Watching While Black : : Centering the Television of Black Audiences / / ed. by Beretta E. Smith-Shomade.
Television scholarship has substantially ignored programming aimed at Black audiences despite a few sweeping histories and critiques. In this volume, the first of its kind, contributors examine the televisual diversity, complexity, and cultural imperatives manifest in programming directed at a Black...
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Superior document: | Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 |
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Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2013] ©2013 |
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Watching While Black : Centering the Television of Black Audiences / ed. by Beretta E. Smith-Shomade. New Brunswick, NJ : Rutgers University Press, [2013] ©2013 1 online resource (280 p.) : 33 photographs text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Introduction: I See Black People -- PART I. PRODUCING BLACKNESS -- 1. The Importance of Roots -- 2. Two Different Worlds: Television as a Producer’s Medium -- 3. A Black Cast Doesn’t Make a Black Show: City of Angels and the Plausible Deniability of Color-blindness -- 4. Blacks in the Future: Braving the Frontier of the Web Series -- PART II. BLACKNESS ON DEMAND -- 5. “Regular Television Put to Shame by Negro Production”: Picturing a Black World on Black Journal -- 6. “HEY, HEY, HEY!” Bill Cosby’s Fat Albert as Psychodynamic Postmodern Play -- 7. Gimme a Break! and the Limits of the Modern Mammy -- 8. Down in the Treme . . . Buck Jumping and Having Fun?: The Impact of Depictions of Post-Katrina New Orleans on Viewers’ Perceptions of the City -- PART III. NEW JACK BLACK -- 9. Keepin’ It Reality Television -- 10. Prioritized: The Hip Hop (Re)Construction of Black Womanhood in Girlfriends and The Game -- 11. Nigger, Coon, Boy, Punk, Homo, Faggot, Black Man: Reconsidering Established Interpretations of Masculinity, Race, and Sexuality Through Noah’s Arc -- 12. Graphic Blackness/Anime Noir: Aaron McGruder’s The Boondocks and the Adult Swim -- PART IV. WORLDWIDE BLACKNESS -- 13. Resistance Televised: The TV da Gente Television Network and Brazilian Racial Politics -- 14. South African Soapies: A “Rainbow Nation” Realized? -- 15. Minority Television Trade as Cultural Journey: The Case of New Zealand’s bro’Town -- Notes on Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Television scholarship has substantially ignored programming aimed at Black audiences despite a few sweeping histories and critiques. In this volume, the first of its kind, contributors examine the televisual diversity, complexity, and cultural imperatives manifest in programming directed at a Black and marginalized audience. Watching While Black considers its subject from an entirely new angle in an attempt to understand the lives, motivations, distinctions, kindred lines, and individuality of various Black groups and suggest what television might be like if such diversity permeated beyond specialized enclaves. It looks at the macro structures of ownership, producing, casting, and advertising that all inform production, and then delves into television programming crafted to appeal to black audiences—historic and contemporary, domestic and worldwide. Chapters rethink such historically significant programs as Roots and Black Journal, such seemingly innocuous programs as Fat Albert and bro’Town, and such contemporary and culturally complicated programs as Noah’s Arc, Treme, and The Boondocks. The book makes a case for the centrality of these programs while always recognizing the racial dynamics that continue to shape Black representation on the small screen. Painting a decidedly introspective portrait across forty years of Black television, Watching While Black sheds much-needed light on under-examined demographics, broadens common audience considerations, and gives deference to the the preferences of audiences and producers of Black-targeted programming. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) African American television viewers. African Americans on television. Television broadcasting Social aspects United States. SOCIAL SCIENCE / General. bisacsh Acham, Christine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Burton, Nsenga K., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Burton, Nsenga, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cavalcante, Andre M., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cavalcante, Andre, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Coleman, Robin Means, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Coleman, Robin R. Means, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cunningham, Mark D., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Fuller, Jennifer, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gates, Racquel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gillam, Reighan Alexandra, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gillam, Reighan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Havens, Timothy, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Heitner, Devorah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb LeDuff, Kim M., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Leduff, Kim M., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lewis, Nghana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pierson, Eric, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Russworm, TreaAndrea M., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Russworm, Treaandrea M., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smith-Shomade, Beretta E., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smith-Shomade, Beretta E., editor. edt http://id.loc.gov/vocabulary/relators/edt Warner, Kristen J., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Whaley, Deborah Elizabeth, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 9783110688610 print 9780813553863 https://doi.org/10.36019/9780813553887 https://www.degruyter.com/isbn/9780813553887 Cover https://www.degruyter.com/document/cover/isbn/9780813553887/original |
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English |
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Acham, Christine, Acham, Christine, Burton, Nsenga K., Burton, Nsenga K., Burton, Nsenga, Burton, Nsenga, Cavalcante, Andre M., Cavalcante, Andre M., Cavalcante, Andre, Cavalcante, Andre, Coleman, Robin Means, Coleman, Robin Means, Coleman, Robin R. Means, Coleman, Robin R. Means, Cunningham, Mark D., Cunningham, Mark D., Fuller, Jennifer, Fuller, Jennifer, Gates, Racquel, Gates, Racquel, Gillam, Reighan Alexandra, Gillam, Reighan Alexandra, Gillam, Reighan, Gillam, Reighan, Havens, Timothy, Havens, Timothy, Heitner, Devorah, Heitner, Devorah, LeDuff, Kim M., LeDuff, Kim M., Leduff, Kim M., Leduff, Kim M., Lewis, Nghana, Lewis, Nghana, Pierson, Eric, Pierson, Eric, Russworm, TreaAndrea M., Russworm, TreaAndrea M., Russworm, Treaandrea M., Russworm, Treaandrea M., Smith-Shomade, Beretta E., Smith-Shomade, Beretta E., Smith-Shomade, Beretta E., Smith-Shomade, Beretta E., Warner, Kristen J., Warner, Kristen J., Whaley, Deborah Elizabeth, Whaley, Deborah Elizabeth, |
author_facet |
Acham, Christine, Acham, Christine, Burton, Nsenga K., Burton, Nsenga K., Burton, Nsenga, Burton, Nsenga, Cavalcante, Andre M., Cavalcante, Andre M., Cavalcante, Andre, Cavalcante, Andre, Coleman, Robin Means, Coleman, Robin Means, Coleman, Robin R. Means, Coleman, Robin R. Means, Cunningham, Mark D., Cunningham, Mark D., Fuller, Jennifer, Fuller, Jennifer, Gates, Racquel, Gates, Racquel, Gillam, Reighan Alexandra, Gillam, Reighan Alexandra, Gillam, Reighan, Gillam, Reighan, Havens, Timothy, Havens, Timothy, Heitner, Devorah, Heitner, Devorah, LeDuff, Kim M., LeDuff, Kim M., Leduff, Kim M., Leduff, Kim M., Lewis, Nghana, Lewis, Nghana, Pierson, Eric, Pierson, Eric, Russworm, TreaAndrea M., Russworm, TreaAndrea M., Russworm, Treaandrea M., Russworm, Treaandrea M., Smith-Shomade, Beretta E., Smith-Shomade, Beretta E., Smith-Shomade, Beretta E., Smith-Shomade, Beretta E., Warner, Kristen J., Warner, Kristen J., Whaley, Deborah Elizabeth, Whaley, Deborah Elizabeth, |
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author_sort |
Acham, Christine, |
title |
Watching While Black : Centering the Television of Black Audiences / |
spellingShingle |
Watching While Black : Centering the Television of Black Audiences / Frontmatter -- Contents -- Acknowledgments -- Introduction: I See Black People -- PART I. PRODUCING BLACKNESS -- 1. The Importance of Roots -- 2. Two Different Worlds: Television as a Producer’s Medium -- 3. A Black Cast Doesn’t Make a Black Show: City of Angels and the Plausible Deniability of Color-blindness -- 4. Blacks in the Future: Braving the Frontier of the Web Series -- PART II. BLACKNESS ON DEMAND -- 5. “Regular Television Put to Shame by Negro Production”: Picturing a Black World on Black Journal -- 6. “HEY, HEY, HEY!” Bill Cosby’s Fat Albert as Psychodynamic Postmodern Play -- 7. Gimme a Break! and the Limits of the Modern Mammy -- 8. Down in the Treme . . . Buck Jumping and Having Fun?: The Impact of Depictions of Post-Katrina New Orleans on Viewers’ Perceptions of the City -- PART III. NEW JACK BLACK -- 9. Keepin’ It Reality Television -- 10. Prioritized: The Hip Hop (Re)Construction of Black Womanhood in Girlfriends and The Game -- 11. Nigger, Coon, Boy, Punk, Homo, Faggot, Black Man: Reconsidering Established Interpretations of Masculinity, Race, and Sexuality Through Noah’s Arc -- 12. Graphic Blackness/Anime Noir: Aaron McGruder’s The Boondocks and the Adult Swim -- PART IV. WORLDWIDE BLACKNESS -- 13. Resistance Televised: The TV da Gente Television Network and Brazilian Racial Politics -- 14. South African Soapies: A “Rainbow Nation” Realized? -- 15. Minority Television Trade as Cultural Journey: The Case of New Zealand’s bro’Town -- Notes on Contributors -- Index |
title_sub |
Centering the Television of Black Audiences / |
title_full |
Watching While Black : Centering the Television of Black Audiences / ed. by Beretta E. Smith-Shomade. |
title_fullStr |
Watching While Black : Centering the Television of Black Audiences / ed. by Beretta E. Smith-Shomade. |
title_full_unstemmed |
Watching While Black : Centering the Television of Black Audiences / ed. by Beretta E. Smith-Shomade. |
title_auth |
Watching While Black : Centering the Television of Black Audiences / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction: I See Black People -- PART I. PRODUCING BLACKNESS -- 1. The Importance of Roots -- 2. Two Different Worlds: Television as a Producer’s Medium -- 3. A Black Cast Doesn’t Make a Black Show: City of Angels and the Plausible Deniability of Color-blindness -- 4. Blacks in the Future: Braving the Frontier of the Web Series -- PART II. BLACKNESS ON DEMAND -- 5. “Regular Television Put to Shame by Negro Production”: Picturing a Black World on Black Journal -- 6. “HEY, HEY, HEY!” Bill Cosby’s Fat Albert as Psychodynamic Postmodern Play -- 7. Gimme a Break! and the Limits of the Modern Mammy -- 8. Down in the Treme . . . Buck Jumping and Having Fun?: The Impact of Depictions of Post-Katrina New Orleans on Viewers’ Perceptions of the City -- PART III. NEW JACK BLACK -- 9. Keepin’ It Reality Television -- 10. Prioritized: The Hip Hop (Re)Construction of Black Womanhood in Girlfriends and The Game -- 11. Nigger, Coon, Boy, Punk, Homo, Faggot, Black Man: Reconsidering Established Interpretations of Masculinity, Race, and Sexuality Through Noah’s Arc -- 12. Graphic Blackness/Anime Noir: Aaron McGruder’s The Boondocks and the Adult Swim -- PART IV. WORLDWIDE BLACKNESS -- 13. Resistance Televised: The TV da Gente Television Network and Brazilian Racial Politics -- 14. South African Soapies: A “Rainbow Nation” Realized? -- 15. Minority Television Trade as Cultural Journey: The Case of New Zealand’s bro’Town -- Notes on Contributors -- Index |
title_new |
Watching While Black : |
title_sort |
watching while black : centering the television of black audiences / |
publisher |
Rutgers University Press, |
publishDate |
2013 |
physical |
1 online resource (280 p.) : 33 photographs |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction: I See Black People -- PART I. PRODUCING BLACKNESS -- 1. The Importance of Roots -- 2. Two Different Worlds: Television as a Producer’s Medium -- 3. A Black Cast Doesn’t Make a Black Show: City of Angels and the Plausible Deniability of Color-blindness -- 4. Blacks in the Future: Braving the Frontier of the Web Series -- PART II. BLACKNESS ON DEMAND -- 5. “Regular Television Put to Shame by Negro Production”: Picturing a Black World on Black Journal -- 6. “HEY, HEY, HEY!” Bill Cosby’s Fat Albert as Psychodynamic Postmodern Play -- 7. Gimme a Break! and the Limits of the Modern Mammy -- 8. Down in the Treme . . . Buck Jumping and Having Fun?: The Impact of Depictions of Post-Katrina New Orleans on Viewers’ Perceptions of the City -- PART III. NEW JACK BLACK -- 9. Keepin’ It Reality Television -- 10. Prioritized: The Hip Hop (Re)Construction of Black Womanhood in Girlfriends and The Game -- 11. Nigger, Coon, Boy, Punk, Homo, Faggot, Black Man: Reconsidering Established Interpretations of Masculinity, Race, and Sexuality Through Noah’s Arc -- 12. Graphic Blackness/Anime Noir: Aaron McGruder’s The Boondocks and the Adult Swim -- PART IV. WORLDWIDE BLACKNESS -- 13. Resistance Televised: The TV da Gente Television Network and Brazilian Racial Politics -- 14. South African Soapies: A “Rainbow Nation” Realized? -- 15. Minority Television Trade as Cultural Journey: The Case of New Zealand’s bro’Town -- Notes on Contributors -- Index |
