nonverbal images. By analyzing such movies as Adaptation,Diary of a Country Priest, Naked Lunch, American Splendor, and Irezumi, Fischer tracks the parallels between film author and character, looking not for the creative figure who stands outside the text, but for the one who stands within it as corporeal presence and alter-ego. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) Auteur theory (Motion pictures) Auteur theory (Motion pictures). Authors in motion pictures. Motion picture authorship. Motion pictures and literature. PERFORMING ARTS / General. bisacsh Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 9783110688610 print 9780813554488 https://doi.org/10.36019/9780813554501 https://www.degruyter.com/isbn/9780813554501 Cover https://www.degruyter.com/cover/covers/9780813554501.jpg |
language |
English |
format |
eBook |
author |
Fischer, Lucy, Fischer, Lucy, |
spellingShingle |
Fischer, Lucy, Fischer, Lucy, Body Double : The Author Incarnate in the Cinema / Frontmatter -- Contents -- Acknowledgments -- Introduction: The Screen Author - Wanted: Dead or Alive -- 1. Typecasting the Author -- 2. Beyond Adaptation: The Writer as Filmmaker -- 3. The Author at the Dream Factory: The Screenwriter and the Movies -- 4. The Authoress: Textuality as Sexuality -- 5. Writing Pain: The Infirm Author -- 6. Cinécriture: Word and Image -- 7. Corpus and Oeuvre: Authorship and the Body -- 8. Stealing Beauty: The Reader, the Critic, and the Appropriation of the Authorial Voice -- Afterword: Signs and Meaning in the Cinema -- Notes -- Filmography -- Bibliography -- Index -- About the author |
author_facet |
Fischer, Lucy, Fischer, Lucy, |
author_variant |
l f lf l f lf |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Fischer, Lucy, |
title |
Body Double : The Author Incarnate in the Cinema / |
title_sub |
The Author Incarnate in the Cinema / |
title_full |
Body Double : The Author Incarnate in the Cinema / Lucy Fischer. |
title_fullStr |
Body Double : The Author Incarnate in the Cinema / Lucy Fischer. |
title_full_unstemmed |
Body Double : The Author Incarnate in the Cinema / Lucy Fischer. |
title_auth |
Body Double : The Author Incarnate in the Cinema / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction: The Screen Author - Wanted: Dead or Alive -- 1. Typecasting the Author -- 2. Beyond Adaptation: The Writer as Filmmaker -- 3. The Author at the Dream Factory: The Screenwriter and the Movies -- 4. The Authoress: Textuality as Sexuality -- 5. Writing Pain: The Infirm Author -- 6. Cinécriture: Word and Image -- 7. Corpus and Oeuvre: Authorship and the Body -- 8. Stealing Beauty: The Reader, the Critic, and the Appropriation of the Authorial Voice -- Afterword: Signs and Meaning in the Cinema -- Notes -- Filmography -- Bibliography -- Index -- About the author |
title_new |
Body Double : |
title_sort |
body double : the author incarnate in the cinema / |
publisher |
Rutgers University Press, |
publishDate |
2013 |
physical |
1 online resource (288 p.) : 41 photographs Issued also in print. |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction: The Screen Author - Wanted: Dead or Alive -- 1. Typecasting the Author -- 2. Beyond Adaptation: The Writer as Filmmaker -- 3. The Author at the Dream Factory: The Screenwriter and the Movies -- 4. The Authoress: Textuality as Sexuality -- 5. Writing Pain: The Infirm Author -- 6. Cinécriture: Word and Image -- 7. Corpus and Oeuvre: Authorship and the Body -- 8. Stealing Beauty: The Reader, the Critic, and the Appropriation of the Authorial Voice -- Afterword: Signs and Meaning in the Cinema -- Notes -- Filmography -- Bibliography -- Index -- About the author |
isbn |
9780813554501 9783110688610 9780813554488 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1996 |
callnumber-sort |
PN 41996 F4553 42012 |
url |
https://doi.org/10.36019/9780813554501 https://www.degruyter.com/isbn/9780813554501 https://www.degruyter.com/cover/covers/9780813554501.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/657 |
dewey-sort |
3791.43 3657 |
dewey-raw |
791.43/657 |
dewey-search |
791.43/657 |
doi_str_mv |
10.36019/9780813554501 |
oclc_num |
1014477236 |
work_keys_str_mv |
AT fischerlucy bodydoubletheauthorincarnateinthecinema |
status_str |
n |
ids_txt_mv |
(DE-B1597)529721 (OCoLC)1014477236 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 |
is_hierarchy_title |
Body Double : The Author Incarnate in the Cinema / |
container_title |
Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 |
_version_ |
