New Thoughts on the Black Arts Movement / / ed. by Lisa Gail Collins, Margo Natalie Crawford.

During the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture-which came to be known as the Black Arts Movement-...

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Superior document:Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013
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Place / Publishing House:New Brunswick, NJ : : Rutgers University Press, , [2006]
©2006
Year of Publication:2006
Language:English
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Physical Description:1 online resource (406 p.) :; 43 illustrations
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spelling New Thoughts on the Black Arts Movement / ed. by Lisa Gail Collins, Margo Natalie Crawford.
New Brunswick, NJ : Rutgers University Press, [2006]
©2006
1 online resource (406 p.) : 43 illustrations
text txt rdacontent
computer c rdamedia
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Frontmatter -- CONTENTS -- Acknowledgments -- Introduction: Power to the People!: The Art of Black Power -- I. CITIES AND SITES -- 1. Black Light on the Wall of Respect: The Chicago Black Arts Movement -- 2. Black West, Thoughts on Art in Los Angeles -- 3. The Black Arts Movement and Historically Black Colleges and Universities -- 4. A Question of Relevancy: New York Museums and the Black Arts Movement, 1968-1971 -- 5. Blackness in Present Future Tense: Broadside Press, Motown Records, and Detroit Techno -- II. GENRES AND IDEOLOGIES -- 6. A Black Mass as Black Gothic: Myth and Bioscience in Black Cultural Nationalism -- 7. Natural Black Beauty and Black Drag -- 8. Sexual Subversions, Political Inversions: Women's Poetry and the Politics of the Black Arts Movement -- 9. Transcending the Fixity of Race: The Kamoinge Workshop and the Question of a "Black Aesthetic" in Photography -- 10. Moneta Sleet, Jr. as Active Participant: The Selma March and the Black Arts Movement -- 11. "If Bessie Smith Had Killed Some White People": Racial Legacies, the Blues Revival, and the Black Arts Movement -- III. PREDECESSORS, PEERS, AND LEGACIES -- 12. A Familiar Strangeness: The Spectre of Whiteness in the Harlem Renaissance and the Black Arts Movement -- 13. The Art of Transformation: Parallels in the Black Arts and Feminist Art Movements -- 14. Prison Writers and the Black Arts Movement -- 15. "To Make a Poet Black": Canonizing Puerto Rican Poets in the Black Arts Movement -- 16. Latin Soul: Cross-Cultural Connections between the Black Arts Movement and Pocho-Che -- 17. Black Arts to Def Jam: Performing Black "Spirit Work" across Generations -- Afterword: This Bridge Called "Our Tradition": Notes on Blueblack, 'Round'midnight, Blacklight "Connection" -- Notes on Contributors -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
During the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture-which came to be known as the Black Arts Movement-has remained largely neglected by subsequent generations of critics. New Thoughts on the Black Arts Movement includes essays that reexamine well-known figures such as Amiri Baraka, Larry Neal, Gwendolyn Brooks, Sonia Sanchez, Betye Saar, Jeff Donaldson, and Haki Madhubuti. In addition, the anthology expands the scope of the movement by offering essays that explore the racial and sexual politics of the era, links with other period cultural movements, the arts in prison, the role of Black colleges and universities, gender politics and the rise of feminism, color fetishism, photography, music, and more. An invigorating look at a movement that has long begged for reexamination, this collection lucidly interprets the complex debates that surround this tumultuous era and demonstrates that the celebration of this movement need not be separated from its critique.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
African American arts 20th century.
Arts Political aspects United States.
Black Arts movement.
SOCIAL SCIENCE / General. bisacsh
Baker, Houston A., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Baker, Houston.
Bernard, Emily, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Bernard, Emily.
Bernstein, Lee, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Bernstein, Lee.
Collins, Lisa Gail, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Collins, Lisa Gail, editor. edt http://id.loc.gov/vocabulary/relators/edt
Collins, Lisa Gail.
Crawford, Margo Natalie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Crawford, Margo Natalie, editor. edt http://id.loc.gov/vocabulary/relators/edt
Crawford, Margo Natalie.
Duganne, Erina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Duganne, Erina.
Gussow, Adam, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
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Hernandez, Rod, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Hernandez, Rod.
Jones, Kellie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
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Lennon, Mary Ellen.
