New Thoughts on the Black Arts Movement / / ed. by Lisa Gail Collins, Margo Natalie Crawford.
During the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture-which came to be known as the Black Arts Movement-...
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Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2006] ©2006 |
Year of Publication: | 2006 |
Language: | English |
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Physical Description: | 1 online resource (406 p.) :; 43 illustrations |
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New Thoughts on the Black Arts Movement / ed. by Lisa Gail Collins, Margo Natalie Crawford. New Brunswick, NJ : Rutgers University Press, [2006] ©2006 1 online resource (406 p.) : 43 illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- Acknowledgments -- Introduction: Power to the People!: The Art of Black Power -- I. CITIES AND SITES -- 1. Black Light on the Wall of Respect: The Chicago Black Arts Movement -- 2. Black West, Thoughts on Art in Los Angeles -- 3. The Black Arts Movement and Historically Black Colleges and Universities -- 4. A Question of Relevancy: New York Museums and the Black Arts Movement, 1968-1971 -- 5. Blackness in Present Future Tense: Broadside Press, Motown Records, and Detroit Techno -- II. GENRES AND IDEOLOGIES -- 6. A Black Mass as Black Gothic: Myth and Bioscience in Black Cultural Nationalism -- 7. Natural Black Beauty and Black Drag -- 8. Sexual Subversions, Political Inversions: Women's Poetry and the Politics of the Black Arts Movement -- 9. Transcending the Fixity of Race: The Kamoinge Workshop and the Question of a "Black Aesthetic" in Photography -- 10. Moneta Sleet, Jr. as Active Participant: The Selma March and the Black Arts Movement -- 11. "If Bessie Smith Had Killed Some White People": Racial Legacies, the Blues Revival, and the Black Arts Movement -- III. PREDECESSORS, PEERS, AND LEGACIES -- 12. A Familiar Strangeness: The Spectre of Whiteness in the Harlem Renaissance and the Black Arts Movement -- 13. The Art of Transformation: Parallels in the Black Arts and Feminist Art Movements -- 14. Prison Writers and the Black Arts Movement -- 15. "To Make a Poet Black": Canonizing Puerto Rican Poets in the Black Arts Movement -- 16. Latin Soul: Cross-Cultural Connections between the Black Arts Movement and Pocho-Che -- 17. Black Arts to Def Jam: Performing Black "Spirit Work" across Generations -- Afterword: This Bridge Called "Our Tradition": Notes on Blueblack, 'Round'midnight, Blacklight "Connection" -- Notes on Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star During the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture-which came to be known as the Black Arts Movement-has remained largely neglected by subsequent generations of critics. New Thoughts on the Black Arts Movement includes essays that reexamine well-known figures such as Amiri Baraka, Larry Neal, Gwendolyn Brooks, Sonia Sanchez, Betye Saar, Jeff Donaldson, and Haki Madhubuti. In addition, the anthology expands the scope of the movement by offering essays that explore the racial and sexual politics of the era, links with other period cultural movements, the arts in prison, the role of Black colleges and universities, gender politics and the rise of feminism, color fetishism, photography, music, and more. An invigorating look at a movement that has long begged for reexamination, this collection lucidly interprets the complex debates that surround this tumultuous era and demonstrates that the celebration of this movement need not be separated from its critique. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) African American arts 20th century. Arts Political aspects United States. Black Arts movement. SOCIAL SCIENCE / General. bisacsh Baker, Houston A., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Baker, Houston. Bernard, Emily, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bernard, Emily. Bernstein, Lee, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bernstein, Lee. Collins, Lisa Gail, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Collins, Lisa Gail, editor. edt http://id.loc.gov/vocabulary/relators/edt Collins, Lisa Gail. Crawford, Margo Natalie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Crawford, Margo Natalie, editor. edt http://id.loc.gov/vocabulary/relators/edt Crawford, Margo Natalie. Duganne, Erina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Duganne, Erina. Gussow, Adam, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gussow, Adam. Hernandez, Rod, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hernandez, Rod. Jones, Kellie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jones, Kellie. Lennon, Mary Ellen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lennon, Mary Ellen. Nelson, Alondra, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Nelson, Alondra. Pollard, Cherise A., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pollard, Cherise. Smethurst, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smethurst, James. Smith, Cherise, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smith, Cherise. Smith, Lorrie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smith, Lorrie. Walters, Wendy S., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Walters, Wendy. Wilkinson, Michelle Joan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wilkinson, Michelle Joan. Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 9783110688610 print 9780813536941 https://doi.org/10.36019/9780813541075 https://www.degruyter.com/isbn/9780813541075 Cover https://www.degruyter.com/cover/covers/9780813541075.jpg |
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English |
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author2 |
Baker, Houston A., Baker, Houston A., Baker, Houston. Bernard, Emily, Bernard, Emily, Bernard, Emily. Bernstein, Lee, Bernstein, Lee, Bernstein, Lee. Collins, Lisa Gail, Collins, Lisa Gail, Collins, Lisa Gail, Collins, Lisa Gail, Collins, Lisa Gail. Crawford, Margo Natalie, Crawford, Margo Natalie, Crawford, Margo Natalie, Crawford, Margo Natalie, Crawford, Margo Natalie. Duganne, Erina, Duganne, Erina, Duganne, Erina. Gussow, Adam, Gussow, Adam, Gussow, Adam. Hernandez, Rod, Hernandez, Rod, Hernandez, Rod. Jones, Kellie, Jones, Kellie, Jones, Kellie. Lennon, Mary Ellen, Lennon, Mary Ellen, Lennon, Mary Ellen. Nelson, Alondra, Nelson, Alondra, Nelson, Alondra. Pollard, Cherise A., Pollard, Cherise A., Pollard, Cherise. Smethurst, James, Smethurst, James, Smethurst, James. Smith, Cherise, Smith, Cherise, Smith, Cherise. Smith, Lorrie, Smith, Lorrie, Smith, Lorrie. Walters, Wendy S., Walters, Wendy S., Walters, Wendy. Wilkinson, Michelle Joan, Wilkinson, Michelle Joan, Wilkinson, Michelle Joan. |
author_facet |
Baker, Houston A., Baker, Houston A., Baker, Houston. Bernard, Emily, Bernard, Emily, Bernard, Emily. Bernstein, Lee, Bernstein, Lee, Bernstein, Lee. Collins, Lisa Gail, Collins, Lisa Gail, Collins, Lisa Gail, Collins, Lisa Gail, Collins, Lisa Gail. Crawford, Margo Natalie, Crawford, Margo Natalie, Crawford, Margo Natalie, Crawford, Margo Natalie, Crawford, Margo Natalie. Duganne, Erina, Duganne, Erina, Duganne, Erina. Gussow, Adam, Gussow, Adam, Gussow, Adam. Hernandez, Rod, Hernandez, Rod, Hernandez, Rod. Jones, Kellie, Jones, Kellie, Jones, Kellie. Lennon, Mary Ellen, Lennon, Mary Ellen, Lennon, Mary Ellen. Nelson, Alondra, Nelson, Alondra, Nelson, Alondra. Pollard, Cherise A., Pollard, Cherise A., Pollard, Cherise. Smethurst, James, Smethurst, James, Smethurst, James. Smith, Cherise, Smith, Cherise, Smith, Cherise. Smith, Lorrie, Smith, Lorrie, Smith, Lorrie. Walters, Wendy S., Walters, Wendy S., Walters, Wendy. Wilkinson, Michelle Joan, Wilkinson, Michelle Joan, Wilkinson, Michelle Joan. |
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Baker, Houston A., |
title |
New Thoughts on the Black Arts Movement / |
spellingShingle |
New Thoughts on the Black Arts Movement / Frontmatter -- CONTENTS -- Acknowledgments -- Introduction: Power to the People!: The Art of Black Power -- I. CITIES AND SITES -- 1. Black Light on the Wall of Respect: The Chicago Black Arts Movement -- 2. Black West, Thoughts on Art in Los Angeles -- 3. The Black Arts Movement and Historically Black Colleges and Universities -- 4. A Question of Relevancy: New York Museums and the Black Arts Movement, 1968-1971 -- 5. Blackness in Present Future Tense: Broadside Press, Motown Records, and Detroit Techno -- II. GENRES AND IDEOLOGIES -- 6. A Black Mass as Black Gothic: Myth and Bioscience in Black Cultural Nationalism -- 7. Natural Black Beauty and Black Drag -- 8. Sexual Subversions, Political Inversions: Women's Poetry and the Politics of the Black Arts Movement -- 9. Transcending the Fixity of Race: The Kamoinge Workshop and the Question of a "Black Aesthetic" in Photography -- 10. Moneta Sleet, Jr. as Active Participant: The Selma March and the Black Arts Movement -- 11. "If Bessie Smith Had Killed Some White People": Racial Legacies, the Blues Revival, and the Black Arts Movement -- III. PREDECESSORS, PEERS, AND LEGACIES -- 12. A Familiar Strangeness: The Spectre of Whiteness in the Harlem Renaissance and the Black Arts Movement -- 13. The Art of Transformation: Parallels in the Black Arts and Feminist Art Movements -- 14. Prison Writers and the Black Arts Movement -- 15. "To Make a Poet Black": Canonizing Puerto Rican Poets in the Black Arts Movement -- 16. Latin Soul: Cross-Cultural Connections between the Black Arts Movement and Pocho-Che -- 17. Black Arts to Def Jam: Performing Black "Spirit Work" across Generations -- Afterword: This Bridge Called "Our Tradition": Notes on Blueblack, 'Round'midnight, Blacklight "Connection" -- Notes on Contributors -- Index |
title_full |
New Thoughts on the Black Arts Movement / ed. by Lisa Gail Collins, Margo Natalie Crawford. |
title_fullStr |
New Thoughts on the Black Arts Movement / ed. by Lisa Gail Collins, Margo Natalie Crawford. |
title_full_unstemmed |
New Thoughts on the Black Arts Movement / ed. by Lisa Gail Collins, Margo Natalie Crawford. |
title_auth |
New Thoughts on the Black Arts Movement / |
title_alt |
Frontmatter -- CONTENTS -- Acknowledgments -- Introduction: Power to the People!: The Art of Black Power -- I. CITIES AND SITES -- 1. Black Light on the Wall of Respect: The Chicago Black Arts Movement -- 2. Black West, Thoughts on Art in Los Angeles -- 3. The Black Arts Movement and Historically Black Colleges and Universities -- 4. A Question of Relevancy: New York Museums and the Black Arts Movement, 1968-1971 -- 5. Blackness in Present Future Tense: Broadside Press, Motown Records, and Detroit Techno -- II. GENRES AND IDEOLOGIES -- 6. A Black Mass as Black Gothic: Myth and Bioscience in Black Cultural Nationalism -- 7. Natural Black Beauty and Black Drag -- 8. Sexual Subversions, Political Inversions: Women's Poetry and the Politics of the Black Arts Movement -- 9. Transcending the Fixity of Race: The Kamoinge Workshop and the Question of a "Black Aesthetic" in Photography -- 10. Moneta Sleet, Jr. as Active Participant: The Selma March and the Black Arts Movement -- 11. "If Bessie Smith Had Killed Some White People": Racial Legacies, the Blues Revival, and the Black Arts Movement -- III. PREDECESSORS, PEERS, AND LEGACIES -- 12. A Familiar Strangeness: The Spectre of Whiteness in the Harlem Renaissance and the Black Arts Movement -- 13. The Art of Transformation: Parallels in the Black Arts and Feminist Art Movements -- 14. Prison Writers and the Black Arts Movement -- 15. "To Make a Poet Black": Canonizing Puerto Rican Poets in the Black Arts Movement -- 16. Latin Soul: Cross-Cultural Connections between the Black Arts Movement and Pocho-Che -- 17. Black Arts to Def Jam: Performing Black "Spirit Work" across Generations -- Afterword: This Bridge Called "Our Tradition": Notes on Blueblack, 'Round'midnight, Blacklight "Connection" -- Notes on Contributors -- Index |
title_new |
New Thoughts on the Black Arts Movement / |
title_sort |
new thoughts on the black arts movement / |
publisher |
Rutgers University Press, |
publishDate |
2006 |
physical |
1 online resource (406 p.) : 43 illustrations Issued also in print. |
contents |
Frontmatter -- CONTENTS -- Acknowledgments -- Introduction: Power to the People!: The Art of Black Power -- I. CITIES AND SITES -- 1. Black Light on the Wall of Respect: The Chicago Black Arts Movement -- 2. Black West, Thoughts on Art in Los Angeles -- 3. The Black Arts Movement and Historically Black Colleges and Universities -- 4. A Question of Relevancy: New York Museums and the Black Arts Movement, 1968-1971 -- 5. Blackness in Present Future Tense: Broadside Press, Motown Records, and Detroit Techno -- II. GENRES AND IDEOLOGIES -- 6. A Black Mass as Black Gothic: Myth and Bioscience in Black Cultural Nationalism -- 7. Natural Black Beauty and Black Drag -- 8. Sexual Subversions, Political Inversions: Women's Poetry and the Politics of the Black Arts Movement -- 9. Transcending the Fixity of Race: The Kamoinge Workshop and the Question of a "Black Aesthetic" in Photography -- 10. Moneta Sleet, Jr. as Active Participant: The Selma March and the Black Arts Movement -- 11. "If Bessie Smith Had Killed Some White People": Racial Legacies, the Blues Revival, and the Black Arts Movement -- III. PREDECESSORS, PEERS, AND LEGACIES -- 12. A Familiar Strangeness: The Spectre of Whiteness in the Harlem Renaissance and the Black Arts Movement -- 13. The Art of Transformation: Parallels in the Black Arts and Feminist Art Movements -- 14. Prison Writers and the Black Arts Movement -- 15. "To Make a Poet Black": Canonizing Puerto Rican Poets in the Black Arts Movement -- 16. Latin Soul: Cross-Cultural Connections between the Black Arts Movement and Pocho-Che -- 17. Black Arts to Def Jam: Performing Black "Spirit Work" across Generations -- Afterword: This Bridge Called "Our Tradition": Notes on Blueblack, 'Round'midnight, Blacklight "Connection" -- Notes on Contributors -- Index |
isbn |
9780813541075 9783110688610 9780813536941 |
geographic_facet |
United States. |
era_facet |
20th century. |
url |
https://doi.org/10.36019/9780813541075 https://www.degruyter.com/isbn/9780813541075 https://www.degruyter.com/cover/covers/9780813541075.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
700 - The arts; fine & decorative arts |
dewey-full |
700.8996073 |
dewey-sort |
3700.8996073 |
dewey-raw |
700.8996073 |
dewey-search |
700.8996073 |
doi_str_mv |
10.36019/9780813541075 |
oclc_num |
77564482 |
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An invigorating look at a movement that has long begged for reexamination, this collection lucidly interprets the complex debates that surround this tumultuous era and demonstrates that the celebration of this movement need not be separated from its critique.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. 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code="a">Bernard, Emily, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bernard, Emily.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bernstein, Lee, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bernstein, Lee.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Collins, Lisa Gail, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Collins, Lisa Gail, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Collins, Lisa Gail.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Crawford, Margo Natalie, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Crawford, Margo Natalie, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Crawford, Margo Natalie.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Duganne, Erina, </subfield><subfield code="e">contributor.</subfield><subfield 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