What Kind of a Thing Is a Middle English Lyric? / / ed. by Nicholas Watson, Cristina Maria Cervone.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English
• MitwirkendeR: Albin, Andrew,; Burt, Stephanie,; Butterfield, Ardis,; Cannon, Christopher,; Cervone, Cristina Maria,; Cornelius, Ian,; Fassler, Margot,; Galloway, Andrew,; Gibbs Jr., Raymond W.,; Jackson, Virginia,; Kumler, Aden,; Nelson, Ingrid,; Watson, Nicholas,; Zimbalist, Barbara,
• HerausgeberIn: Cervone, Cristina Maria,; Watson, Nicholas,
• Place / Publishing House: Philadelphia : : University of Pennsylvania Press, , [2022]; ©2022
• Year of Publication: 2022
• Language: English
• Series: The Middle Ages Series
• Physical Description: 1 online resource (560 p.) :; 24 halftones, 3 tables, 5 line drawings

What Kind of a Thing Is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as “lyrics,” the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyrics have been thought of as subjective and best read without reference to cultural context, yet nonetheless they are taken to form a distinct literary tradition. Since Middle English short poems are often communal and usually spoken, sung, and/or danced, this lyric template is not a good fit. In another way, however, the very differences between these poems and the later ones on which current debates about the lyric still focus suggest they have much to offer those debates, and vice versa.As its title suggests, this book thus goes back to the basics, asking fundamental questions about what these poems are, how they function formally and culturally, how they are (and are not) related to other bodies of short poetry, and how they might illuminate and be illuminated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists, all in careful conversation with one another, reflect on these questions and suggest very different answers. The editors’ introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of “play,” in several senses of that word. The book ends with eight “new Middle English lyrics” by seven contemporary poets.

Table of Contents

Frontmatter -- Contents -- Preface -- Conventions -- List of Abbreviations -- Introduction. Why stonde we? why go we noȝt? -- Chapter 1. Lyric Editing -- Chapter 2. Wondering Through Middle English Lyric -- Chapter 3. Lyric Romance -- Chapter 4. Language and Meter -- Chapter 5. Lyric Value -- Chapter 6. Cognitive Poetics of Middle English Lyric Poetry -- Chapter 7. Lyric Vessels -- Chapter 8. The Sound of Rollean Lyric -- Chapter 9. The Lyric Christ -- Chapter 10. The Religious Lyric in Medieval England (1150–1400): Three Disciplines and a Question -- Chapter 11. Theory of the Fourteenth-Century English Lyric -- Chapter 12. Response: Old Lyric Things -- Chapter 13. Response: Hevy Hameres -- New Medieval Lyrics: A Chapbook -- Notes -- References -- List of Contributors -- Index -- Acknowledgments