isbn |
9780813553887 9783110688610 9780813553863 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
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PN1992 |
callnumber-sort |
PN 41992.8 A34 W38 42012 |
geographic_facet |
United States. |
url |
https://doi.org/10.36019/9780813553887 https://www.degruyter.com/isbn/9780813553887 https://www.degruyter.com/document/cover/isbn/9780813553887/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.4508996073 |
dewey-sort |
3791.4508996073 |
dewey-raw |
791.4508996073 |
dewey-search |
791.4508996073 |
doi_str_mv |
10.36019/9780813553887 |
oclc_num |
1163878601 |
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Watching While Black : Centering the Television of Black Audiences / |
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Smith-Shomade.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Brunswick, NJ : </subfield><subfield code="b">Rutgers University Press, </subfield><subfield code="c">[2013]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (280 p.) :</subfield><subfield code="b">33 photographs</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Introduction: I See Black People -- </subfield><subfield code="t">PART I. PRODUCING BLACKNESS -- </subfield><subfield code="t">1. The Importance of Roots -- </subfield><subfield code="t">2. Two Different Worlds: Television as a Producer’s Medium -- </subfield><subfield code="t">3. A Black Cast Doesn’t Make a Black Show: City of Angels and the Plausible Deniability of Color-blindness -- </subfield><subfield code="t">4. Blacks in the Future: Braving the Frontier of the Web Series -- </subfield><subfield code="t">PART II. BLACKNESS ON DEMAND -- </subfield><subfield code="t">5. “Regular Television Put to Shame by Negro Production”: Picturing a Black World on Black Journal -- </subfield><subfield code="t">6. “HEY, HEY, HEY!” Bill Cosby’s Fat Albert as Psychodynamic Postmodern Play -- </subfield><subfield code="t">7. Gimme a Break! and the Limits of the Modern Mammy -- </subfield><subfield code="t">8. Down in the Treme . . . 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Minority Television Trade as Cultural Journey: The Case of New Zealand’s bro’Town -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Television scholarship has substantially ignored programming aimed at Black audiences despite a few sweeping histories and critiques. In this volume, the first of its kind, contributors examine the televisual diversity, complexity, and cultural imperatives manifest in programming directed at a Black and marginalized audience. Watching While Black considers its subject from an entirely new angle in an attempt to understand the lives, motivations, distinctions, kindred lines, and individuality of various Black groups and suggest what television might be like if such diversity permeated beyond specialized enclaves. It looks at the macro structures of ownership, producing, casting, and advertising that all inform production, and then delves into television programming crafted to appeal to black audiences—historic and contemporary, domestic and worldwide. Chapters rethink such historically significant programs as Roots and Black Journal, such seemingly innocuous programs as Fat Albert and bro’Town, and such contemporary and culturally complicated programs as Noah’s Arc, Treme, and The Boondocks. The book makes a case for the centrality of these programs while always recognizing the racial dynamics that continue to shape Black representation on the small screen. Painting a decidedly introspective portrait across forty years of Black television, Watching While Black sheds much-needed light on under-examined demographics, broadens common audience considerations, and gives deference to the the preferences of audiences and producers of Black-targeted programming.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. 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