Nelson, Alondra, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Nelson, Alondra.
Pollard, Cherise A., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
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Smethurst, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
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Wilkinson, Michelle Joan.
Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 9783110688610
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Baker, Houston A.,
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Bernard, Emily,
Bernard, Emily,
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Bernstein, Lee,
Bernstein, Lee,
Bernstein, Lee.
Collins, Lisa Gail,
Collins, Lisa Gail,
Collins, Lisa Gail,
Collins, Lisa Gail,
Collins, Lisa Gail.
Crawford, Margo Natalie,
Crawford, Margo Natalie,
Crawford, Margo Natalie,
Crawford, Margo Natalie,
Crawford, Margo Natalie.
Duganne, Erina,
Duganne, Erina,
Duganne, Erina.
Gussow, Adam,
Gussow, Adam,
Gussow, Adam.
Hernandez, Rod,
Hernandez, Rod,
Hernandez, Rod.
Jones, Kellie,
Jones, Kellie,
Jones, Kellie.
Lennon, Mary Ellen,
Lennon, Mary Ellen,
Lennon, Mary Ellen.
Nelson, Alondra,
Nelson, Alondra,
Nelson, Alondra.
Pollard, Cherise A.,
Pollard, Cherise A.,
Pollard, Cherise.
Smethurst, James,
Smethurst, James,
Smethurst, James.
Smith, Cherise,
Smith, Cherise,
Smith, Cherise.
Smith, Lorrie,
Smith, Lorrie,
Smith, Lorrie.
Walters, Wendy S.,
Walters, Wendy S.,
Walters, Wendy.
Wilkinson, Michelle Joan,
Wilkinson, Michelle Joan,
Wilkinson, Michelle Joan.
author_facet Baker, Houston A.,
Baker, Houston A.,
Baker, Houston.
Bernard, Emily,
Bernard, Emily,
Bernard, Emily.
Bernstein, Lee,
Bernstein, Lee,
Bernstein, Lee.
Collins, Lisa Gail,
Collins, Lisa Gail,
Collins, Lisa Gail,
Collins, Lisa Gail,
Collins, Lisa Gail.
Crawford, Margo Natalie,
Crawford, Margo Natalie,
Crawford, Margo Natalie,
Crawford, Margo Natalie,
Crawford, Margo Natalie.
Duganne, Erina,
Duganne, Erina,
Duganne, Erina.
Gussow, Adam,
Gussow, Adam,
Gussow, Adam.
Hernandez, Rod,
Hernandez, Rod,
Hernandez, Rod.
Jones, Kellie,
Jones, Kellie,
Jones, Kellie.
Lennon, Mary Ellen,
Lennon, Mary Ellen,
Lennon, Mary Ellen.
Nelson, Alondra,
Nelson, Alondra,
Nelson, Alondra.
Pollard, Cherise A.,
Pollard, Cherise A.,
Pollard, Cherise.
Smethurst, James,
Smethurst, James,
Smethurst, James.
Smith, Cherise,
Smith, Cherise,
Smith, Cherise.
Smith, Lorrie,
Smith, Lorrie,
Smith, Lorrie.
Walters, Wendy S.,
Walters, Wendy S.,
Walters, Wendy.
Wilkinson, Michelle Joan,
Wilkinson, Michelle Joan,
Wilkinson, Michelle Joan.
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title New Thoughts on the Black Arts Movement /
spellingShingle New Thoughts on the Black Arts Movement /
Frontmatter --
CONTENTS --
Acknowledgments --
Introduction: Power to the People!: The Art of Black Power --
I. CITIES AND SITES --
1. Black Light on the Wall of Respect: The Chicago Black Arts Movement --
2. Black West, Thoughts on Art in Los Angeles --
3. The Black Arts Movement and Historically Black Colleges and Universities --
4. A Question of Relevancy: New York Museums and the Black Arts Movement, 1968-1971 --
5. Blackness in Present Future Tense: Broadside Press, Motown Records, and Detroit Techno --
II. GENRES AND IDEOLOGIES --
6. A Black Mass as Black Gothic: Myth and Bioscience in Black Cultural Nationalism --
7. Natural Black Beauty and Black Drag --
8. Sexual Subversions, Political Inversions: Women's Poetry and the Politics of the Black Arts Movement --
9. Transcending the Fixity of Race: The Kamoinge Workshop and the Question of a "Black Aesthetic" in Photography --
10. Moneta Sleet, Jr. as Active Participant: The Selma March and the Black Arts Movement --
11. "If Bessie Smith Had Killed Some White People": Racial Legacies, the Blues Revival, and the Black Arts Movement --
III. PREDECESSORS, PEERS, AND LEGACIES --
12. A Familiar Strangeness: The Spectre of Whiteness in the Harlem Renaissance and the Black Arts Movement --
13. The Art of Transformation: Parallels in the Black Arts and Feminist Art Movements --
14. Prison Writers and the Black Arts Movement --
15. "To Make a Poet Black": Canonizing Puerto Rican Poets in the Black Arts Movement --
16. Latin Soul: Cross-Cultural Connections between the Black Arts Movement and Pocho-Che --
17. Black Arts to Def Jam: Performing Black "Spirit Work" across Generations --
Afterword: This Bridge Called "Our Tradition": Notes on Blueblack, 'Round'midnight, Blacklight "Connection" --
Notes on Contributors --
Index
title_full New Thoughts on the Black Arts Movement / ed. by Lisa Gail Collins, Margo Natalie Crawford.
title_fullStr New Thoughts on the Black Arts Movement / ed. by Lisa Gail Collins, Margo Natalie Crawford.
title_full_unstemmed New Thoughts on the Black Arts Movement / ed. by Lisa Gail Collins, Margo Natalie Crawford.
title_auth New Thoughts on the Black Arts Movement /
title_alt Frontmatter --
CONTENTS --
Acknowledgments --
Introduction: Power to the People!: The Art of Black Power --
I. CITIES AND SITES --
1. Black Light on the Wall of Respect: The Chicago Black Arts Movement --
2. Black West, Thoughts on Art in Los Angeles --
3. The Black Arts Movement and Historically Black Colleges and Universities --
4. A Question of Relevancy: New York Museums and the Black Arts Movement, 1968-1971 --
5. Blackness in Present Future Tense: Broadside Press, Motown Records, and Detroit Techno --
II. GENRES AND IDEOLOGIES --
6. A Black Mass as Black Gothic: Myth and Bioscience in Black Cultural Nationalism --
7. Natural Black Beauty and Black Drag --
8. Sexual Subversions, Political Inversions: Women's Poetry and the Politics of the Black Arts Movement --
9. Transcending the Fixity of Race: The Kamoinge Workshop and the Question of a "Black Aesthetic" in Photography --
10. Moneta Sleet, Jr. as Active Participant: The Selma March and the Black Arts Movement --
11. "If Bessie Smith Had Killed Some White People": Racial Legacies, the Blues Revival, and the Black Arts Movement --
III. PREDECESSORS, PEERS, AND LEGACIES --
12. A Familiar Strangeness: The Spectre of Whiteness in the Harlem Renaissance and the Black Arts Movement --
13. The Art of Transformation: Parallels in the Black Arts and Feminist Art Movements --
14. Prison Writers and the Black Arts Movement --
15. "To Make a Poet Black": Canonizing Puerto Rican Poets in the Black Arts Movement --
16. Latin Soul: Cross-Cultural Connections between the Black Arts Movement and Pocho-Che --
17. Black Arts to Def Jam: Performing Black "Spirit Work" across Generations --
Afterword: This Bridge Called "Our Tradition": Notes on Blueblack, 'Round'midnight, Blacklight "Connection" --
Notes on Contributors --
Index
title_new New Thoughts on the Black Arts Movement /
title_sort new thoughts on the black arts movement /
publisher Rutgers University Press,
publishDate 2006
physical 1 online resource (406 p.) : 43 illustrations
Issued also in print.
contents Frontmatter --
CONTENTS --
Acknowledgments --
Introduction: Power to the People!: The Art of Black Power --
I. CITIES AND SITES --
1. Black Light on the Wall of Respect: The Chicago Black Arts Movement --
2. Black West, Thoughts on Art in Los Angeles --
3. The Black Arts Movement and Historically Black Colleges and Universities --
4. A Question of Relevancy: New York Museums and the Black Arts Movement, 1968-1971 --
5. Blackness in Present Future Tense: Broadside Press, Motown Records, and Detroit Techno --
II. GENRES AND IDEOLOGIES --
6. A Black Mass as Black Gothic: Myth and Bioscience in Black Cultural Nationalism --
7. Natural Black Beauty and Black Drag --
8. Sexual Subversions, Political Inversions: Women's Poetry and the Politics of the Black Arts Movement --
9. Transcending the Fixity of Race: The Kamoinge Workshop and the Question of a "Black Aesthetic" in Photography --
10. Moneta Sleet, Jr. as Active Participant: The Selma March and the Black Arts Movement --
11. "If Bessie Smith Had Killed Some White People": Racial Legacies, the Blues Revival, and the Black Arts Movement --
III. PREDECESSORS, PEERS, AND LEGACIES --
12. A Familiar Strangeness: The Spectre of Whiteness in the Harlem Renaissance and the Black Arts Movement --
13. The Art of Transformation: Parallels in the Black Arts and Feminist Art Movements --
14. Prison Writers and the Black Arts Movement --
15. "To Make a Poet Black": Canonizing Puerto Rican Poets in the Black Arts Movement --
16. Latin Soul: Cross-Cultural Connections between the Black Arts Movement and Pocho-Che --
17. Black Arts to Def Jam: Performing Black "Spirit Work" across Generations --
Afterword: This Bridge Called "Our Tradition": Notes on Blueblack, 'Round'midnight, Blacklight "Connection" --
Notes on Contributors --
Index
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illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 700 - Arts
dewey-ones 700 - The arts; fine & decorative arts
dewey-full 700.8996073
dewey-sort 3700.8996073
dewey-raw 700.8996073
dewey-search 700.8996073
doi_str_mv 10.36019/9780813541075
oclc_num 77564482
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Transcending the Fixity of Race: The Kamoinge Workshop and the Question of a "Black Aesthetic" in Photography -- </subfield><subfield code="t">10. Moneta Sleet, Jr. as Active Participant: The Selma March and the Black Arts Movement -- </subfield><subfield code="t">11. "If Bessie Smith Had Killed Some White People": Racial Legacies, the Blues Revival, and the Black Arts Movement -- </subfield><subfield code="t">III. PREDECESSORS, PEERS, AND LEGACIES -- </subfield><subfield code="t">12. A Familiar Strangeness: The Spectre of Whiteness in the Harlem Renaissance and the Black Arts Movement -- </subfield><subfield code="t">13. The Art of Transformation: Parallels in the Black Arts and Feminist Art Movements -- </subfield><subfield code="t">14. Prison Writers and the Black Arts Movement -- </subfield><subfield code="t">15. "To Make a Poet Black": Canonizing Puerto Rican Poets in the Black Arts Movement -- </subfield><subfield code="t">16. Latin Soul: Cross-Cultural Connections between the Black Arts Movement and Pocho-Che -- </subfield><subfield code="t">17. Black Arts to Def Jam: Performing Black "Spirit Work" across Generations -- </subfield><subfield code="t">Afterword: This Bridge Called "Our Tradition": Notes on Blueblack, 'Round'midnight, Blacklight "Connection" -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">During the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture-which came to be known as the Black Arts Movement-has remained largely neglected by subsequent generations of critics. New Thoughts on the Black Arts Movement includes essays that reexamine well-known figures such as Amiri Baraka, Larry Neal, Gwendolyn Brooks, Sonia Sanchez, Betye Saar, Jeff Donaldson, and Haki Madhubuti. In addition, the anthology expands the scope of the movement by offering essays that explore the racial and sexual politics of the era, links with other period cultural movements, the arts in prison, the role of Black colleges and universities, gender politics and the rise of feminism, color fetishism, photography, music, and more. An invigorating look at a movement that has long begged for reexamination, this collection lucidly interprets the complex debates that surround this tumultuous era and demonstrates that the celebration of this movement need not be separated from its critique.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">African American arts</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Arts</subfield><subfield code="x">Political aspects</subfield><subfield code="z">United States.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Black Arts movement.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Baker, Houston A., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Baker, Houston.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bernard, Emily, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bernard, Emily.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bernstein, Lee, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bernstein, Lee.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Collins, Lisa Gail, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Collins, Lisa Gail, </subfield><subfield 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