1770176456003944448 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04542nam a22007575i 4500</leader><controlfield tag="001">9780813554501</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20210830012106.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">210830t20132013nju fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2012009920</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780813554501</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.36019/9780813554501</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)529721</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1014477236</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nju</subfield><subfield code="c">US-NJ</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">PN1996</subfield><subfield code="b">.F4553 2012</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.43/657</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Fischer, Lucy, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Body Double :</subfield><subfield code="b">The Author Incarnate in the Cinema /</subfield><subfield code="c">Lucy Fischer.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Brunswick, NJ : </subfield><subfield code="b">Rutgers University Press, </subfield><subfield code="c">[2013]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (288 p.) :</subfield><subfield code="b">41 photographs</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Introduction: The Screen Author - Wanted: Dead or Alive -- </subfield><subfield code="t">1. Typecasting the Author -- </subfield><subfield code="t">2. Beyond Adaptation: The Writer as Filmmaker -- </subfield><subfield code="t">3. The Author at the Dream Factory: The Screenwriter and the Movies -- </subfield><subfield code="t">4. The Authoress: Textuality as Sexuality -- </subfield><subfield code="t">5. Writing Pain: The Infirm Author -- </subfield><subfield code="t">6. Cinécriture: Word and Image -- </subfield><subfield code="t">7. Corpus and Oeuvre: Authorship and the Body -- </subfield><subfield code="t">8. Stealing Beauty: The Reader, the Critic, and the Appropriation of the Authorial Voice -- </subfield><subfield code="t">Afterword: Signs and Meaning in the Cinema -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Filmography -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index -- </subfield><subfield code="t">About the author</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Body Double explores the myriad ways that film artists have represented the creative process. In this highly innovative work, Lucy Fischer draws on a neglected element of auteur studies to show that filmmakers frequently raise questions about the paradoxes of authorship by portraying the onscreen writer. Dealing with such varied topics as the icon of the typewriter, the case of the writer/director, the authoress, and the omnipresent infirm author, she probes the ways in which films can tell a plausible story while contemplating the conditions and theories of their making. By examining many forms of cinema, from Hollywood and the international art cinema to the avant-garde, Fischer considers the gender, age, and mental or physical health of fictionalized writers; the dramatized interaction between artists and their audiences and critics; and the formal play of written words and nonverbal images. By analyzing such movies as Adaptation,Diary of a Country Priest, Naked Lunch, American Splendor, and Irezumi, Fischer tracks the parallels between film author and character, looking not for the creative figure who stands outside the text, but for the one who stands within it as corporeal presence and alter-ego.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Auteur theory (Motion pictures)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Auteur theory (Motion pictures).</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Authors in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture authorship.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures and literature.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Rutgers University Press Backlist eBook-Package 2000-2013</subfield><subfield code="z">9783110688610</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9780813554488</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.36019/9780813554501</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780813554501</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/cover/covers/9780813554501.jpg</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-068861-0 Rutgers University Press Backlist eBook-Package 2000-2013</subfield><subfield code="c">2000</subfield><subfield code="d">2013</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA12STME</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |