Who Owns Culture? : : Appropriation and Authenticity in American Law / / Susan Scafidi.
It is not uncommon for white suburban youths to perform rap music, for New York fashion designers to ransack the world's closets for inspiration, or for Euro-American authors to adopt the voice of a geisha or shaman. But who really owns these art forms? Is it the community in which they were or...
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Superior document: | Title is part of eBook package: De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 |
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Place / Publishing House: | New Brunswick, NJ : : Rutgers University Press, , [2005] ©2005 |
Year of Publication: | 2005 |
Language: | English |
Series: | Rutgers Series: The Public Life of the Arts
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Online Access: | |
Physical Description: | 1 online resource (208 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Preface and Acknowledgments
- Introduction
- 1. The Commodification of Culture
- 2. Ownership of Intangible Property
- 3. Cultural Products as Accidental Property
- 4. Categorizing Cultural Products
- 5. Claiming Community Ownership via Authenticity
- 6. Family Feuds
- 7. Outsider Appropriation
- 8. Misappropriation and the Destruction of Value(s)
- 9. Permissive Appropriation
- 10. Reverse Appropriation of Intellectual Properties and Celebrity Personae
- 11. The Civic Role of Cultural Products
- 12. An Emerging Legal Framework
- Appendix: Defining Property
- Notes
- Index
- About the Author